{"id":5889,"date":"2020-04-01T11:48:26","date_gmt":"2020-04-01T15:48:26","guid":{"rendered":"https:\/\/www.artsjournal.com\/engage\/?p=5889"},"modified":"2020-04-01T11:48:31","modified_gmt":"2020-04-01T15:48:31","slug":"ask","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/engage\/2020\/04\/ask\/","title":{"rendered":"Ask"},"content":{"rendered":"\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"240\" height=\"240\" src=\"https:\/\/www.artsjournal.com\/engage\/wp-content\/uploads\/2020\/04\/KennedyInauguration.jpg\" alt=\"\" class=\"wp-image-5890\" srcset=\"https:\/\/www.artsjournal.com\/engage\/wp-content\/uploads\/2020\/04\/KennedyInauguration.jpg 240w, https:\/\/www.artsjournal.com\/engage\/wp-content\/uploads\/2020\/04\/KennedyInauguration-150x150.jpg 150w, https:\/\/www.artsjournal.com\/engage\/wp-content\/uploads\/2020\/04\/KennedyInauguration-100x100.jpg 100w, https:\/\/www.artsjournal.com\/engage\/wp-content\/uploads\/2020\/04\/KennedyInauguration-200x200.jpg 200w\" sizes=\"auto, (max-width: 240px) 100vw, 240px\" \/><\/figure><\/div>\n\n\n\n<p class=\"has-text-align-center\"><em>Ask not what your country can do for you. <\/em><br><em>Ask what you can do for your country.<\/em><\/p>\n\n\n\n<p class=\"has-text-align-justify\">Like most people on the planet, I have been consumed with reports on the pandemic threatening us all. I have also been trying to figure out what I can do, both in reducing the spread and in making things better for people. I&#8217;ve had much more success with the former.<\/p>\n\n\n\n<p class=\"has-text-align-justify\">I&#8217;ve also been watching with great interest the number of arts organizations  making content available online, providing virtual experiences to help us get through this. I applaud the motivation to be helpful that these efforts represent.<\/p>\n\n\n\n<p class=\"has-text-align-justify\">At the same time, I wonder if a myopia inherent in our industry might get in the way of doing even greater good. Both <a href=\"https:\/\/insidethearts.com\/buttsintheseats\/2020\/03\/30\/streaming-and-providing-content-is-well-and-good-but-whats-next\/\">Joe Patti <\/a>and <a href=\"https:\/\/medium.com\/@ninaksimon\/how-can-i-contribute-four-steps-im-taking-to-figure-it-out-d7a35b5149d5\">Nina Simon<\/a> have reflected on this recently so I won&#8217;t repeat their astute observations. <\/p>\n\n\n\n<p class=\"has-text-align-justify\">Let me just say this. The Kennedy quotation from his inaugural address told us to focus on how we can help, not on how we can be helped. But I think there is a further step we need to take in order to make sure our &#8220;help&#8221; is the most helpful. <\/p>\n\n\n\n<p class=\"has-text-align-justify\">To make a point through extreme hyperbole, imagine you are a motor boat salesman. You see someone drowning and, to be helpful, you take a boat out and circle them a number of times in impressively tight rings (other boats cannot do that!) in order to demonstrate what a wonderful boat it is. <\/p>\n\n\n\n<p class=\"has-text-align-justify\">The ridiculously obvious point is that the sales person&#8217;s core expertise was not directly related to the swimmer&#8217;s need, although clearly <em><span style=\"text-decoration: underline;\">the boat<\/span><\/em> could be <em>extremely<\/em> helpful.<\/p>\n\n\n\n<p class=\"has-text-align-justify\">The arts industry mostly views the world through the lens of its expertise\u2013the presentation of arts experiences rooted in the European aristocratic cultural tradition. For some people expanded access to these experiences will unquestionably be helpful. For many others, maybe not so much.<\/p>\n\n\n\n<p class=\"has-text-align-justify\">By and large, arts organizations are not sufficiently connected with the broad community (or discreet community subsets with which little or no relationship exists) to know how to best be of help. The solution is &#8220;simple&#8221;:<\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong>ASK<\/strong><\/p>\n\n\n\n<p>Not asking or asking and not really responding leads us to the situation in which Nikki Haley and many others <a href=\"https:\/\/twitter.com\/NikkiHaley\/status\/1243246885638414337\">can question funding for high profile arts organizations in the stimulus bill<\/a>. If we were demonstrably addressing the concerns of our communities, there would be far less political cover for politicians to take those stands.<\/p>\n\n\n\n<p>Ask!<\/p>\n\n\n\n<p>Engage!<\/p>\n\n\n\n<p>Doug<\/p>\n\n\n\n<p>Photo: <\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignleft\"><img decoding=\"async\" src=\"https:\/\/combo.staticflickr.com\/pw\/images\/cc_icon_noderivs_small.gif\" alt=\"No Derivative Works\"\/><\/figure><\/div>\n\n\n\n<p><a href=\"https:\/\/creativecommons.org\/licenses\/by-nd\/2.0\/\">Some rights reserved<\/a>\u00a0by\u00a0<a href=\"https:\/\/www.flickr.com\/photos\/usembassythehague\/\">U.S. Embassy The Hague<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>In efforts to be good community citizens, examine your assumptions. Ask others: What would be most helpful?<\/p>\n","protected":false},"author":2,"featured_media":5890,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"Ask: In efforts to be good community citizens, examine your assumptions. Ask others what would be most helpful.","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[5,10,1],"tags":[12,13,22,16],"class_list":{"0":"post-5889","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-principles","8":"category-the-practice-of-engagement","9":"category-uncategorized","10":"tag-arts","11":"tag-community-engagement","12":"tag-public-good","13":"tag-public-policy","14":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.artsjournal.com\/engage\/wp-content\/uploads\/2020\/04\/KennedyInauguration.jpg","jetpack_shortlink":"https:\/\/wp.me\/s1G6h9-ask","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":1602,"url":"https:\/\/www.artsjournal.com\/engage\/2012\/05\/signs-of-engagement\/","url_meta":{"origin":5889,"position":0},"title":"Signs of Engagement","author":"Doug Borwick","date":"May 15, 2012","format":false,"excerpt":"While I'm on a roll with posts dissecting the meaning and nature of engagement (Engagement Is, Audience Development \u201cvs.\u201d Community Engagement, Audience Engagement-Community Engagement), I've got some more issues to raise (or repeat). I have made much of the fact that substantive community engagement (as opposed to audience engagement) is\u2026","rel":"","context":"In &quot;Principles&quot;","block_context":{"text":"Principles","link":"https:\/\/www.artsjournal.com\/engage\/category\/principles\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":5321,"url":"https:\/\/www.artsjournal.com\/engage\/2018\/06\/two-phase-engagement\/","url_meta":{"origin":5889,"position":1},"title":"Two-Phase Engagement","author":"Doug Borwick","date":"June 20, 2018","format":false,"excerpt":"Phase 1 of community engagement is relationship building. Evidence of growing trust is the expectation. Phase 2, with the relationship established, can turn to mutually beneficial programming and practical matters like sales and donations.","rel":"","context":"In &quot;Principles&quot;","block_context":{"text":"Principles","link":"https:\/\/www.artsjournal.com\/engage\/category\/principles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/engage\/wp-content\/uploads\/2018\/06\/PouringFoundation-200x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":5694,"url":"https:\/\/www.artsjournal.com\/engage\/2019\/09\/community-engagement-resources\/","url_meta":{"origin":5889,"position":2},"title":"Community Engagement Resources","author":"Doug Borwick","date":"September 11, 2019","format":false,"excerpt":"Resources available for work in the arts and community engagement.","rel":"","context":"In &quot;Building Communities Not Audiences&quot;","block_context":{"text":"Building Communities Not Audiences","link":"https:\/\/www.artsjournal.com\/engage\/category\/building-communities\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/engage\/wp-content\/uploads\/2019\/08\/CommunityConnectionLogos-H-2017-Final-e1565978638805.png?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.artsjournal.com\/engage\/wp-content\/uploads\/2019\/08\/CommunityConnectionLogos-H-2017-Final-e1565978638805.png?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.artsjournal.com\/engage\/wp-content\/uploads\/2019\/08\/CommunityConnectionLogos-H-2017-Final-e1565978638805.png?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.artsjournal.com\/engage\/wp-content\/uploads\/2019\/08\/CommunityConnectionLogos-H-2017-Final-e1565978638805.png?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":4022,"url":"https:\/\/www.artsjournal.com\/engage\/2015\/03\/yep-we-do-that-sequel-part-i\/","url_meta":{"origin":5889,"position":3},"title":"Yep, We Do That-Sequel (Part I)","author":"Doug Borwick","date":"March 11, 2015","format":false,"excerpt":"Questions for assessing engagement readiness-Part I","rel":"","context":"In &quot;Principles&quot;","block_context":{"text":"Principles","link":"https:\/\/www.artsjournal.com\/engage\/category\/principles\/"},"img":{"alt_text":"ThumbUp","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/engage\/wp-content\/uploads\/2014\/04\/ThumbUp-e1396538778275.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":5002,"url":"https:\/\/www.artsjournal.com\/engage\/2017\/08\/storm-brewing\/","url_meta":{"origin":5889,"position":4},"title":"Storm Brewing","author":"Doug Borwick","date":"August 23, 2017","format":false,"excerpt":"Another shot in the public policy wars about funding inequity in the arts.","rel":"","context":"In &quot;Principles&quot;","block_context":{"text":"Principles","link":"https:\/\/www.artsjournal.com\/engage\/category\/principles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/engage\/wp-content\/uploads\/2017\/07\/StormBrewing-300x200.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":4425,"url":"https:\/\/www.artsjournal.com\/engage\/2016\/03\/committing-to-engagement\/","url_meta":{"origin":5889,"position":5},"title":"Committing to Engagement","author":"Doug Borwick","date":"March 23, 2016","format":false,"excerpt":"Draft of an arts organization's statement of commitment to community engagement \u2013a potentially useful tool in the trust-building process.","rel":"","context":"In &quot;The Practice of Engagement&quot;","block_context":{"text":"The Practice of Engagement","link":"https:\/\/www.artsjournal.com\/engage\/category\/the-practice-of-engagement\/"},"img":{"alt_text":"MosesStoneTablets","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/engage\/wp-content\/uploads\/2016\/02\/MosesStoneTablets-e1455894470832.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/posts\/5889","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/comments?post=5889"}],"version-history":[{"count":5,"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/posts\/5889\/revisions"}],"predecessor-version":[{"id":5895,"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/posts\/5889\/revisions\/5895"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/media\/5890"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/media?parent=5889"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/categories?post=5889"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/tags?post=5889"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}