{"id":5113,"date":"2018-01-03T02:00:55","date_gmt":"2018-01-03T07:00:55","guid":{"rendered":"http:\/\/www.artsjournal.com\/engage\/?p=5113"},"modified":"2017-12-29T10:55:43","modified_gmt":"2017-12-29T15:55:43","slug":"docents-as-engagers","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/engage\/2018\/01\/docents-as-engagers\/","title":{"rendered":"Docents as Engagers"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-5115 alignleft\" src=\"https:\/\/www.artsjournal.com\/engage\/wp-content\/uploads\/2017\/11\/Docent-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/www.artsjournal.com\/engage\/wp-content\/uploads\/2017\/11\/Docent-300x200.jpg 300w, https:\/\/www.artsjournal.com\/engage\/wp-content\/uploads\/2017\/11\/Docent.jpg 320w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/p>\n<p style=\"text-align: justify;\">Some time ago in a forum discussing community engagement, someone asked me what the role of docents should be in engagement work. It was a light bulb question for me. My professional background is primarily in the performing arts so I have always viewed box office workers and ushers as important elements in contact with the public and, therefore, in engagement efforts. The question opened up to me a whole world of possibilities since docents\u00a0are a deeply ingrained part of the culture of many visual arts organizations.<\/p>\n<p style=\"text-align: justify;\">Docents are ideal prospects for important involvement in engagement. They are dedicated to the work of the organization and to the art or they would not be volunteering to be educators in this way. They have experience in interacting with people from outside the organization and in advocating for the work the organization presents. Perhaps most importantly, it is part of their function to spend time, sometimes a lot of time, with visitors.<\/p>\n<p style=\"text-align: justify;\">Including docents as a key component of engagement efforts would require some new training and skill development. Historically, docents have been primarily one-way providers of information, although that has been changing. Two-way\u00a0 exchanges to develop relationships would be an additional task as would the debriefing required to access what they discover. However, the potential is enormous. Not only are docents in a position to learn much about communities that are already curious about the work of the organization, they might, in some cases, also become resources to develop and maintain relationships with those communities outside of the walls of the museum or gallery. All of this would, of course, have to be part of a comprehensive engagement plan, a plan in which docents are only one element.<\/p>\n<p style=\"text-align: justify;\">Docents are an established part of the visual arts world. They already interact with the public. It would not take a great deal of change to enlist them in helping the organization develop relationships with individuals and the communities from which they come.<\/p>\n<p>Engage!<\/p>\n<p>Doug<\/p>\n<dl id=\"yui_3_11_0_3_1510939489436_340\">\n<dt>Photo:\u00a0<span class=\"ccIcn ccIcnSmall\"><a href=\"https:\/\/creativecommons.org\/licenses\/by\/2.0\/\"><img decoding=\"async\" title=\"Attribution\" src=\"https:\/\/s.yimg.com\/pw\/images\/cc_icon_attribution_small.gif\" alt=\"Attribution\" border=\"0\" \/><\/a><\/span>\u00a0<a title=\"Attribution License\" href=\"https:\/\/creativecommons.org\/licenses\/by\/2.0\/\">Some rights reserved<\/a>\u00a0by\u00a0<a id=\"yui_3_11_0_3_1510939489436_338\" href=\"https:\/\/www.flickr.com\/photos\/saintlouisartmuseum\/\">Saint Louis Art Museum<\/a><\/dt>\n<\/dl>\n","protected":false},"excerpt":{"rendered":"<p>Some time ago in a forum discussing community engagement, someone asked me what the role of docents should be in engagement work. It was a light bulb question for me. My professional background is primarily in the performing arts so I have always viewed box office workers and ushers as important elements in contact with [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":5115,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"Docents as Engagers: An existing cadre of volunteers ideally suited to aid in community engagement.","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[10],"tags":[12,13,39],"class_list":{"0":"post-5113","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-the-practice-of-engagement","8":"tag-arts","9":"tag-community-engagement","10":"tag-relationships","11":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.artsjournal.com\/engage\/wp-content\/uploads\/2017\/11\/Docent.jpg","jetpack_shortlink":"https:\/\/wp.me\/p1G6h9-1kt","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":5219,"url":"https:\/\/www.artsjournal.com\/engage\/2018\/02\/engagement-at-the-core\/","url_meta":{"origin":5113,"position":0},"title":"Engagement at the Core","author":"Doug Borwick","date":"February 21, 2018","format":false,"excerpt":"Early in engagement simply imagine how a commitment to relationship building might affect and improve results in work already being done. In other words, keep it simple.","rel":"","context":"In &quot;The Practice of Engagement&quot;","block_context":{"text":"The Practice of Engagement","link":"https:\/\/www.artsjournal.com\/engage\/category\/the-practice-of-engagement\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/engage\/wp-content\/uploads\/2018\/01\/EasyButton-300x189.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":6436,"url":"https:\/\/www.artsjournal.com\/engage\/2021\/09\/terminology\/","url_meta":{"origin":5113,"position":1},"title":"Terminology","author":"Doug Borwick","date":"September 9, 2021","format":false,"excerpt":"A critical element in effective community engagement is understanding exactly what it is . . . and what it is not.","rel":"","context":"In &quot;10th Anniversary&quot;","block_context":{"text":"10th Anniversary","link":"https:\/\/www.artsjournal.com\/engage\/category\/10th-anniversary\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/engage\/wp-content\/uploads\/2021\/07\/10.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":4409,"url":"https:\/\/www.artsjournal.com\/engage\/2016\/02\/engagement-is-a-means-not-an-end\/","url_meta":{"origin":5113,"position":2},"title":"Engagement Is a Means, Not an End","author":"Doug Borwick","date":"February 10, 2016","format":false,"excerpt":"Engagement is a means to the end of better arts and better lives, not an end in itself.","rel":"","context":"In &quot;Overview&quot;","block_context":{"text":"Overview","link":"https:\/\/www.artsjournal.com\/engage\/category\/overview\/"},"img":{"alt_text":"CorpsDeBallet","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/engage\/wp-content\/uploads\/2014\/09\/CorpsDeBallet.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":4997,"url":"https:\/\/www.artsjournal.com\/engage\/2017\/08\/the-boards-role-in-community-engagement-ii\/","url_meta":{"origin":5113,"position":3},"title":"The Board&#8217;s Role in Community Engagement: II","author":"Doug Borwick","date":"August 16, 2017","format":false,"excerpt":"The board of directors can and should be a supportive resource for community engagement.","rel":"","context":"In &quot;The Practice of Engagement&quot;","block_context":{"text":"The Practice of Engagement","link":"https:\/\/www.artsjournal.com\/engage\/category\/the-practice-of-engagement\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/engage\/wp-content\/uploads\/2017\/06\/BoardOfDirs-300x199.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":4733,"url":"https:\/\/www.artsjournal.com\/engage\/2016\/11\/who-benefits\/","url_meta":{"origin":5113,"position":4},"title":"Who Benefits?","author":"Doug Borwick","date":"November 9, 2016","format":false,"excerpt":"Definitions are important to me. That's probably a reflection of my former life as an academic. (Or, I suppose, it could be why I was an academic.) They've also become critical to my work as an advocate for community engagement. I have presented numerous attempts at defining things like audience\u2026","rel":"","context":"In &quot;Principles&quot;","block_context":{"text":"Principles","link":"https:\/\/www.artsjournal.com\/engage\/category\/principles\/"},"img":{"alt_text":"Dictionary","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/engage\/wp-content\/uploads\/2015\/08\/Dictionary.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":6447,"url":"https:\/\/www.artsjournal.com\/engage\/2021\/09\/employee-engagement-as-a-strategy-for-community-engagement\/","url_meta":{"origin":5113,"position":5},"title":"Employee Engagement as a Strategy for Community Engagement","author":"Guest Blogger","date":"September 22, 2021","format":false,"excerpt":"Guest blogger Kathleen Riemenschneider on the relationship between employee engagement and community engagement.","rel":"","context":"In &quot;Guest Post&quot;","block_context":{"text":"Guest Post","link":"https:\/\/www.artsjournal.com\/engage\/category\/guest-post\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/engage\/wp-content\/uploads\/2021\/09\/EE-CE-figure-scaled-e1631121726103.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.artsjournal.com\/engage\/wp-content\/uploads\/2021\/09\/EE-CE-figure-scaled-e1631121726103.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.artsjournal.com\/engage\/wp-content\/uploads\/2021\/09\/EE-CE-figure-scaled-e1631121726103.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.artsjournal.com\/engage\/wp-content\/uploads\/2021\/09\/EE-CE-figure-scaled-e1631121726103.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.artsjournal.com\/engage\/wp-content\/uploads\/2021\/09\/EE-CE-figure-scaled-e1631121726103.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/posts\/5113","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/comments?post=5113"}],"version-history":[{"count":4,"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/posts\/5113\/revisions"}],"predecessor-version":[{"id":5186,"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/posts\/5113\/revisions\/5186"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/media\/5115"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/media?parent=5113"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/categories?post=5113"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/tags?post=5113"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}