{"id":4955,"date":"2017-06-28T02:00:08","date_gmt":"2017-06-28T06:00:08","guid":{"rendered":"http:\/\/www.artsjournal.com\/engage\/?p=4955"},"modified":"2017-06-26T09:17:20","modified_gmt":"2017-06-26T13:17:20","slug":"communities-as-data-points","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/engage\/2017\/06\/communities-as-data-points\/","title":{"rendered":"Communities as Data Points?"},"content":{"rendered":"<p style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-4958 alignleft\" src=\"https:\/\/www.artsjournal.com\/engage\/wp-content\/uploads\/2017\/05\/Graph-300x203.jpg\" alt=\"\" width=\"300\" height=\"203\" srcset=\"https:\/\/www.artsjournal.com\/engage\/wp-content\/uploads\/2017\/05\/Graph-300x203.jpg 300w, https:\/\/www.artsjournal.com\/engage\/wp-content\/uploads\/2017\/05\/Graph.jpg 320w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>Sometimes a blog post derives from seeing something that only tangentially relates to its point. Such is the case with this one. A while ago I saw <a href=\"http:\/\/www.wallacefoundation.org\/knowledge-center\/Pages\/Ballet-Austin-Building-Audiences-for-Sustainability.aspx\">an article on the Wallace Foundation&#8217;s support of a project for Ballet Austin<\/a>. It is an interesting and valuable marketing study\u00a0related to audiences, arts industry assumptions about them, and new ways to draw more people into new work based on the research. It is a fascinating report and an important one. And to be clear I have\u00a0<em>great<\/em> respect for the work Ballet Austin has done over the years in connecting with people and I&#8217;ve recently made friends with a number of the staff at Slover Linnett, the team that conducted the research.<\/p>\n<p style=\"text-align: justify;\">So, the &#8220;however&#8221; that is coming has nothing to do with the research, the report, its findings, or any of the principals. It just stems from two nagging (and related) concerns. The first is <strong>our tendency <em>not<\/em> to see the people we try to reach or those who attend arts events as people.<\/strong> No one does this consciously, but the phrases &#8220;butts in seats\/eyes on walls&#8221; is shorthand for our focus on numbers and results rather than relationships. And this tendency <strong>can have the effect of creating another barrier between us and &#8220;them&#8221; (which is another problem with our terminology).<\/strong> This was the genesis of the title of my first book,\u00a0<em>Building Communities, Not Audiences.\u00a0<\/em>We have to be vigilant in minimizing, not increasing, \u00a0the distance between the arts and the people we should be serving.<\/p>\n<p style=\"text-align: justify;\">The related concern is that datacentric research misses an opportunity. (This paragraph is based on assumptions so I&#8217;m perfectly willing to be corrected.) When focus groups are asked questions solely about what we want to know for marketing purposes, it can have\u00a0the effect of making them subjects of our experiment. I can imagine adding a few questions that draw them into conversation with us that could have the effect of initiating or firming up relationships with them. Here are a few of my sophomoric ideas about possible questions:<\/p>\n<ul>\n<li style=\"text-align: justify;\">&#8220;Is this art form important to you? And if so, why?&#8221;<\/li>\n<li style=\"text-align: justify;\">&#8220;What about the things you saw\/heard resonated with your own life?&#8221;<\/li>\n<li style=\"text-align: justify;\">&#8220;What things you saw\u00a0and heard seemed particularly important or meaningful to you?&#8221;<\/li>\n<li style=\"text-align: justify;\">&#8220;What would you like our arts organization to know about you?&#8221;<\/li>\n<\/ul>\n<p style=\"text-align: justify;\">You get the idea. I acknowledge that I&#8217;m not even a neophyte when it comes to arts marketing research. The field is way beyond me. However, there does seem to be an opportunity to turn focus groups into relationship building opportunities with the addition of a few questions like these. (This is an idea I first broached some time ago in <a href=\"https:\/\/www.artsjournal.com\/engage\/2012\/08\/focus-group-or-story-circle\/\">Focus Group or Story Circle<\/a>.)<\/p>\n<p style=\"text-align: justify;\">I am, without question, excessively sensitive to anything that has the potential to increase\u00a0the distance between us and the people we hope to reach. I put this forward not as a response to the article I cited but as a means to generate thought about how to use this important aspect of our work to improve connections with our communities.<\/p>\n<p style=\"text-align: justify;\">Engage!<\/p>\n<p style=\"text-align: justify;\">Doug<\/p>\n<dl>\n<dt>Photo:\u00a0<span class=\"ccIcn ccIcnSmall\"><a href=\"https:\/\/creativecommons.org\/licenses\/by-nc\/2.0\/\"><img decoding=\"async\" title=\"Attribution\" src=\"https:\/\/s.yimg.com\/pw\/images\/cc_icon_attribution_small.gif\" alt=\"Attribution\" border=\"0\" \/><img decoding=\"async\" title=\"Noncommercial\" src=\"https:\/\/s.yimg.com\/pw\/images\/cc_icon_noncomm_small.gif\" alt=\"Noncommercial\" border=\"0\" \/><\/a><\/span> <a title=\"Attribution-NonCommercial License\" href=\"https:\/\/creativecommons.org\/licenses\/by-nc\/2.0\/\">Some rights reserved<\/a> by <a href=\"https:\/\/www.flickr.com\/photos\/alicebartlett\/\">Alice Bartlett<\/a><\/dt>\n<\/dl>\n","protected":false},"excerpt":{"rendered":"<p>Our tendency not to see the people we try to reach as people can have the effect of creating a barrier between us and &#8220;them&#8221; (which is another problem with our terminology).<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"Communities as Data Points?","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[10],"tags":[53,12,13,27,39,55],"class_list":{"0":"post-4955","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-the-practice-of-engagement","7":"tag-artcentricity","8":"tag-arts","9":"tag-community-engagement","10":"tag-marketing","11":"tag-relationships","12":"tag-research","13":"entry","14":"has-post-thumbnail"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p1G6h9-1hV","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":403,"url":"https:\/\/www.artsjournal.com\/engage\/2011\/10\/quality-and-community-2\/","url_meta":{"origin":4955,"position":0},"title":"Quality and Community-2","author":"Doug Borwick","date":"October 8, 2011","format":false,"excerpt":"Must \"quality\" and \"community\" be mutually exclusive? Clearly I believe not, in spite of a widespread opinion to the contrary on the part of many in the established arts world. That prejudice against community is the elephant in the room I called out in my earlier Quality and Community post.\u2026","rel":"","context":"In &quot;Principles&quot;","block_context":{"text":"Principles","link":"https:\/\/www.artsjournal.com\/engage\/category\/principles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/engage\/wp-content\/uploads\/2011\/09\/ElephantInRoom.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":3001,"url":"https:\/\/www.artsjournal.com\/engage\/2013\/07\/afta-2013-thoughts-ii\/","url_meta":{"origin":4955,"position":1},"title":"AftA (2013) Thoughts: II","author":"Doug Borwick","date":"July 10, 2013","format":false,"excerpt":"In AftA Thoughts (2013) : I I began to debrief on my Americans for the Arts 2013 Conference experience. On the second day I had a moment of cognitive dissonance worth exploring. Two back-to-back sessions were inspiring. The Town Hall meeting featuring Bill Strickland of Manchester Bidwell Corporation highlighted wonderful\u2026","rel":"","context":"In &quot;Principles&quot;","block_context":{"text":"Principles","link":"https:\/\/www.artsjournal.com\/engage\/category\/principles\/"},"img":{"alt_text":"Pittsburgh","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/engage\/wp-content\/uploads\/2013\/06\/Pittsburgh-300x133.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1856,"url":"https:\/\/www.artsjournal.com\/engage\/2012\/07\/bonus-post\/","url_meta":{"origin":4955,"position":2},"title":"Bonus Post","author":"Doug Borwick","date":"July 21, 2012","format":false,"excerpt":"I said I was going to only do one post a week through August, but here are two things that might be of interest. First, Julia Levy of CultureCraver (kind of an interesting concept: GoodReads for culture is the way I think of it) contacted me when she heard about\u2026","rel":"","context":"In &quot;Examples&quot;","block_context":{"text":"Examples","link":"https:\/\/www.artsjournal.com\/engage\/category\/examples\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":6612,"url":"https:\/\/www.artsjournal.com\/engage\/2022\/04\/assessing-engagement\/","url_meta":{"origin":4955,"position":3},"title":"Assessing Engagement","author":"Doug Borwick","date":"April 13, 2022","format":false,"excerpt":"The time has come to apply greater rigor to evaluating engagement processes, results, and the state of community engagement in the nonprofit arts industry.","rel":"","context":"In &quot;The Practice of Engagement&quot;","block_context":{"text":"The Practice of Engagement","link":"https:\/\/www.artsjournal.com\/engage\/category\/the-practice-of-engagement\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/engage\/wp-content\/uploads\/2017\/04\/Clipboard.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":4721,"url":"https:\/\/www.artsjournal.com\/engage\/2016\/10\/from-arts-experience-to-human-experience\/","url_meta":{"origin":4955,"position":4},"title":"From Arts Experience to Human Experience","author":"Doug Borwick","date":"October 26, 2016","format":false,"excerpt":"Barry Hughson on the nature of the arts experience from the \"experiencer's\" perspective.","rel":"","context":"In &quot;Customer-Client-Collaborator Series&quot;","block_context":{"text":"Customer-Client-Collaborator Series","link":"https:\/\/www.artsjournal.com\/engage\/category\/customer-client-collaborator-series\/"},"img":{"alt_text":"barryhughson","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/engage\/wp-content\/uploads\/2016\/10\/BarryHughson-e1477250514118.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2433,"url":"https:\/\/www.artsjournal.com\/engage\/2013\/01\/ttrash-project\/","url_meta":{"origin":4955,"position":5},"title":"The Trash Project","author":"Doug Borwick","date":"January 19, 2013","format":false,"excerpt":"http:\/\/www.youtube.com\/watch?v=h6ZBlYdyoeQ One of the joys of all the traveling and speaking I am undertaking is the opportunity to find out about cool examples of engagement work going on around the country. I am going to Austin for the Texas Commission on the Arts & Texans for the Arts conference, Strategies\u2026","rel":"","context":"In &quot;Examples&quot;","block_context":{"text":"Examples","link":"https:\/\/www.artsjournal.com\/engage\/category\/examples\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/img.youtube.com\/vi\/h6ZBlYdyoeQ\/0.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/posts\/4955","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/comments?post=4955"}],"version-history":[{"count":4,"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/posts\/4955\/revisions"}],"predecessor-version":[{"id":4999,"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/posts\/4955\/revisions\/4999"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/media?parent=4955"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/categories?post=4955"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/tags?post=4955"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}