{"id":4857,"date":"2017-03-15T02:00:34","date_gmt":"2017-03-15T06:00:34","guid":{"rendered":"http:\/\/www.artsjournal.com\/engage\/?p=4857"},"modified":"2017-03-13T11:02:48","modified_gmt":"2017-03-13T15:02:48","slug":"contextualize-first","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/engage\/2017\/03\/contextualize-first\/","title":{"rendered":"Contextualize First"},"content":{"rendered":"<p style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-4858 alignleft\" src=\"https:\/\/www.artsjournal.com\/engage\/wp-content\/uploads\/2017\/02\/OpticalIlusion.jpg\" alt=\"\" width=\"263\" height=\"185\" \/>The tendency to imagine that community engagement demands all kinds of new work, new approaches, and new venues makes the consideration of engagement nearly impossible for some. Last week in <a href=\"https:\/\/www.artsjournal.com\/engage\/2017\/03\/essential-gradualism\/\" target=\"_blank\">Essential Gradualism<\/a> I pointed out that undertaking <em>no<\/em> immediate steps is often the best approach. Earlier, in <a href=\"https:\/\/www.artsjournal.com\/engage\/2016\/10\/keep-it-simple\/\" target=\"_blank\">Keep It Simple<\/a> I made the case that even when programming becomes a part of the engagement process it is best to &#8220;go simple.&#8221; Engagement can often be best served by<\/p>\n<p style=\"padding-left: 30px; padding-right: 30px; text-align: justify;\"><em>[s]imple shifts of emphasis: the realization that <\/em>West Side Story<em> is about (among other things) immigration and gang violence; that Vivaldi&#8217;s <\/em>Spring<em> can be an expression of environmental awareness; [and] that Renaissance music inspired by the Plague is about a deadly public health crisis.\u00a0<\/em><\/p>\n<p style=\"text-align: justify;\">The profoundly clumsy term I have been using for this is contextualization. Every work of art has a socio-cultural context. Many of those contexts provide a means of access to the work\u00a0 that would be meaningful to different communities. In addition, <strong>many works have social themes<\/strong>, as pointed out in the quotation above, <strong>that are not only of interest but that are deeply meaningful to communities today<\/strong>.<\/p>\n<p style=\"text-align: justify;\">The central point here is that, especially at the beginning of engagement efforts, we need not go to extreme lengths. Sometimes work we have already programmed will serve the purpose. Many other times work that we might have programmed anyway will fill the bill nicely.<\/p>\n<p style=\"text-align: justify;\">It is entirely understandable that we look at the art we present primarily as the art it is. We should. But there is a blindness inherent in getting stuck there. Often looking at things another way will provide insight that shows a work&#8217;s value in serving the interests of our communities.<\/p>\n<p style=\"text-align: justify;\">And now you can see the point of the optical illusion above. Let&#8217;s keep our minds open to various ways of &#8220;seeing&#8221; the art we present. <strong>Shifting perspective slightly can open the door to many possibilities for engagement.<\/strong><\/p>\n<p style=\"text-align: justify;\">Engage!<\/p>\n<p style=\"text-align: justify;\">Doug<\/p>\n<p style=\"text-align: justify;\">Image: <a href=\"https:\/\/en.wikipedia.org\/wiki\/Optical_illusion\" target=\"_blank\">https:\/\/en.wikipedia.org\/wiki\/Optical_illusion<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Many works have social themes that are not only of interest but that are deeply meaningful to communities today. Shifting our perspective slightly can open the door to many possibilities for engagement.<\/p>\n","protected":false},"author":2,"featured_media":4858,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"Contextualize: Many works have social themes that are deeply meaningful to communities today.","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[5],"tags":[12,13,43,39],"class_list":{"0":"post-4857","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-principles","8":"tag-arts","9":"tag-community-engagement","10":"tag-programming","11":"tag-relationships","12":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.artsjournal.com\/engage\/wp-content\/uploads\/2017\/02\/OpticalIlusion.jpg","jetpack_shortlink":"https:\/\/wp.me\/p1G6h9-1gl","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":481,"url":"https:\/\/www.artsjournal.com\/engage\/2011\/09\/what-is-engagement\/","url_meta":{"origin":4857,"position":0},"title":"What Is Engagement?","author":"Doug Borwick","date":"September 24, 2011","format":false,"excerpt":"I am teaching a course this fall called Arts in the Community. One of the course requirements is for students to assist in a community arts project. For the purpose of the course we use the definition \"arts-based project intentionally designed to address a community issue.\" A difficulty I (and\u2026","rel":"","context":"In &quot;The Practice of Engagement&quot;","block_context":{"text":"The Practice of Engagement","link":"https:\/\/www.artsjournal.com\/engage\/category\/the-practice-of-engagement\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/engage\/wp-content\/uploads\/2011\/09\/PTICA-LogoGraphic.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":5219,"url":"https:\/\/www.artsjournal.com\/engage\/2018\/02\/engagement-at-the-core\/","url_meta":{"origin":4857,"position":1},"title":"Engagement at the Core","author":"Doug Borwick","date":"February 21, 2018","format":false,"excerpt":"Early in engagement simply imagine how a commitment to relationship building might affect and improve results in work already being done. In other words, keep it simple.","rel":"","context":"In &quot;The Practice of Engagement&quot;","block_context":{"text":"The Practice of Engagement","link":"https:\/\/www.artsjournal.com\/engage\/category\/the-practice-of-engagement\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/engage\/wp-content\/uploads\/2018\/01\/EasyButton-300x189.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":3972,"url":"https:\/\/www.artsjournal.com\/engage\/2015\/01\/notes-from-st-louis\/","url_meta":{"origin":4857,"position":2},"title":"Notes from St. Louis","author":"Doug Borwick","date":"January 14, 2015","format":false,"excerpt":"Work in St. Louis: addressing myths\/misunderstandings about community engagement and beginning to work with organizations on engagement planning.","rel":"","context":"In &quot;Overview&quot;","block_context":{"text":"Overview","link":"https:\/\/www.artsjournal.com\/engage\/category\/overview\/"},"img":{"alt_text":"StLouis","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/engage\/wp-content\/uploads\/2014\/12\/StLouis-e1418158101316.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":5137,"url":"https:\/\/www.artsjournal.com\/engage\/2018\/01\/what-you-need-to-know\/","url_meta":{"origin":4857,"position":3},"title":"What You Need to Know","author":"Doug Borwick","date":"January 10, 2018","format":false,"excerpt":"Community Engagement Essentials: What You Need to Know","rel":"","context":"In &quot;Principles&quot;","block_context":{"text":"Principles","link":"https:\/\/www.artsjournal.com\/engage\/category\/principles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/engage\/wp-content\/uploads\/2017\/12\/Essentials-225x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":4664,"url":"https:\/\/www.artsjournal.com\/engage\/2016\/10\/keep-it-simple\/","url_meta":{"origin":4857,"position":4},"title":"Keep It Simple","author":"Doug Borwick","date":"October 12, 2016","format":false,"excerpt":"Community engagement must begin with simple steps. Examples of big projects can make CE seem impossible.","rel":"","context":"In &quot;The Practice of Engagement&quot;","block_context":{"text":"The Practice of Engagement","link":"https:\/\/www.artsjournal.com\/engage\/category\/the-practice-of-engagement\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/engage\/wp-content\/uploads\/2016\/09\/Simple-e1472756140889.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":3659,"url":"https:\/\/www.artsjournal.com\/engage\/2014\/08\/rationales\/","url_meta":{"origin":4857,"position":5},"title":"Rationales","author":"Doug Borwick","date":"August 20, 2014","format":false,"excerpt":"Which reasons are more important in becoming more effectively engaged with the community\u2013the \"moral\" ones or the practical ones?","rel":"","context":"In &quot;Principles&quot;","block_context":{"text":"Principles","link":"https:\/\/www.artsjournal.com\/engage\/category\/principles\/"},"img":{"alt_text":"Why?","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/engage\/wp-content\/uploads\/2014\/05\/Why-300x225.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/posts\/4857","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/comments?post=4857"}],"version-history":[{"count":3,"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/posts\/4857\/revisions"}],"predecessor-version":[{"id":4889,"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/posts\/4857\/revisions\/4889"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/media\/4858"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/media?parent=4857"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/categories?post=4857"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/tags?post=4857"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}