{"id":4611,"date":"2016-09-28T02:00:24","date_gmt":"2016-09-28T06:00:24","guid":{"rendered":"http:\/\/www.artsjournal.com\/engage\/?p=4611"},"modified":"2016-09-12T16:54:24","modified_gmt":"2016-09-12T20:54:24","slug":"library-lessons","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/engage\/2016\/09\/library-lessons\/","title":{"rendered":"Library Lessons"},"content":{"rendered":"<p id=\"headline\" class=\"headline\" style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-4613 alignleft\" src=\"https:\/\/www.artsjournal.com\/engage\/wp-content\/uploads\/2016\/07\/LibraryContrast-e1467833646244.jpg\" alt=\"Document3\" width=\"427\" height=\"200\" \/>A July article in the New York Times (<a href=\"http:\/\/www.nytimes.com\/2016\/07\/05\/nyregion\/resurgent-new-york-city-libraries.html\" target=\"_blank\">Adding Classes and Content, Resurgent Libraries Turn a Whisper Into a Roar<\/a>) told of the resurgence of libraries in New York City. Many readers might focus on the following paragraph:<\/p>\n<p style=\"padding-left: 30px; padding-right: 30px; text-align: justify;\"><em>In the 2016 fiscal year [New York City] libraries received $360 million for operating costs, $33 million more than the year before \u2014 the largest increase in recent times. For the 2017 fiscal year, which began on Friday, city financing for the libraries increased slightly to $365 million. But in a more significant victory, city leaders agreed to preserve past increases in future budgets, the difference, say, between getting a one-year bonus or a permanent raise.<\/em><\/p>\n<p style=\"text-align: justify;\">But my question was about what magic conjured public officials into approving such a thing, a major turnaround for library funding in the City. Public funding does not happen miraculously. It follows, in large measure, public will. These are the quotes from the article that suggest what&#8217;s happening:<\/p>\n<ul>\n<li style=\"text-align: justify;\"><em>\u201cWe\u2019re seeing that libraries have really stepped up to take on roles that are needed in a community.\u201d<\/em><\/li>\n<li style=\"text-align: justify;\"><em>No longer just repositories for books, public libraries have reinvented themselves as one-stop community centers . . . . [They] are reaffirming their role as an essential part of civic life in America by making themselves indispensable to new generations of patrons.<\/em><\/li>\n<li style=\"text-align: justify;\"><em>[They] are redefining their mission at a time when access to technology, and the ability to use it, is said to deepen class stratification, leaving many poor and disadvantaged communities behind.<\/em><\/li>\n<li style=\"text-align: justify;\"><em>\u201cWe are energized and serving the needs of the people who come through our doors.\u201d<\/em><\/li>\n<\/ul>\n<p style=\"text-align: justify;\">The transition from books to information as the core mission was something libraries had to address over the last generation. Today, the relevance transformation expands to provision of services and resources. Nationally, &#8220;library workers [are showing] people how to file online for welfare benefits and [they teach] classes in science, technology, engineering and math to children who could not afford to go to summer camps.&#8221;<\/p>\n<p style=\"padding-left: 30px; padding-right: 30px; text-align: justify;\"><em>A library in Prospect Heights, Brooklyn, runs a fully equipped recording studio that can be reserved at no cost; many libraries in the borough lend laptops and portable wireless devices to those without internet access at home.<\/em><\/p>\n<p style=\"padding-left: 30px; padding-right: 30px; text-align: justify;\"><em>In Queens, which has a large South Asian population, a library in Jamaica offers sewing classes in Bengali for Bangladeshi women, some of whom now earn a living as seamstresses. Libraries in Flushing and South Jamaica teach social media skills to small-business owners.<\/em><\/p>\n<p style=\"text-align: justify;\">The result was that over the last two years, through a highly coordinated advocacy program, more than 250,000 people have signed on to a letter campaign in support of the libraries. (Many other elements were included as well.) However, a quarter of a million people do not write letters on a whim. They do so because they have seen that the libraries are vitally important to them.<\/p>\n<p style=\"text-align: justify;\">Public support follows demonstrations of relevance. The advocacy must be intentional but it will not be successful if there is not meat on the bones. As I have said almost <em>ad nauseam<\/em>, the key to indispensability is <em>being<\/em> indispensable.<\/p>\n<p style=\"text-align: justify;\">Engage!<\/p>\n<p style=\"text-align: justify;\">Doug<\/p>\n<dl>\n<dt>Left Photo:<span class=\"ccIcn ccIcnSmall\"><a href=\"https:\/\/creativecommons.org\/licenses\/by-nc-nd\/2.0\/\"><img decoding=\"async\" title=\"Attribution\" src=\"https:\/\/s.yimg.com\/pw\/images\/cc_icon_attribution_small.gif\" alt=\"Attribution\" border=\"0\" \/><img decoding=\"async\" title=\"Noncommercial\" src=\"https:\/\/s.yimg.com\/pw\/images\/cc_icon_noncomm_small.gif\" alt=\"Noncommercial\" border=\"0\" \/><img decoding=\"async\" title=\"No Derivative Works\" src=\"https:\/\/s.yimg.com\/pw\/images\/cc_icon_noderivs_small.gif\" alt=\"No Derivative Works\" border=\"0\" \/><\/a><\/span> <a title=\"Attribution-NonCommercial-NoDerivs License\" href=\"https:\/\/creativecommons.org\/licenses\/by-nc-nd\/2.0\/\" target=\"_blank\">Some rights reserved<\/a> by <a href=\"https:\/\/www.flickr.com\/photos\/luthercollegearchives\/\" target=\"_blank\">Luther College Photos<\/a><\/dt>\n<dt>Right Photo:<span class=\"ccIcn ccIcnSmall\"><a href=\"https:\/\/creativecommons.org\/licenses\/by-nc-sa\/2.0\/\"><img decoding=\"async\" title=\"Attribution\" src=\"https:\/\/s.yimg.com\/pw\/images\/cc_icon_attribution_small.gif\" alt=\"Attribution\" border=\"0\" \/><img decoding=\"async\" title=\"Noncommercial\" src=\"https:\/\/s.yimg.com\/pw\/images\/cc_icon_noncomm_small.gif\" alt=\"Noncommercial\" border=\"0\" \/><img decoding=\"async\" title=\"Share Alike\" src=\"https:\/\/s.yimg.com\/pw\/images\/cc_icon_sharealike_small.gif\" alt=\"Share Alike\" border=\"0\" \/><\/a><\/span> <a title=\"Attribution-NonCommercial-ShareAlike License\" href=\"https:\/\/creativecommons.org\/licenses\/by-nc-sa\/2.0\/\" target=\"_blank\">Some rights reserved<\/a> by <a href=\"https:\/\/www.flickr.com\/photos\/elenaromera\/\" target=\"_blank\">Elena Romera<\/a><\/dt>\n<\/dl>\n","protected":false},"excerpt":{"rendered":"<p>Library Lessons: Engaging with communities yields stunning public policy benefits.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"Library Lessons: Engaging with communities yields stunning public policy 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unavailable sources of funding and support.","rel":"","context":"In &quot;Examples&quot;","block_context":{"text":"Examples","link":"https:\/\/www.artsjournal.com\/engage\/category\/examples\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/engage\/wp-content\/uploads\/2017\/05\/RAM_logo-300x175.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":6306,"url":"https:\/\/www.artsjournal.com\/engage\/2021\/02\/reimagine-yourself\/","url_meta":{"origin":4611,"position":1},"title":"Reimagine Yourself","author":"Doug Borwick","date":"February 17, 2021","format":false,"excerpt":"The failure to lift our eyes and see that our core work should be connecting people with art is the principal source of the problems we have experienced over the last 20-30 years.","rel":"","context":"In &quot;Overview&quot;","block_context":{"text":"Overview","link":"https:\/\/www.artsjournal.com\/engage\/category\/overview\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/engage\/wp-content\/uploads\/2021\/02\/Imagine.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.artsjournal.com\/engage\/wp-content\/uploads\/2021\/02\/Imagine.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.artsjournal.com\/engage\/wp-content\/uploads\/2021\/02\/Imagine.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.artsjournal.com\/engage\/wp-content\/uploads\/2021\/02\/Imagine.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":6464,"url":"https:\/\/www.artsjournal.com\/engage\/2021\/10\/not-charity\/","url_meta":{"origin":4611,"position":2},"title":"Not Charity","author":"Doug Borwick","date":"October 6, 2021","format":false,"excerpt":"For California's Riverside Art Museum relationship building with the area's Hispanic communities led directly to a huge influx of capital and a massive expansion of the facilities.","rel":"","context":"In &quot;The Practice of Engagement&quot;","block_context":{"text":"The Practice of Engagement","link":"https:\/\/www.artsjournal.com\/engage\/category\/the-practice-of-engagement\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/engage\/wp-content\/uploads\/2013\/04\/Gold-e1427122302387.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":4989,"url":"https:\/\/www.artsjournal.com\/engage\/2017\/07\/one-jupiter\/","url_meta":{"origin":4611,"position":3},"title":"One Jupiter","author":"Doug Borwick","date":"July 19, 2017","format":false,"excerpt":"Born out of tragedy, the \"One Jupiter\" project is on-going and an excellent example of maintaining a community relationship beyond the initial event.","rel":"","context":"In &quot;Examples&quot;","block_context":{"text":"Examples","link":"https:\/\/www.artsjournal.com\/engage\/category\/examples\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/engage\/wp-content\/uploads\/2017\/06\/onejupiterupdated-poster-final-229x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":4499,"url":"https:\/\/www.artsjournal.com\/engage\/2016\/04\/relationships-and-public-policy\/","url_meta":{"origin":4611,"position":4},"title":"Relationships and Public Policy","author":"Doug Borwick","date":"April 27, 2016","format":false,"excerpt":"by Karen Gahl-Mills This post is part of a series in conjunction with TRG Arts on developing relationships with both new communities and existing stakeholders through artistic programming, marketing and fundraising, community engagement, and public policy. (Cross-post can be found at Analysis from TRG Arts.) I had an interesting conversation\u2026","rel":"","context":"In &quot;Customer-Client-Collaborator Series&quot;","block_context":{"text":"Customer-Client-Collaborator Series","link":"https:\/\/www.artsjournal.com\/engage\/category\/customer-client-collaborator-series\/"},"img":{"alt_text":"GahlMillsHeadshot","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/engage\/wp-content\/uploads\/2016\/04\/GahlMillsHeadshot-e1459779165968.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":3967,"url":"https:\/\/www.artsjournal.com\/engage\/2015\/01\/the-p-word\/","url_meta":{"origin":4611,"position":5},"title":"The P Word","author":"Doug Borwick","date":"January 28, 2015","format":false,"excerpt":"We don't have to feel privileged to be privileged. To effectively engage, trust is essential. We in the arts have much work to do to earn trust, even where we were not the ones to lose it.","rel":"","context":"In &quot;Principles&quot;","block_context":{"text":"Principles","link":"https:\/\/www.artsjournal.com\/engage\/category\/principles\/"},"img":{"alt_text":"Privilege","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/engage\/wp-content\/uploads\/2014\/12\/Privilege.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/posts\/4611","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/comments?post=4611"}],"version-history":[{"count":5,"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/posts\/4611\/revisions"}],"predecessor-version":[{"id":4710,"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/posts\/4611\/revisions\/4710"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/media?parent=4611"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/categories?post=4611"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/tags?post=4611"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}