{"id":4476,"date":"2016-03-16T02:00:47","date_gmt":"2016-03-16T06:00:47","guid":{"rendered":"http:\/\/www.artsjournal.com\/engage\/?p=4476"},"modified":"2016-03-15T11:16:27","modified_gmt":"2016-03-15T15:16:27","slug":"diversity-and-genuine-engagement","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/engage\/2016\/03\/diversity-and-genuine-engagement\/","title":{"rendered":"Diversity and Genuine Engagement"},"content":{"rendered":"<p style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-4484 alignleft\" src=\"https:\/\/www.artsjournal.com\/engage\/wp-content\/uploads\/2016\/03\/Diversity.jpg\" alt=\"Diversity\" width=\"320\" height=\"213\" srcset=\"https:\/\/www.artsjournal.com\/engage\/wp-content\/uploads\/2016\/03\/Diversity.jpg 320w, https:\/\/www.artsjournal.com\/engage\/wp-content\/uploads\/2016\/03\/Diversity-300x200.jpg 300w\" sizes=\"auto, (max-width: 320px) 100vw, 320px\" \/>In February Malesha Taylor posted &#8220;<a href=\"http:\/\/howlround.com\/is-your-theatre-only-diverse-and-inclusive-twice-a-year\" target=\"_blank\">Is Your Theatre Only &#8216;Diverse and Inclusive&#8217; Twice a Year?<\/a>&#8220;, a meditation on diversity initiatives, outreach, and inclusiveness on HowlRound. There were so many spot on observations it&#8217;s hard to know where to begin.<\/p>\n<p style=\"text-align: justify;\">She begins by describing a ten-week consultancy she had with a theatre company to foster diverse audience development. When she began she &#8220;was in a mindset of &#8216;audience development&#8217; but soon discovered [her] best approach would be to be in a mindset of genuine community engagement.&#8221; She bemoans an all-too-prevalent assumption that diversity can be achieved by one-off or short term efforts. (When do lasting relationships really form out of a single attempt at speed-dating?) She concludes that too many attempts to achieve diversity are simply seeking ways to sell more tickets: &#8220;Can the theatre see itself as a benefit to the community and not the other way around?&#8221; (When stated this baldly, the self-serving nature of this kind of pursuit of &#8220;diversity&#8221; is pretty obvious.) She cites the problem with &#8220;outreach&#8221; quoting Emily Golding-Olivera:<\/p>\n<p style=\"padding-left: 30px; padding-right: 30px; text-align: justify;\"><em>Why do we see communities of color as targets of \u201coutreach\u201d instead of our customer base? African Americans consumers command a total of 1 trillion dollars of spending power. Companies that build these relationships are benefiting, in both the short and long-term.<\/em><\/p>\n<p style=\"text-align: justify;\">(This is a long-standing hot button for me. See <a href=\"https:\/\/www.artsjournal.com\/engage\/2014\/10\/outreach\/\" target=\"_blank\">Outreach<\/a>).<\/p>\n<p style=\"text-align: justify;\">And the issue of the myopic quest for diversity is one I have addressed previously (<a href=\"https:\/\/www.artsjournal.com\/engage\/2014\/07\/the-self-centered-pursuit-of-diversity\/\" target=\"_blank\">The Self-Centered Pursuit of Diversity<\/a>):<\/p>\n<p style=\"padding-left: 30px; padding-right: 30px; text-align: justify;\"><em>&#8220;Diverse audiences&#8221; as a goal is self-serving, it&#8217;s self-focused\/artcentric. It&#8217;s about making the organization look better or feel better about itself. The goal should be serving\/making life better for diverse communities.<\/em><\/p>\n<p style=\"text-align: justify;\">But it is the concern with &#8220;genuine community engagement&#8221; that most interests me here. Her advice:<\/p>\n<p style=\"padding-left: 30px; padding-right: 30px; text-align: justify;\"><em>If the community is to be reflected in the theatre, and the community is in fact diverse, why not simply engage in an organic relationship <\/em>[an on-going, permanent one]<em> with the community and let the diversity in the audience be a result of that engagement? &#8220;<\/em><\/p>\n<p style=\"text-align: justify;\">is the heart of the matter whether the pursuit is of diversity or, frankly, any new communities: development of organic relationships.<\/p>\n<p style=\"text-align: justify;\">Great advice in so many different aspects.<\/p>\n<p style=\"text-align: justify;\">Engage!<\/p>\n<p style=\"text-align: justify;\">Doug<\/p>\n<p style=\"text-align: justify;\">Photo:<span class=\"ccIcn ccIcnSmall\"><a href=\"https:\/\/creativecommons.org\/licenses\/by\/2.0\/\"><img decoding=\"async\" title=\"Attribution\" src=\"https:\/\/s.yimg.com\/pw\/images\/cc_icon_attribution_small.gif\" alt=\"Attribution\" border=\"0\" \/><\/a><\/span> <a title=\"Attribution License\" href=\"https:\/\/creativecommons.org\/licenses\/by\/2.0\/\" target=\"_blank\">Some rights reserved<\/a> by <a href=\"https:\/\/www.flickr.com\/photos\/smoorenburg\/\" target=\"_blank\">smoorenburg<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Diversity is not achieved via &#8220;programs.&#8221; It&#8217;s the result of genuine community engagement\u2013organic, on-going, permanent relationships.<\/p>\n","protected":false},"author":2,"featured_media":4484,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"Diversity and Genuine Engagement: Effective diversity efforts are built on  permanent relationships.","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[5],"tags":[12,42,39],"class_list":{"0":"post-4476","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-principles","8":"tag-arts","9":"tag-diversity","10":"tag-relationships","11":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.artsjournal.com\/engage\/wp-content\/uploads\/2016\/03\/Diversity.jpg","jetpack_shortlink":"https:\/\/wp.me\/p1G6h9-1ac","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":5729,"url":"https:\/\/www.artsjournal.com\/engage\/2019\/10\/doomed-to-fail\/","url_meta":{"origin":4476,"position":0},"title":"Doomed to Fail","author":"Doug Borwick","date":"October 30, 2019","format":false,"excerpt":"Diversity, equity, and inclusion are vital to the future of the arts. The commitment to community that community engagement requires is an essential foundation upon which to build efforts in DEI.","rel":"","context":"In &quot;Principles&quot;","block_context":{"text":"Principles","link":"https:\/\/www.artsjournal.com\/engage\/category\/principles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/engage\/wp-content\/uploads\/2019\/10\/Fail.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":3756,"url":"https:\/\/www.artsjournal.com\/engage\/2014\/08\/making-meaningful-connections\/","url_meta":{"origin":4476,"position":1},"title":"Making Meaningful Connections","author":"Doug Borwick","date":"August 6, 2014","format":false,"excerpt":"The Helicon Collaborative and Irvine Foundation's report on engaging with diverse communities.","rel":"","context":"In &quot;Principles&quot;","block_context":{"text":"Principles","link":"https:\/\/www.artsjournal.com\/engage\/category\/principles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/engage\/wp-content\/uploads\/2014\/07\/Helicon-IrvineConnectionsReport-e1406298763696.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":3687,"url":"https:\/\/www.artsjournal.com\/engage\/2014\/07\/the-self-centered-pursuit-of-diversity\/","url_meta":{"origin":4476,"position":2},"title":"The Self-Centered Pursuit of Diversity","author":"Doug Borwick","date":"July 16, 2014","format":false,"excerpt":"\"Diverse audiences\" as a goal is self-serving. It\u2019s about making the organization look better or feel better about itself. The goal should be serving\/making life better for diverse communities.\"","rel":"","context":"In &quot;Principles&quot;","block_context":{"text":"Principles","link":"https:\/\/www.artsjournal.com\/engage\/category\/principles\/"},"img":{"alt_text":"Nashville","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/engage\/wp-content\/uploads\/2014\/06\/Nashville-300x199.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":4229,"url":"https:\/\/www.artsjournal.com\/engage\/2015\/08\/afta-thoughts-2015-staff-diversity\/","url_meta":{"origin":4476,"position":3},"title":"AftA Thoughts 2015: Staff Diversity","author":"Doug Borwick","date":"August 5, 2015","format":false,"excerpt":"What if arts organizations were seen as robust contributors to better lives for African-Americans, Hispanics, recent immigrants, the poor, the disenfranchised? Enhance diversity by being valuable.","rel":"","context":"In &quot;The Practice of Engagement&quot;","block_context":{"text":"The Practice of Engagement","link":"https:\/\/www.artsjournal.com\/engage\/category\/the-practice-of-engagement\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/engage\/wp-content\/uploads\/2015\/06\/DiverseStaff-e1435326777756.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":3075,"url":"https:\/\/www.artsjournal.com\/engage\/2013\/09\/diversity-definitions\/","url_meta":{"origin":4476,"position":4},"title":"Diversity Definitions","author":"Doug Borwick","date":"September 10, 2013","format":false,"excerpt":"The Arts and Science Council in Charlotte has been involved in some serious work to promote diversity, access, and inclusion. I attended a session at last June's Americans for the Arts conference in Pittsburgh in which Robert Bush, now Interim Director of the Council, described their efforts. In the twenty\u2026","rel":"","context":"In &quot;Principles&quot;","block_context":{"text":"Principles","link":"https:\/\/www.artsjournal.com\/engage\/category\/principles\/"},"img":{"alt_text":"http:\/\/www.artsandscience.org\/templates\/ascdesign20\/images\/asc-logo.jpg","src":"https:\/\/i0.wp.com\/www.artsandscience.org\/templates\/ascdesign20\/images\/asc-logo.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1897,"url":"https:\/\/www.artsjournal.com\/engage\/2012\/08\/focus-group-or-story-circle\/","url_meta":{"origin":4476,"position":5},"title":"Focus Group or Story Circle","author":"Doug Borwick","date":"August 15, 2012","format":false,"excerpt":"In my last post (Reinventing the Wheel), I talked about Roadside Theater's use of story circles in script development and relationship building. It was presented as one example of how arts organizations that have long focused on grassroots relationships have much to teach the rest of the arts community. In\u2026","rel":"","context":"In &quot;Principles&quot;","block_context":{"text":"Principles","link":"https:\/\/www.artsjournal.com\/engage\/category\/principles\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/posts\/4476","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/comments?post=4476"}],"version-history":[{"count":5,"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/posts\/4476\/revisions"}],"predecessor-version":[{"id":4487,"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/posts\/4476\/revisions\/4487"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/media\/4484"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/media?parent=4476"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/categories?post=4476"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/tags?post=4476"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}