{"id":4379,"date":"2016-01-13T02:00:54","date_gmt":"2016-01-13T07:00:54","guid":{"rendered":"http:\/\/www.artsjournal.com\/engage\/?p=4379"},"modified":"2016-01-11T11:17:52","modified_gmt":"2016-01-11T16:17:52","slug":"art-for-arts-sake-revisited","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/engage\/2016\/01\/art-for-arts-sake-revisited\/","title":{"rendered":"Art for Art&#8217;s Sake Revisited"},"content":{"rendered":"<p style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-4393 alignleft\" src=\"https:\/\/www.artsjournal.com\/engage\/wp-content\/uploads\/2015\/12\/AfAS.jpg\" alt=\"AfAS\" width=\"755\" height=\"126\" srcset=\"https:\/\/www.artsjournal.com\/engage\/wp-content\/uploads\/2015\/12\/AfAS.jpg 755w, https:\/\/www.artsjournal.com\/engage\/wp-content\/uploads\/2015\/12\/AfAS-300x50.jpg 300w, https:\/\/www.artsjournal.com\/engage\/wp-content\/uploads\/2015\/12\/AfAS-500x83.jpg 500w, https:\/\/www.artsjournal.com\/engage\/wp-content\/uploads\/2015\/12\/AfAS-750x126.jpg 750w\" sizes=\"auto, (max-width: 755px) 100vw, 755px\" \/>One of my most widely read (and\/or infamous) posts is <a href=\"https:\/\/www.artsjournal.com\/engage\/2012\/01\/art-for-arts-sake\/\" target=\"_blank\">Art for Art&#8217;s Sake: There&#8217;s No Such Thing<\/a>. The thrust of that essay was that art always does <em>something <\/em>and is always for <em>someone<\/em> and so the concept of art for art&#8217;s sake, while it is an acknowledgement of the power of art is, taken at face value, a meaningless and perhaps unhelpful concept. Before I go on let me reiterate that I am wholly in sympathy with the phrase&#8217;s intent of celebrating the vital importance of the arts.<\/p>\n<p style=\"text-align: justify;\">Over the last year I&#8217;ve seen a number of references to on the one hand the importance of maintaining the purity of intent that AfAS conveys and on the other hand the potential dangers of promoting the concept. Coming down (substantially) on the latter side, let me present here a brief segment from one of my presentations that address the question.<\/p>\n<p style=\"padding-left: 30px;\"><em>When I taught music, I would use one of the profession\u2019s most closely held truisms to challenge my students\u2019 understanding of the field. \u201cMusic is the universal language\u201d is a sentence repeated with the reverence of scripture. It also happens to be false. Music is universal, but its language, grammar, and syntax are not. Traditional Chinese opera is as foreign and incomprehensible to Western ears as Strauss\u2019s tone poems are to aboriginal peoples. That does not diminish either. It simply forces us to question what we mean by \u201cmusic is universal.\u201d<\/em><\/p>\n<p style=\"padding-left: 30px;\"><em>Similarly, a truism we all hold precious is the merit of \u201cart for art\u2019s sake.\u201d It is a shorthand for art being important, art being meaningful. With that I whole-heartedly agree. Unfortunately, it can serve as an inadvertent barrier for those who have not felt art\u2019s power in their own lives. For them the notion is so incomprehensible it can be off-putting the way rabid sports fans can be intimidating to those not similarly minded.<\/em><\/p>\n<p style=\"padding-left: 30px;\"><em>I understand why we are attracted to the concept. It springs from our appreciation of art as transcendent experience. Beyond the secret handshake aspect of it, however, the real danger is that it has led some to lose sight of the fact that the arts provide transcendent <\/em>human<em> experience. The \u201cart for art&#8217;s sake\u201d mindset can imply that it is the art that is important. It is not. This perspective can also function as an excuse, conscious or not, for ignoring community. These \u201cartcentric\u201d views need addressing.<\/em><\/p>\n<p style=\"padding-left: 30px;\"><em>The question, as I would frame it in this context, is <\/em>\u201cDo we serve a what or a whom?\u201d<em> Many of our mission statements are mostly or entirely focused on a what\u2013the art that is the medium of our work. Consider this, while serving art may be what\u2019s in the front of our minds, doing so<br \/>\n<\/em><\/p>\n<p style=\"padding-left: 30px;\"><em>1) is not at heart what many of us <\/em>really<em> want to do,<\/em><\/p>\n<p style=\"padding-left: 60px;\"><em>Most artists are invested in their work because they want other people to share the joy they experience in it. While this may look or feel like focus on the art, their core purpose grows out of the impact of that art on people.<\/em><\/p>\n<p style=\"padding-left: 30px;\"><em>and 2) is a pretty strange thing to do.<\/em><\/p>\n<p style=\"padding-left: 60px;\"><em>Divorced from art\u2019s impact (or potential impact) on others, serving <\/em>art<em> is\u2013let\u2019s be frank\u2013a kind of idolatry.<\/em><\/p>\n<p style=\"text-align: justify;\"><strong>The concept of art for art&#8217;s sake is a self-evident truth for all of us<\/strong> (and, again, I include myself here) <strong>for whom it is self-evident.<\/strong> However, <strong>for the many who are not true believers the concept is either incomprehensible, off-putting, or both<\/strong>. I worry that emphasis on this much-loved, long-held concept can get in the way of them taking advantage of the benefits and the value that the arts can provide. And that would be a tragedy.<\/p>\n<p style=\"text-align: justify;\">Engage!<\/p>\n<p style=\"text-align: justify;\">Doug<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Art for art&#8217;s sake is a self-evident truth for all of us for whom it is self-evident. However, for the many who are not true believers the concept is either incomprehensible, off-putting, or both. <\/p>\n","protected":false},"author":2,"featured_media":4393,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"Art for Art's Sake Revisited\u2013a much-loved idea for true believers, a bewildering and\/or off-putting one for others.","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[5],"tags":[12,13,23],"class_list":{"0":"post-4379","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-principles","8":"tag-arts","9":"tag-community-engagement","10":"tag-intrinsic","11":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.artsjournal.com\/engage\/wp-content\/uploads\/2015\/12\/AfAS.jpg","jetpack_shortlink":"https:\/\/wp.me\/p1G6h9-18D","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":4402,"url":"https:\/\/www.artsjournal.com\/engage\/2016\/01\/afas-follow-up\/","url_meta":{"origin":4379,"position":0},"title":"AfAS Follow Up","author":"Doug Borwick","date":"January 20, 2016","format":false,"excerpt":"Expansions, clarifications, further thoughts on Art for Art's Sake","rel":"","context":"In &quot;Principles&quot;","block_context":{"text":"Principles","link":"https:\/\/www.artsjournal.com\/engage\/category\/principles\/"},"img":{"alt_text":"AfAS","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/engage\/wp-content\/uploads\/2015\/12\/AfAS.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.artsjournal.com\/engage\/wp-content\/uploads\/2015\/12\/AfAS.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.artsjournal.com\/engage\/wp-content\/uploads\/2015\/12\/AfAS.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.artsjournal.com\/engage\/wp-content\/uploads\/2015\/12\/AfAS.jpg?resize=700%2C400 2x"},"classes":[]},{"id":4608,"url":"https:\/\/www.artsjournal.com\/engage\/2016\/08\/fifth-anniversary-highlights-art-for-arts-sake\/","url_meta":{"origin":4379,"position":1},"title":"Fifth Anniversary Highlights: Art for Art&#8217;s Sake?","author":"Doug Borwick","date":"August 10, 2016","format":false,"excerpt":"Fifth Anniversary Highlights: Art for Art's Sake?","rel":"","context":"In &quot;Principles&quot;","block_context":{"text":"Principles","link":"https:\/\/www.artsjournal.com\/engage\/category\/principles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/engage\/wp-content\/uploads\/2016\/07\/FiveCandles.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":1005,"url":"https:\/\/www.artsjournal.com\/engage\/2012\/01\/art-for-arts-sake\/","url_meta":{"origin":4379,"position":2},"title":"Art for Art&#8217;s Sake? There&#8217;s No Such Thing","author":"Doug Borwick","date":"January 11, 2012","format":false,"excerpt":"So here is a bit of heresy for the New Year. A recent post by Clayton Lord on his blog New Beans, This Is Your Brain on Art (sizzle, sizzle), reminded me of my first exposure to the Rand Corporation's 2005 Gifts of the Muse study. A distinction was made\u2026","rel":"","context":"In &quot;Overview&quot;","block_context":{"text":"Overview","link":"https:\/\/www.artsjournal.com\/engage\/category\/overview\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/engage\/wp-content\/uploads\/2012\/01\/PaintBrushes.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2970,"url":"https:\/\/www.artsjournal.com\/engage\/2013\/07\/benefits-of-the-arts\/","url_meta":{"origin":4379,"position":3},"title":"Benefits of the Arts","author":"Doug Borwick","date":"July 31, 2013","format":false,"excerpt":"One of the best things about blogging (especially in the summer when so many of my colleagues in academia are paying less attention) is the opportunity to experiment with ideas that are, shall we say, not fully baked. Careful (and long-time) readers of this blog may recall that in my\u2026","rel":"","context":"In &quot;Overview&quot;","block_context":{"text":"Overview","link":"https:\/\/www.artsjournal.com\/engage\/category\/overview\/"},"img":{"alt_text":"Half-Baked","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/engage\/wp-content\/uploads\/2013\/06\/Half-Baked-300x243.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":5720,"url":"https:\/\/www.artsjournal.com\/engage\/2019\/10\/mission-creep\/","url_meta":{"origin":4379,"position":4},"title":"Mission Creep??!!","author":"Doug Borwick","date":"October 16, 2019","format":false,"excerpt":"If connecting people with the arts represents \"mission creep\" for your organization, your organization needs to seriously re-examine it's mission.","rel":"","context":"In &quot;Overview&quot;","block_context":{"text":"Overview","link":"https:\/\/www.artsjournal.com\/engage\/category\/overview\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/engage\/wp-content\/uploads\/2019\/09\/Mission.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":1765,"url":"https:\/\/www.artsjournal.com\/engage\/2012\/06\/valuing-public-good\/","url_meta":{"origin":4379,"position":5},"title":"Valuing Public Good","author":"Doug Borwick","date":"June 27, 2012","format":false,"excerpt":"In preparing my last post [Structures and Models in Blogs, Oh My] about the recent discussions of structural and business models for arts organizations, I was gradually overcome with an uncomfortable sensation. The argument that the intrinsic benefits of the arts are undermined by the need to serve the public\u2026","rel":"","context":"In &quot;Overview&quot;","block_context":{"text":"Overview","link":"https:\/\/www.artsjournal.com\/engage\/category\/overview\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/posts\/4379","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/comments?post=4379"}],"version-history":[{"count":5,"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/posts\/4379\/revisions"}],"predecessor-version":[{"id":4396,"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/posts\/4379\/revisions\/4396"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/media\/4393"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/media?parent=4379"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/categories?post=4379"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/tags?post=4379"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}