![\"Equity\"](\"https:\/\/www.artsjournal.com\/engage\/wp-content\/uploads\/2015\/06\/Equity-e1435255742641.jpg\")
Last month I attended Americans for the Arts’ convention in Chicago. It was a great event in a great city. As usual, it sparked a number of thoughts about the present and future of the arts and, as has become my habit, I intend to reflect on the experience in a series of posts here.<\/p>\n
This post considers the conference’s remarkable focus on diversity and equity. The number of sessions and the amount of conversation addressing these issues appeared to be at an all-time high. AftA has for several years been inching its way toward grappling with questions of diversity, inclusion, and equity at its conferences. In my reflections on the conference the last two years I have commented on the topics being raised and cited a provocative or powerful session or two.<\/p>\n
The 2015 convening marked a moment that could come to be seen as a real turning point. This year the discussions may, at last, yield real action leading to results. It\u2019s clearly too early to tell. However, the number of sessions addressing these issues and the excitement they engendered among all<\/em> participants was remarkable. Far more time was devoted to the topics than has been true in the past. By my highly unscientific count, a minimum of 10 concurrent sessions out of a total of 40 were devoted on these topics. In addition, one of three pre-conference sessions was, along with two out of three plenary sessions.<\/p>\n Well-known voices spoke about equity and broad-based empowerment through the arts: Illinois’ Theaster Gates, the Irvine Foundation’s Josephine Ramirez, and the Tucson-Pima County Arts Council’s Roberto Bedoya. Roberto’s “debate” with Ann Markusen of “creative placemaking” fame about gentrification, moderated by Springboard for the Arts’ Laura Zabel, was one of the hottest tickets of the weekend. But to make the point of this post, I opted to attend a competing session also addressing equity and public value. Also, my “picking and choosing” of sessions led me to the Chris McLeod (CLM Marketing) and Linda Steele (ArtsMemphis) session “How Can Agencies Create Pathways to Engagement for Underserved Communities?” and a panel presentation on the DC Diversity Pilot Initiative “Making Progress on Equity One Step at a Time.”<\/p>\n An arts conference where one plenary session is entitled “Empowering Voices Inside Communities through the Arts” and another (out of three) “Empowering Equity and Celebrating Innovation through the Arts,” in addition to all the concurrent sessions referenced above, is one that is investing in change. I congratulate AftA on this important step in the field’s preparation for being serious about entering the 21st Century. And, while I know the entire organization is working hard on this, I’d like to thank Clay Lord, the conference organizer for whom these issues are close to the heart, for a job well done.<\/p>\n Engage!<\/p>\n Doug<\/p>\n Photo: Americans for the Arts 2015 conference in Chicago appeared serious about addressing diversity and equity.<\/p>\n","protected":false},"author":2,"featured_media":4216,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"AftA Thoughts 2015: Equity Watershed? Moment of hope for the future- #aftacon: http:\/\/wp.me\/p1G6h9-15X","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[5],"tags":[12,13,42,47],"class_list":{"0":"post-4213","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-principles","8":"tag-arts","9":"tag-community-engagement","10":"tag-diversity","11":"tag-equity","12":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.artsjournal.com\/engage\/wp-content\/uploads\/2015\/06\/Equity-e1435255742641.jpg","jetpack_shortlink":"https:\/\/wp.me\/p1G6h9-15X","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":4229,"url":"https:\/\/www.artsjournal.com\/engage\/2015\/08\/afta-thoughts-2015-staff-diversity\/","url_meta":{"origin":4213,"position":0},"title":"AftA Thoughts 2015: Staff Diversity","author":"Doug Borwick","date":"August 5, 2015","format":false,"excerpt":"What if arts organizations were seen as robust contributors to better lives for African-Americans, Hispanics, recent immigrants, the poor, the disenfranchised? Enhance diversity by being valuable.","rel":"","context":"In "The Practice of Engagement"","block_context":{"text":"The Practice of Engagement","link":"https:\/\/www.artsjournal.com\/engage\/category\/the-practice-of-engagement\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/engage\/wp-content\/uploads\/2015\/06\/DiverseStaff-e1435326777756.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":4225,"url":"https:\/\/www.artsjournal.com\/engage\/2015\/07\/afta-thoughts-2015-self-perpetuating-boards\/","url_meta":{"origin":4213,"position":1},"title":"AftA Thoughts 2015: Self-Perpetuating Boards","author":"Doug Borwick","date":"July 29, 2015","format":false,"excerpt":"Lack of board diversity reflects \"who they (don't) know.\"","rel":"","context":"In "The Practice of Engagement"","block_context":{"text":"The Practice of Engagement","link":"https:\/\/www.artsjournal.com\/engage\/category\/the-practice-of-engagement\/"},"img":{"alt_text":"DWEM_Board","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/engage\/wp-content\/uploads\/2015\/06\/DWEM_Board-e1435324376845.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2993,"url":"https:\/\/www.artsjournal.com\/engage\/2013\/06\/afta-thoughts-2013-i\/","url_meta":{"origin":4213,"position":2},"title":"AftA Thoughts (2013): I","author":"Doug Borwick","date":"June 26, 2013","format":false,"excerpt":"The 2013 Americans for the Arts Convention was held in Pittsburgh earlier this month. I went, with my newly minted Twitter account, intent on communicating about what happened as it happened. Then I discovered I have a learning disability. I simply cannot tweet and process what's happening at the same\u2026","rel":"","context":"In "Principles"","block_context":{"text":"Principles","link":"https:\/\/www.artsjournal.com\/engage\/category\/principles\/"},"img":{"alt_text":"Pittsburgh","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/engage\/wp-content\/uploads\/2013\/06\/Pittsburgh-300x133.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":4553,"url":"https:\/\/www.artsjournal.com\/engage\/2016\/05\/cultural-equity\/","url_meta":{"origin":4213,"position":3},"title":"Cultural Equity","author":"Doug Borwick","date":"May 25, 2016","format":false,"excerpt":"Americans for the Arts new Statement on Cultural Equity","rel":"","context":"In "Principles"","block_context":{"text":"Principles","link":"https:\/\/www.artsjournal.com\/engage\/category\/principles\/"},"img":{"alt_text":"AftA_Logo2016","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/engage\/wp-content\/uploads\/2016\/05\/AftA_Logo2016-e1463144171756.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":4233,"url":"https:\/\/www.artsjournal.com\/engage\/2015\/08\/afta-thoughts-2015-the-arts-and\/","url_meta":{"origin":4213,"position":4},"title":"AftA Thoughts 2015: The Arts and . . .","author":"Doug Borwick","date":"August 12, 2015","format":false,"excerpt":"The notion that the arts are about the arts alone is a very recent (and unfortunate) one, historically. They were and should be about life\u2013all of it.","rel":"","context":"In "The Arts and . . ."","block_context":{"text":"The Arts and . . .","link":"https:\/\/www.artsjournal.com\/engage\/category\/the-arts-and\/"},"img":{"alt_text":"Ampersand","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/engage\/wp-content\/uploads\/2013\/12\/Ampersand.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":3679,"url":"https:\/\/www.artsjournal.com\/engage\/2014\/07\/afta-thoughts-2014\/","url_meta":{"origin":4213,"position":5},"title":"AftA Thoughts (2014)","author":"Doug Borwick","date":"July 9, 2014","format":false,"excerpt":"Americans for the Arts held its annual conference in Nashville last month. As always, it was a chance to catch up with long-time colleagues, make new friends, and delve into the issues facing what I call the \"arts establishment.\" I had the pleasure of helping facilitate a gathering of researchers\u2026","rel":"","context":"In "Overview"","block_context":{"text":"Overview","link":"https:\/\/www.artsjournal.com\/engage\/category\/overview\/"},"img":{"alt_text":"Nashville","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/engage\/wp-content\/uploads\/2014\/06\/Nashville.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/posts\/4213","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/comments?post=4213"}],"version-history":[{"count":5,"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/posts\/4213\/revisions"}],"predecessor-version":[{"id":4244,"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/posts\/4213\/revisions\/4244"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/media\/4216"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/media?parent=4213"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/categories?post=4213"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/tags?post=4213"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}![\"Attribution\"](\"https:\/\/s.yimg.com\/pw\/images\/cc_icon_attribution_small.gif\" "\\"Attribution\\""){kind=icon}
<\/a><\/span> Some rights reserved<\/a> by LendingMemo<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"