{"id":4197,"date":"2015-07-08T03:16:47","date_gmt":"2015-07-08T07:16:47","guid":{"rendered":"http:\/\/www.artsjournal.com\/engage\/?p=4197"},"modified":"2015-07-08T03:16:47","modified_gmt":"2015-07-08T07:16:47","slug":"you-have-to-go-to-them-sometimes","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/engage\/2015\/07\/you-have-to-go-to-them-sometimes\/","title":{"rendered":"You Have to Go to Them Sometimes"},"content":{"rendered":"<p><img decoding=\"async\" class=\"aligncenter\" src=\"http:\/\/blog.thereadingroom.com.s3.amazonaws.com\/wp-content\/uploads\/2015\/01\/thesinglewoman.jpg\" alt=\"http:\/\/blog.thereadingroom.com.s3.amazonaws.com\/wp-content\/uploads\/2015\/01\/thesinglewoman.jpg\" \/><\/p>\n<p style=\"text-align: center;\">Source: <a href=\"http:\/\/blog.thereadingroom.com.s3.amazonaws.com\/wp-content\/uploads\/2015\/01\/thesinglewoman.jpg\" target=\"_blank\">http:\/\/blog.thereadingroom.com.s3.amazonaws.com\/wp-content\/uploads\/2015\/01\/thesinglewoman.jpg<\/a><\/p>\n<p style=\"text-align: left;\">I&#8217;ve said it much less well in many more words numerous times before.<\/p>\n<p style=\"text-align: left;\">Engage!<\/p>\n<p style=\"text-align: left;\">Doug<\/p>\n","protected":false},"excerpt":{"rendered":"<p>You have to go to them sometimes.<\/p>\n","protected":false},"author":2,"featured_media":4242,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"You Have to Go to Them Sometimes http:\/\/wp.me\/p1G6h9-15H","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[5],"tags":[12,13,39],"class_list":{"0":"post-4197","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-principles","8":"tag-arts","9":"tag-community-engagement","10":"tag-relationships","11":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.artsjournal.com\/engage\/wp-content\/uploads\/2015\/07\/GoToThem-Pooh-e1436304115179.jpg","jetpack_shortlink":"https:\/\/wp.me\/p1G6h9-15H","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":4595,"url":"https:\/\/www.artsjournal.com\/engage\/2016\/07\/community-engagement-training-request-for-assistance\/","url_meta":{"origin":4197,"position":0},"title":"Community Engagement Training?\u2013Request for Assistance","author":"Doug Borwick","date":"July 20, 2016","format":false,"excerpt":"A request for advice on the need for and nature of community engagement training for the field.","rel":"","context":"In &quot;The Practice of Engagement&quot;","block_context":{"text":"The Practice of Engagement","link":"https:\/\/www.artsjournal.com\/engage\/category\/the-practice-of-engagement\/"},"img":{"alt_text":"Help?","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/engage\/wp-content\/uploads\/2016\/07\/Help-e1467384634528.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1818,"url":"https:\/\/www.artsjournal.com\/engage\/2012\/07\/farmer-cowman\/","url_meta":{"origin":4197,"position":1},"title":"The Farmer and the Cowman","author":"Doug Borwick","date":"July 18, 2012","format":false,"excerpt":"As I grow up (an incredibly slow and painful process, especially at age 60), I find myself, in spite of myself, learning things. One of the most revealing lessons I've more fully grasped in the last year is that arts marketers and community engagement advocates can and should be the\u2026","rel":"","context":"In &quot;Overview&quot;","block_context":{"text":"Overview","link":"https:\/\/www.artsjournal.com\/engage\/category\/overview\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/engage\/wp-content\/uploads\/2012\/07\/Farmer-Cowman.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2298,"url":"https:\/\/www.artsjournal.com\/engage\/2013\/01\/communities-take-care-of-things\/","url_meta":{"origin":4197,"position":2},"title":"Communities Take Care of Things","author":"Doug Borwick","date":"January 9, 2013","format":false,"excerpt":"Communities take care of things . . . that matter to them. That sentence, without the ellipses, made it into my notes from some conference in the last year or so. I have no idea what conference. That's one of the big problems with a life lived in conference sessions\u2026","rel":"","context":"In &quot;Overview&quot;","block_context":{"text":"Overview","link":"https:\/\/www.artsjournal.com\/engage\/category\/overview\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/engage\/wp-content\/uploads\/2012\/12\/SandbagBrigade.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":4010,"url":"https:\/\/www.artsjournal.com\/engage\/2015\/03\/art-and-puppies\/","url_meta":{"origin":4197,"position":3},"title":"Art and Puppies","author":"Doug Borwick","date":"March 4, 2015","format":false,"excerpt":"Art and Puppies: \"How can we make our art more like dogs?\" (Thanks Nina Simon!)","rel":"","context":"In &quot;Principles&quot;","block_context":{"text":"Principles","link":"https:\/\/www.artsjournal.com\/engage\/category\/principles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/engage\/wp-content\/uploads\/2015\/02\/NalaWithPumpkin2014-e1424892138185.jpeg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1368,"url":"https:\/\/www.artsjournal.com\/engage\/2012\/03\/clout\/","url_meta":{"origin":4197,"position":4},"title":"Clout","author":"Doug Borwick","date":"March 21, 2012","format":false,"excerpt":"Arlene Goldbard and Barry Hessenius have just concluded a fascinating blogfest, Clout, dealing with policy, advocacy, and the arts in the U.S. They invited a group of thought leaders (Roberto Bedoya, Dudley Cocke, Ra Joy, and Diane Ragsdale) to join them in discussing what might be necessary to move the\u2026","rel":"","context":"In &quot;Overview&quot;","block_context":{"text":"Overview","link":"https:\/\/www.artsjournal.com\/engage\/category\/overview\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":5868,"url":"https:\/\/www.artsjournal.com\/engage\/2020\/03\/no-mystery\/","url_meta":{"origin":4197,"position":5},"title":"No Mystery!","author":"Doug Borwick","date":"March 4, 2020","format":false,"excerpt":"If we are serious about building relationships with new communities, the onus for making the first move and for making our experiences truly welcoming is on us and us alone.","rel":"","context":"In &quot;Principles&quot;","block_context":{"text":"Principles","link":"https:\/\/www.artsjournal.com\/engage\/category\/principles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/engage\/wp-content\/uploads\/2020\/02\/HolmesBakerStreetUnderground.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/posts\/4197","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/comments?post=4197"}],"version-history":[{"count":4,"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/posts\/4197\/revisions"}],"predecessor-version":[{"id":4241,"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/posts\/4197\/revisions\/4241"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/media\/4242"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/media?parent=4197"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/categories?post=4197"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/tags?post=4197"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}