{"id":3833,"date":"2014-10-01T06:06:39","date_gmt":"2014-10-01T10:06:39","guid":{"rendered":"http:\/\/www.artsjournal.com\/engage\/?p=3833"},"modified":"2014-10-01T06:06:39","modified_gmt":"2014-10-01T10:06:39","slug":"make-room-for-fun","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/engage\/2014\/10\/make-room-for-fun\/","title":{"rendered":"Make Room for Fun"},"content":{"rendered":"<p style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-3834\" src=\"https:\/\/www.artsjournal.com\/engage\/wp-content\/uploads\/2014\/09\/FunButton-e1410028567706.jpg\" alt=\"FunButton\" width=\"200\" height=\"200\" \/>Recently I heard a contemporary blues singer (<a href=\"http:\/\/lightnincharlie.com\/\" target=\"_blank\">Lightnin&#8217; Charlie<\/a>) interviewed about his life and work. In the course of the interviewed he said, &#8220;My business is to create fun. If people who come to hear me don&#8217;t have fun, I&#8217;ve not done my job.&#8221;<\/p>\n<p style=\"text-align: justify;\">I&#8217;m not going where some of you might think. I don&#8217;t believe that it is the sole or perhaps even a primary function of Art to create fun for people. But here is a thought to consider in the privacy of your own mind. How many of you are uncomfortable with &#8220;fun&#8221; being <em>any<\/em> part of the business of art? Or at least have to pause to sort out what you think about the notion? Artcentricity is serious business for many and that seriousness gets in the way of communicating with people who have little or no connection with the arts.<\/p>\n<p style=\"text-align: justify;\">I&#8217;ve written on numerous occasions about lessons to be learned from pop culture about paying attention to those we seek to reach, but &#8220;entertainment&#8221; has always been the prime mission of those I&#8217;ve cited. This performer clearly understood that to be one of his functions (otherwise, &#8220;fun&#8221; would not be something he sought to facilitate). However, he also expressed extreme respect for the traditions and exemplars of his art. The legacy of Muddy Waters, John Lee Hooker,\u00a0Magic Sam, and many others is something he honors and for which he feels a responsibility. The blues is a vital part of his personal mission.<\/p>\n<p>The history of every art form is full of jokes, games, and tricks: humor of all kinds stands alongside the deadly serious. We need not abandon any arts mission we believe to be important in order to make room for fun. However, an over-focus on the serious at the expense of fun suggests that the arts are a cult and only &#8220;those who know&#8221; are welcome. The more we can embrace &#8220;points of fun&#8221; in our work, the more doorways we will have to welcome newcomers to the worlds we represent. Think of it this way:<\/p>\n<p style=\"text-align: center;\">\u00a0<strong>Make room for fun. Make room for others.<\/strong><\/p>\n<p>Engage!<\/p>\n<p>Doug<\/p>\n<p>Photo:<span class=\"ccIcn ccIcnSmall\"><a href=\"https:\/\/creativecommons.org\/licenses\/by-sa\/2.0\/\"><img decoding=\"async\" title=\"Attribution\" src=\"https:\/\/s.yimg.com\/pw\/images\/cc_icon_attribution_small.gif\" alt=\"Attribution\" border=\"0\" \/><img decoding=\"async\" title=\"Share Alike\" src=\"https:\/\/s.yimg.com\/pw\/images\/cc_icon_sharealike_small.gif\" alt=\"Share Alike\" border=\"0\" \/><\/a><\/span> <a title=\"Attribution-ShareAlike License\" href=\"https:\/\/creativecommons.org\/licenses\/by-sa\/2.0\/\" target=\"_blank\">Some rights reserved<\/a> by <a href=\"https:\/\/www.flickr.com\/photos\/hodgers\/\" target=\"_blank\">hodgers<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Make room for fun. Make room for others.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"Make room for fun. Make room for others: http:\/\/wp.me\/p1G6h9-ZP","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[5],"tags":[53,12,13,48,39],"class_list":{"0":"post-3833","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-principles","7":"tag-artcentricity","8":"tag-arts","9":"tag-community-engagement","10":"tag-mission","11":"tag-relationships","12":"entry","13":"has-post-thumbnail"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p1G6h9-ZP","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":2375,"url":"https:\/\/www.artsjournal.com\/engage\/2013\/01\/overcoming-artcentricity\/","url_meta":{"origin":3833,"position":0},"title":"Overcoming Artcentricity","author":"Doug Borwick","date":"January 30, 2013","format":false,"excerpt":"In Shifting the Center I began a consideration of transforming the way we think about the relationship between art and community. Many of us in the arts see the world from the perspective of our arts discipline, and that discipline\u2013along with the work that is its expression\u2013is a value unto\u2026","rel":"","context":"In &quot;Principles&quot;","block_context":{"text":"Principles","link":"https:\/\/www.artsjournal.com\/engage\/category\/principles\/"},"img":{"alt_text":"CenterOfUniverse","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/engage\/wp-content\/uploads\/2012\/12\/CenterOfUniverse-234x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":3334,"url":"https:\/\/www.artsjournal.com\/engage\/2014\/01\/tapping-fomo\/","url_meta":{"origin":3833,"position":1},"title":"Tapping FOMO","author":"Doug Borwick","date":"January 29, 2014","format":false,"excerpt":"Creating FOMO (fear of mission out) helps focus on those we seek to reach. It can serve as an antidote to artcentricity and help strengthen relationships with our communities and our own viability.","rel":"","context":"In &quot;The Practice of Engagement&quot;","block_context":{"text":"The Practice of Engagement","link":"https:\/\/www.artsjournal.com\/engage\/category\/the-practice-of-engagement\/"},"img":{"alt_text":"FOMO","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/engage\/wp-content\/uploads\/2013\/12\/FOMO.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":3638,"url":"https:\/\/www.artsjournal.com\/engage\/2014\/05\/getting-to-us\/","url_meta":{"origin":3833,"position":2},"title":"Getting to &#8220;Us&#8221;","author":"Doug Borwick","date":"May 22, 2014","format":false,"excerpt":"Special? Yes. Separate? Not if we know what's good for us.","rel":"","context":"In &quot;Overview&quot;","block_context":{"text":"Overview","link":"https:\/\/www.artsjournal.com\/engage\/category\/overview\/"},"img":{"alt_text":"TomatoesJalapeno","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/engage\/wp-content\/uploads\/2014\/05\/TomatoesJalapeno-300x199.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":3441,"url":"https:\/\/www.artsjournal.com\/engage\/2014\/02\/the-pandering-straw-man\/","url_meta":{"origin":3833,"position":3},"title":"The &#8220;Pandering&#8221; Straw Man","author":"Doug Borwick","date":"February 19, 2014","format":false,"excerpt":"Critics of community engagement often assume it demands pandering. Those who desire to do so can maintain artistic excellence while providing content that is deeply meaningful to the public.","rel":"","context":"In &quot;Principles&quot;","block_context":{"text":"Principles","link":"https:\/\/www.artsjournal.com\/engage\/category\/principles\/"},"img":{"alt_text":"StrawMan","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/engage\/wp-content\/uploads\/2014\/02\/StrawMan.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":3285,"url":"https:\/\/www.artsjournal.com\/engage\/2013\/12\/core-business\/","url_meta":{"origin":3833,"position":4},"title":"Core Business","author":"Doug Borwick","date":"December 11, 2013","format":false,"excerpt":"I continue to be thinking about basic issues for arts institutions. Here are some thoughts about core business. There is a story\u2013that I have always assumed to be apocryphal\u2013of the dance company manager, newly hired in November, who observed that his troupe sold thousands of ticket and made tens of\u2026","rel":"","context":"In &quot;Overview&quot;","block_context":{"text":"Overview","link":"https:\/\/www.artsjournal.com\/engage\/category\/overview\/"},"img":{"alt_text":"AppleCoreSculpture","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/engage\/wp-content\/uploads\/2013\/11\/AppleCoreSculpture-300x225.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":3956,"url":"https:\/\/www.artsjournal.com\/engage\/2015\/01\/reflections-on-a-conference\/","url_meta":{"origin":3833,"position":5},"title":"Reflections on a Conference","author":"Doug Borwick","date":"January 7, 2015","format":false,"excerpt":"The arts, economic development, historic preservation, and tourism at the same table.","rel":"","context":"In &quot;Overview&quot;","block_context":{"text":"Overview","link":"https:\/\/www.artsjournal.com\/engage\/category\/overview\/"},"img":{"alt_text":"http:\/\/nmmainstreet.org\/beta\/wp-content\/uploads\/2014\/01\/Building-Creative-Communities-Conference-final-720x354.jpg","src":"https:\/\/i0.wp.com\/nmmainstreet.org\/beta\/wp-content\/uploads\/2014\/01\/Building-Creative-Communities-Conference-final-720x354.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/posts\/3833","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/comments?post=3833"}],"version-history":[{"count":5,"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/posts\/3833\/revisions"}],"predecessor-version":[{"id":3856,"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/posts\/3833\/revisions\/3856"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/media?parent=3833"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/categories?post=3833"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/tags?post=3833"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}