{"id":3506,"date":"2014-03-19T06:38:39","date_gmt":"2014-03-19T10:38:39","guid":{"rendered":"http:\/\/www.artsjournal.com\/engage\/?p=3506"},"modified":"2014-03-19T06:38:39","modified_gmt":"2014-03-19T10:38:39","slug":"deconstructing-a-revelation","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/engage\/2014\/03\/deconstructing-a-revelation\/","title":{"rendered":"Deconstructing a Revelation"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-1842\" alt=\"LightBulb\" src=\"https:\/\/www.artsjournal.com\/engage\/wp-content\/uploads\/2012\/07\/LightBulb-e1394129630406.jpg\" width=\"300\" height=\"200\" \/>In my last post (<a title=\"Eureka\" href=\"https:\/\/www.artsjournal.com\/engage\/2014\/03\/eureka\/\" target=\"_blank\">Eureka<\/a>), I shared an insight about the nature of not-for-profit arts organizations that was valuable to me. However, I have discovered that in my enthusiasm for the insight, I gave articulation of it short shrift.<\/p>\n<p>My friend and fellow blogger Diane Ragsdale, for whom I have the utmost respect, <a href=\"http:\/\/www.artsjournal.com\/jumper\/2014\/03\/can-arts-organizations-be-both-art-focused-and-community-focused\/\" target=\"_blank\">took that post to task for what she interpreted it to mean<\/a>. If I had meant what she thought I meant, I would have done the same. One lesson here is that like when you have to explain a joke, when one must provide a translation for something they have written, the original was not well conceived.<\/p>\n<p>Simply put, Ms. Ragsdale understood me to mean that focus on engagement and on art were mutually exclusive. In retrospect, I accept responsibility for imprecision of language. As I told her in comments on her post:<\/p>\n<blockquote><p><em>The not-for-profit arts industry has, in the U.S., a problem of perceived public value. Too many \u201cpeople on the street\u201d have a sense that the arts as presented by that industry are not for them. One source of that is our funding history, with support coming from wealthy arts patrons. My main point was intended to be that the insight from Lyz Crane\u2019s remarks provided an additional explanation: social service agencies exist to address a community issue; not-for-profit arts organizations exist to do art. Seen that way by the public can simply reinforce notions of limited public value.<\/em><\/p>\n<p style=\"text-align: center;\">&#8212;&#8212;&#8211;<\/p>\n<p><em>The issue is that &#8220;central to the mission&#8221; is not the same thing as the exclusive mission. I&#8217;ve long talked about balancing focus on art and service. (<a href=\"https:\/\/www.artsjournal.com\/engage\/2013\/04\/engaged-mission-ii\/\">Engaged Mission:II<\/a> is one good example.) The weighting of that balance is up to the organization. Community engagement does require taking some level of community awareness seriously, but never to the exclusion of quality art making.\u00a0<\/em><\/p><\/blockquote>\n<p>Blogging is a bit too much of a sound bite business. It is difficult to be thorough, interesting, insightful (on rare occasions), and succinct. It&#8217;s a little like the old college essay joke, &#8220;Be brief and specific.&#8221;<\/p>\n<p>For the record, let me simply say that if anyone ever thinks I have said that quality of artistic expression or production are unimportant or even secondary to serving our communities, I have misspoken and\/or been misread.<\/p>\n<p>Engage!<\/p>\n<p>Doug<\/p>\n<p>Photo: <a href=\"http:\/\/images.cdn.fotopedia.com\/flickr-4053676608-hd.jpg\" target=\"_blank\">Old school light bulb<\/a> by <a href=\"http:\/\/www.fotopedia.com\/users\/joi\" target=\"_blank\">Joi Ito<\/a> <a href=\"http:\/\/creativecommons.org\/licenses\/by\/2.0\/\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" alt=\"\" src=\"http:\/\/i.creativecommons.org\/l\/by\/3.0\/88x31.png\" width=\"37\" height=\"13\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Community engagement does require taking community awareness seriously, but never to the exclusion of quality art making. <\/p>\n","protected":false},"author":2,"featured_media":1842,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"Deconstructing a Revelation: Art and concern for community are mutually beneficial. http:\/\/wp.me\/p1G6h9-Uy","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[5],"tags":[12,13,48,22],"class_list":{"0":"post-3506","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-principles","8":"tag-arts","9":"tag-community-engagement","10":"tag-mission","11":"tag-public-good","12":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.artsjournal.com\/engage\/wp-content\/uploads\/2012\/07\/LightBulb-e1394129630406.jpg","jetpack_shortlink":"https:\/\/wp.me\/p1G6h9-Uy","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":4409,"url":"https:\/\/www.artsjournal.com\/engage\/2016\/02\/engagement-is-a-means-not-an-end\/","url_meta":{"origin":3506,"position":0},"title":"Engagement Is a Means, Not an End","author":"Doug Borwick","date":"February 10, 2016","format":false,"excerpt":"Engagement is a means to the end of better arts and better lives, not an end in itself.","rel":"","context":"In &quot;Overview&quot;","block_context":{"text":"Overview","link":"https:\/\/www.artsjournal.com\/engage\/category\/overview\/"},"img":{"alt_text":"CorpsDeBallet","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/engage\/wp-content\/uploads\/2014\/09\/CorpsDeBallet.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":3928,"url":"https:\/\/www.artsjournal.com\/engage\/2014\/11\/will-and-way\/","url_meta":{"origin":3506,"position":1},"title":"Will and Way","author":"Doug Borwick","date":"November 12, 2014","format":false,"excerpt":"Believe in the value of reaching communities, then seek the how. There are plenty of excuses not to.","rel":"","context":"In &quot;Principles&quot;","block_context":{"text":"Principles","link":"https:\/\/www.artsjournal.com\/engage\/category\/principles\/"},"img":{"alt_text":"WhereTheresA_Will","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/engage\/wp-content\/uploads\/2014\/11\/WhereTheresA_Will.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1743,"url":"https:\/\/www.artsjournal.com\/engage\/2012\/06\/structures-and-models\/","url_meta":{"origin":3506,"position":2},"title":"Structures and Models in Blogs, Oh My","author":"Doug Borwick","date":"June 23, 2012","format":false,"excerpt":"The last week or so has seen a number of blog posts from some of my favorite thinkers in the arts addressing Big Questions about arts structures in very serious ways. (The picture is related to this post's title. Not to the bloggers!) I am not going to repeat what\u2026","rel":"","context":"In &quot;Overview&quot;","block_context":{"text":"Overview","link":"https:\/\/www.artsjournal.com\/engage\/category\/overview\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/engage\/wp-content\/uploads\/2012\/06\/WizardOfOz.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1368,"url":"https:\/\/www.artsjournal.com\/engage\/2012\/03\/clout\/","url_meta":{"origin":3506,"position":3},"title":"Clout","author":"Doug Borwick","date":"March 21, 2012","format":false,"excerpt":"Arlene Goldbard and Barry Hessenius have just concluded a fascinating blogfest, Clout, dealing with policy, advocacy, and the arts in the U.S. They invited a group of thought leaders (Roberto Bedoya, Dudley Cocke, Ra Joy, and Diane Ragsdale) to join them in discussing what might be necessary to move the\u2026","rel":"","context":"In &quot;Overview&quot;","block_context":{"text":"Overview","link":"https:\/\/www.artsjournal.com\/engage\/category\/overview\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":3319,"url":"https:\/\/www.artsjournal.com\/engage\/2013\/12\/want-need-them\/","url_meta":{"origin":3506,"position":4},"title":"Want-Need: &#8220;Them&#8221;?","author":"Doug Borwick","date":"December 4, 2013","format":false,"excerpt":"Two of my favorite bloggers, Nina Simon and Diane Ragsdale, have recently weighed in on the want vs. need argument. Since this is a topic I have addressed a couple of times before, I wanted to expand upon the discussion a bit from my perspective. It is reasonable to assume\u2026","rel":"","context":"In &quot;Principles&quot;","block_context":{"text":"Principles","link":"https:\/\/www.artsjournal.com\/engage\/category\/principles\/"},"img":{"alt_text":"Them(Ant)","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/engage\/wp-content\/uploads\/2013\/12\/ThemAnt-225x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2520,"url":"https:\/\/www.artsjournal.com\/engage\/2013\/02\/from-here-to-there\/","url_meta":{"origin":3506,"position":5},"title":"From Here to There","author":"Doug Borwick","date":"February 16, 2013","format":false,"excerpt":"Last month I promised (some might say threatened) to begin a series on the potential for mainstreaming community engagement. That is, understanding that we don't have resources to do more than we are already doing, how might we reorient the things we already do in ways that serve engagement? But\u2026","rel":"","context":"In &quot;Overview&quot;","block_context":{"text":"Overview","link":"https:\/\/www.artsjournal.com\/engage\/category\/overview\/"},"img":{"alt_text":"YouAreHere","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/engage\/wp-content\/uploads\/2013\/02\/YouAreHere-300x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/posts\/3506","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/comments?post=3506"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/posts\/3506\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/media\/1842"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/media?parent=3506"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/categories?post=3506"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/tags?post=3506"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}