{"id":3441,"date":"2014-02-19T06:48:48","date_gmt":"2014-02-19T11:48:48","guid":{"rendered":"http:\/\/www.artsjournal.com\/engage\/?p=3441"},"modified":"2014-05-30T11:39:13","modified_gmt":"2014-05-30T15:39:13","slug":"the-pandering-straw-man","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/engage\/2014\/02\/the-pandering-straw-man\/","title":{"rendered":"The &#8220;Pandering&#8221; Straw Man"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-3442\" src=\"https:\/\/www.artsjournal.com\/engage\/wp-content\/uploads\/2014\/02\/StrawMan.jpg\" alt=\"StrawMan\" width=\"211\" height=\"255\" \/>This post is not part of a series, so it may seem a bit out of context. I&#8217;ve addressed the issues of quality and community on numerous occasions previously. (<a title=\"The Pursuit of Excellence\" href=\"https:\/\/www.artsjournal.com\/engage\/2013\/10\/the-pursuit-of-excellence\/\" target=\"_blank\">The Pursuit of Excellence<\/a>, <a title=\"Quality and Community\" href=\"https:\/\/www.artsjournal.com\/engage\/2011\/10\/quality-and-community\/\" target=\"_blank\">Quality and Community<\/a>, <a title=\"Quality and Community-2\" href=\"https:\/\/www.artsjournal.com\/engage\/2011\/10\/quality-and-community-2\/\" target=\"_blank\">Quality and Community-2<\/a>) However, the issue comes up so often in Q&amp;A sessions, it&#8217;s probably good to share this as I write it in the context of a larger project.<\/p>\n<p>Critics (and uncomfortable observers) of community engagement in the arts world often assume that the effort to reach those without a background (or current interest) in the arts demands pandering\u2013presentation of inferior or simplistic work\u2013a prospect that is, rightly, rejected out of hand.<\/p>\n<p>This is, however, a remarkable and, upon brief consideration, terrifying conclusion. The current base of support is insufficient to sustain the arts establishment. If the only way to achieve viability is to present work that is incompatible with arts missions, the industry is truly doomed.<\/p>\n<p>\u201cPandering\u201d is such a powerful accusation that it can distract from efforts to reach the community and thus reinforce artcentricity. It is, to be frank, a pernicious charge intended as a conversation stopper that undermines the humility and respect I&#8217;ve cited as essential for making essential connections with our communities.<\/p>\n<p>Discomfort with the prospect of change is a principal catalyst for this argument. Granted, a lack of awareness of good examples of engaged programming can be another contributor, but both are rooted in satisfaction with the status quo (at least with respect to artistic content) and a failure of imagination.<\/p>\n<p>The pandering charge <i>is<\/i> a straw man, although it is true that some programmers do not understand this and\u2013either cynically or with misguided good intent\u2013present work they deem inferior in an effort to \u201cengage.\u201d As has been demonstrated previously and will be again, those who desire to do so can uphold standards of artistic excellence while providing content that is deeply meaningful to the public.<\/p>\n<p>Engage (authentically and without shame)!<\/p>\n<p>Doug<\/p>\n<p>Photo: <a href=\"http:\/\/creativecommons.org\/licenses\/by-nd\/2.0\/\"><img decoding=\"async\" title=\"Attribution\" src=\"http:\/\/l.yimg.com\/g\/images\/cc_icon_attribution_small.gif\" alt=\"Attribution\" border=\"0\" \/><img decoding=\"async\" title=\"No Derivative Works\" src=\"http:\/\/l.yimg.com\/g\/images\/cc_icon_noderivs_small.gif\" alt=\"No Derivative Works\" border=\"0\" \/><\/a> <a title=\"Attribution-NoDerivs License\" href=\"http:\/\/creativecommons.org\/licenses\/by-nd\/2.0\/\">Some rights reserved<\/a> by <a href=\"http:\/\/www.flickr.com\/photos\/robinellis\/\">RobinEllisActor<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Critics of community engagement often assume it demands pandering. Those who desire to do so can maintain artistic excellence while providing content that is deeply meaningful to the public.<\/p>\n","protected":false},"author":2,"featured_media":3442,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"The \"Pandering\" Straw Man-Artistic excellence and community relevance are not incompatible.","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[5],"tags":[53,12,26,13],"class_list":{"0":"post-3441","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-principles","8":"tag-artcentricity","9":"tag-arts","10":"tag-change","11":"tag-community-engagement","12":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.artsjournal.com\/engage\/wp-content\/uploads\/2014\/02\/StrawMan.jpg","jetpack_shortlink":"https:\/\/wp.me\/p1G6h9-Tv","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":4629,"url":"https:\/\/www.artsjournal.com\/engage\/2016\/08\/fifth-anniversary-highlights-the-pandering-straw-man\/","url_meta":{"origin":3441,"position":0},"title":"Fifth Anniversary Highlights: The &#8220;Pandering&#8221; Straw Man","author":"Doug Borwick","date":"August 24, 2016","format":false,"excerpt":"Those who desire to do so can uphold standards of artistic excellence while providing content that is deeply meaningful to the public.","rel":"","context":"In &quot;Principles&quot;","block_context":{"text":"Principles","link":"https:\/\/www.artsjournal.com\/engage\/category\/principles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/engage\/wp-content\/uploads\/2016\/07\/FiveCandles.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":4839,"url":"https:\/\/www.artsjournal.com\/engage\/2017\/02\/engagement-is-not\/","url_meta":{"origin":3441,"position":1},"title":"Engagement Is Not . . .","author":"Doug Borwick","date":"February 22, 2017","format":false,"excerpt":"Taking a poll of what works a community unfamiliar with an art form wants should be ludicrous. It would be artistically irresponsible, disrespectful of the community, and just plain lazy.","rel":"","context":"In &quot;Principles&quot;","block_context":{"text":"Principles","link":"https:\/\/www.artsjournal.com\/engage\/category\/principles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/engage\/wp-content\/uploads\/2017\/02\/WhatTheyWantTransparent-e1486672457368.png?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":5041,"url":"https:\/\/www.artsjournal.com\/engage\/2017\/10\/excellence-and-engagement-i\/","url_meta":{"origin":3441,"position":2},"title":"Excellence and Engagement: I","author":"Doug Borwick","date":"October 11, 2017","format":false,"excerpt":"Excellence and Engagement: Thoughts on Excellence","rel":"","context":"In &quot;Principles&quot;","block_context":{"text":"Principles","link":"https:\/\/www.artsjournal.com\/engage\/category\/principles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/engage\/wp-content\/uploads\/2013\/02\/ExcellenceSign.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":5047,"url":"https:\/\/www.artsjournal.com\/engage\/2017\/10\/excellence-and-engagement-ii\/","url_meta":{"origin":3441,"position":3},"title":"Excellence and Engagement: II","author":"Doug Borwick","date":"October 18, 2017","format":false,"excerpt":"Excellence and Engagement: Participatory activities, community benefit, and personal meaning.","rel":"","context":"In &quot;Principles&quot;","block_context":{"text":"Principles","link":"https:\/\/www.artsjournal.com\/engage\/category\/principles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/engage\/wp-content\/uploads\/2013\/02\/ExcellenceSign.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":3146,"url":"https:\/\/www.artsjournal.com\/engage\/2013\/10\/the-pursuit-of-excellence\/","url_meta":{"origin":3441,"position":4},"title":"The Pursuit of Excellence","author":"Doug Borwick","date":"October 23, 2013","format":false,"excerpt":"In Excellence-To What End? I made the case that serving people\u2013all of them, from artists to \"the great unwashed\"\u2013was the purpose of seeking excellence. In the months since that post, I've reflected more on this issue, one that is central to our field and of vital importance to all of\u2026","rel":"","context":"In &quot;Principles&quot;","block_context":{"text":"Principles","link":"https:\/\/www.artsjournal.com\/engage\/category\/principles\/"},"img":{"alt_text":"ExcellenceSign","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/engage\/wp-content\/uploads\/2013\/02\/ExcellenceSign-300x148.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":392,"url":"https:\/\/www.artsjournal.com\/engage\/2011\/10\/quality-and-community\/","url_meta":{"origin":3441,"position":5},"title":"Quality and Community","author":"Doug Borwick","date":"October 1, 2011","format":false,"excerpt":"A respondent to an earlier post raised the issue of \"quality\" with respect to community engagement, suggesting in essence that engagement efforts inevitably result in a reduction in the artistic merit of the work. My response was, among other things, that if there is a decline in artistic quality in\u2026","rel":"","context":"In &quot;Principles&quot;","block_context":{"text":"Principles","link":"https:\/\/www.artsjournal.com\/engage\/category\/principles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/engage\/wp-content\/uploads\/2011\/09\/ElephantInRoom.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/posts\/3441","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/comments?post=3441"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/posts\/3441\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/media\/3442"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/media?parent=3441"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/categories?post=3441"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/tags?post=3441"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}