![\"Commons\"](\"https:\/\/www.artsjournal.com\/engage\/wp-content\/uploads\/2013\/10\/Commons-300x180.jpg\")
<\/p>\n<\/p>\n
I had promised myself (and I’m sure some of you had hoped) that I was finished for a while with posts about mission in the arts. However, I’m working on a book about the “how’s” of engagement (that’s the first time I’ve acknowledged that here, I believe). Consideration of fundamental mission is critical to effective engagement and in the thinking I stumbled on a concept that may be of value.<\/p>\n
In a post from a year ago (What Is the Arts Business?<\/a>) I began playing with metaphors for the work of the arts industry: reliquary, pilgrimage\/hajj, and commons. (To review, both the reliquary and pilgrimage\/hajj roles have art as the central responsibility, with the experience of the faithful or the pilgrim being secondary. In contrast, the whole point of the commons is the good that the public gets out of using\/experiencing it.)\u00a0 In going back to those ideas, I realized that an interesting description of an arts organization’s role could be Curator of the Cultural Commons.<\/p>\n Unlike truly insightful ideas, this one needs explanation. (You know, if you have to explain a joke . . . .) According to dictionaries, a curator is responsible for the acquisition, care, and “superintendence” of things.\u00a0 Recently, there has been much discussion of content curation, especially in the realm of sorting through mounds of information\u2013digital or otherwise\u2013and selecting that which should be presented.<\/p>\n Curators in the museum world serve both an acquisitions and a content curation role. They select the work to be presented in an exhibition. (In organizations without registrars, they also provide care.) Performing arts presenters are “content selecters,” choosing from the available touring productions. Artistic directors of producing organizations serve a similar function in selecting work to be presented from the extant (or newly commissioned) repertoire.<\/p>\n “Curator of the Cultural Commons” implies responsibility for acquisition\/care and for content curation. However, the commons aspect of the description also demands that the curation be intended and successfully executed for the good of all (or at least the many). It is not enough simply to “put it out there” and hope for the best. This is especially true if the curator has no real connection with or knowledge of the community being served. Cultural expressions of significance to the entire community are the universe from which to select, which probably means that no one person is sufficiently expert to make all choices. There are too many cultures and categories from which to choose for any single individual to make effective choices. This, then, is an institutional responsibility. There should also be some responsibility for results, for ensuring that the commons is enjoyed by significant percentages of the population. (Yes, “significant” is a matter of interpretation, but in most universes it would need to mean more than 2% or even 5%.) If the commons is not being utilized by the community, it is, arguably, not a commons but a private benefit for a few.<\/p>\n Engage!<\/p>\n Doug<\/p>\n Commons Photo: I had promised myself (and I’m sure some of you had hoped) that I was finished for a while with posts about mission in the arts. However, I’m working on a book about the “how’s” of engagement (that’s the first time I’ve acknowledged that here, I believe). Consideration of fundamental mission is critical to effective […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"Curators of the Cultural Commons: A new understanding of the role or arts organizations http:\/\/wp.me\/p1G6h9-Qw","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4],"tags":[12,13,48],"class_list":{"0":"post-3256","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-overview","7":"tag-arts","8":"tag-community-engagement","9":"tag-mission","10":"entry","11":"has-post-thumbnail"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p1G6h9-Qw","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":2287,"url":"https:\/\/www.artsjournal.com\/engage\/2012\/12\/what-is-the-arts-business\/","url_meta":{"origin":3256,"position":0},"title":"What Is the Arts Business?","author":"Doug Borwick","date":"December 8, 2012","format":false,"excerpt":"The problem with unconscious assumptions is that they are\u00a0 . . . unconscious. Even for me, spending time as I do questioning the status quo in the arts, the basic nature of the arts enterprise\u2013deeper even than\u00a0 the \"business model\"\u2013often remains unexplored. But the arguments for and against community engagement\u2026","rel":"","context":"In "Overview"","block_context":{"text":"Overview","link":"https:\/\/www.artsjournal.com\/engage\/category\/overview\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/engage\/wp-content\/uploads\/2012\/12\/Rel-Kaaba-Commons-500x123.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":5720,"url":"https:\/\/www.artsjournal.com\/engage\/2019\/10\/mission-creep\/","url_meta":{"origin":3256,"position":1},"title":"Mission Creep??!!","author":"Doug Borwick","date":"October 16, 2019","format":false,"excerpt":"If connecting people with the arts represents \"mission creep\" for your organization, your organization needs to seriously re-examine it's mission.","rel":"","context":"In "Overview"","block_context":{"text":"Overview","link":"https:\/\/www.artsjournal.com\/engage\/category\/overview\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/engage\/wp-content\/uploads\/2019\/09\/Mission.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":4285,"url":"https:\/\/www.artsjournal.com\/engage\/2015\/09\/a-21st-century-commons\/","url_meta":{"origin":3256,"position":2},"title":"A 21st-Century Commons","author":"Doug Borwick","date":"September 16, 2015","format":false,"excerpt":"A 21st-Century Commons is a place, an idea, and an event container, reflecting the community and welcoming all.","rel":"","context":"In "Overview"","block_context":{"text":"Overview","link":"https:\/\/www.artsjournal.com\/engage\/category\/overview\/"},"img":{"alt_text":"SantaFePlaza","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/engage\/wp-content\/uploads\/2015\/09\/SantaFePlaza.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":4660,"url":"https:\/\/www.artsjournal.com\/engage\/2016\/10\/abcd-and-community-engagement\/","url_meta":{"origin":3256,"position":3},"title":"ABCD and Community Engagement","author":"Doug Borwick","date":"October 5, 2016","format":false,"excerpt":"Arts-based community development is a vital part of community engagement but it is not the whole of it.","rel":"","context":"In "Principles"","block_context":{"text":"Principles","link":"https:\/\/www.artsjournal.com\/engage\/category\/principles\/"},"img":{"alt_text":"Let's start from the very beginning, a very good place to start. When we read, we begin with \"A, B, C...\" ( we can also add D =D)","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/engage\/wp-content\/uploads\/2016\/09\/ABCD.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":5411,"url":"https:\/\/www.artsjournal.com\/engage\/2018\/10\/the-state-of-engagement-2\/","url_meta":{"origin":3256,"position":4},"title":"Needs of the Field","author":"Doug Borwick","date":"October 10, 2018","format":false,"excerpt":"What needs to happen to more fully embed nonprofit arts organizations in their communities.","rel":"","context":"In "Overview"","block_context":{"text":"Overview","link":"https:\/\/www.artsjournal.com\/engage\/category\/overview\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/engage\/wp-content\/uploads\/2018\/09\/PonderingVista.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":3784,"url":"https:\/\/www.artsjournal.com\/engage\/2014\/08\/improving-lives-vs-arts-mission\/","url_meta":{"origin":3256,"position":5},"title":"Improving Lives “vs.” Arts Mission ??!!","author":"Doug Borwick","date":"August 13, 2014","format":false,"excerpt":"If arts organizations' missions are not, centrally, about making lives better, what *is* their purpose?","rel":"","context":"In "Overview"","block_context":{"text":"Overview","link":"https:\/\/www.artsjournal.com\/engage\/category\/overview\/"},"img":{"alt_text":"Seattle","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/engage\/wp-content\/uploads\/2014\/06\/Seattle.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/posts\/3256","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/comments?post=3256"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/posts\/3256\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/media?parent=3256"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/categories?post=3256"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/tags?post=3256"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}![\"Attribution\"](\"http:\/\/l.yimg.com\/g\/images\/cc_icon_attribution_small.gif\" "\\"Attribution\\""){kind=icon}
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<\/a> Some rights reserved<\/a> by Jack W. Pearce<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"