{"id":2914,"date":"2013-05-18T07:04:21","date_gmt":"2013-05-18T11:04:21","guid":{"rendered":"http:\/\/www.artsjournal.com\/engage\/?p=2914"},"modified":"2013-05-18T07:04:21","modified_gmt":"2013-05-18T11:04:21","slug":"the-arts-benefit-from-engagement","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/engage\/2013\/05\/the-arts-benefit-from-engagement\/","title":{"rendered":"The Arts Benefit from Engagement"},"content":{"rendered":"

\"VietVetMemorial\"This blog is all about the arts and community engagement. Last time (More on Artists and Engagement<\/a>) I began a discussion about the role of the artist in this mix. Here, I want to consider yet again the fact that community-focused or community-aware art does not in any way imply inferior art.<\/p>\n

Contrary to assumptions some make, community engagement does not even remotely mean churning out Lion King<\/i> sequels. The assumption that it does suggests <\/b>(though it doesn\u2019t prove) something about the \u201cassumer\u2019s\u201d attitude toward the public.<\/b> I have written about this on numerous occasions here, notably in R E S P E C T<\/a>:<\/p>\n

By that I mean I don’t think it’s necessary to “give them what they want.” . . . The key is to respect people. Giving people what they need rather than what they want is a form of deep respect, <\/strong>if that is indeed what we are doing<\/b>. If we are simply giving them what <\/strong>we<\/b> want to give, that is profound disrespect.<\/strong> In order to distinguish the difference, we need to reframe our own perspective and get to know “them.”<\/em><\/p><\/blockquote>\n

Great art has always found inspiration in concerns of the public. Picasso\u2019s Guernica<\/i> and Robert Motherwell\u2019s Elegy to the Spanish Republic<\/i> series responded to outrage and sorrow over the Spanish Civil War. Of course neither artist was a community-focused artist in the sense of which I speak, and these works were<\/i> difficult for the general public to appreciate when they were created. However, the point of connection established by addressing something of importance to the public is a critical element in community engagement.<\/p>\n

Michael Tippett\u2019s A Child of Our Time <\/i>is a reflection on Kristallnacht. Its use of African-American spirituals as a means of highlighting issues of racism and oppression was a good artistic choice in addition to one that made the piece more widely accessible.<\/p>\n

Maya Lin\u2019s design for the Vietnam Veterans Memorial is a brilliant example of an artist understanding what an entire nation needed in order to heal from a devastating experience. It is today one of the most successful monuments in Washington, DC.<\/p>\n

Each of these works sprang from awareness of community issues. The artists responded to concerns shared by the public at large. The Spanish Civil War, Kristallnacht, and the Vietnam War were all major events about which no one could have been unaware. Great art was the result.<\/p>\n

The more artists are aware of community concerns large and<\/i> small<\/i> the more starting points they have both for their art and for connecting with the community. Community engagement is about mutually beneficial relationships\u2013art is advanced and the well-being of individuals and communities is enhanced. For the artist that chooses to do so, relationship-building with segments of “the public” can be a valuable means of enriching their work.<\/p>\n

———–<\/p>\n

On another topic, you may be interested in EmcArts’ contest to pick participants in their next round of “innovation support”: Business Unusual National Challenge<\/a>.<\/p>\n

Engage!<\/p>\n

Doug<\/p>\n

Photo:\"Attribution\"\"Share<\/a> Some rights reserved<\/a> by wallygrom<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

This blog is all about the arts and community engagement. Last time (More on Artists and Engagement) I began a discussion about the role of the artist in this mix. Here, I want to consider yet again the fact that community-focused or community-aware art does not in any way imply inferior art. Contrary to assumptions […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[6,4,5],"tags":[12,13,46],"class_list":{"0":"post-2914","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-examples","7":"category-overview","8":"category-principles","9":"tag-arts","10":"tag-community-engagement","11":"tag-creativity","12":"entry","13":"has-post-thumbnail"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p1G6h9-L0","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":6612,"url":"https:\/\/www.artsjournal.com\/engage\/2022\/04\/assessing-engagement\/","url_meta":{"origin":2914,"position":0},"title":"Assessing Engagement","author":"Doug Borwick","date":"April 13, 2022","format":false,"excerpt":"The time has come to apply greater rigor to evaluating engagement processes, results, and the state of community engagement in the nonprofit arts industry.","rel":"","context":"In "The Practice of Engagement"","block_context":{"text":"The Practice of Engagement","link":"https:\/\/www.artsjournal.com\/engage\/category\/the-practice-of-engagement\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/engage\/wp-content\/uploads\/2017\/04\/Clipboard.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":4733,"url":"https:\/\/www.artsjournal.com\/engage\/2016\/11\/who-benefits\/","url_meta":{"origin":2914,"position":1},"title":"Who Benefits?","author":"Doug Borwick","date":"November 9, 2016","format":false,"excerpt":"Definitions are important to me. That's probably a reflection of my former life as an academic. (Or, I suppose, it could be why I was an academic.) They've also become critical to my work as an advocate for community engagement. I have presented numerous attempts at defining things like audience\u2026","rel":"","context":"In "Principles"","block_context":{"text":"Principles","link":"https:\/\/www.artsjournal.com\/engage\/category\/principles\/"},"img":{"alt_text":"Dictionary","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/engage\/wp-content\/uploads\/2015\/08\/Dictionary.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2824,"url":"https:\/\/www.artsjournal.com\/engage\/2013\/05\/parsing-vocabulary\/","url_meta":{"origin":2914,"position":2},"title":"Parsing Vocabulary","author":"Doug Borwick","date":"May 4, 2013","format":false,"excerpt":"In Engagement Vocabulary I introduced work-in-progress definitions of audience development, audience engagement, and community engagement. [To repeat: Audience Development is a marketing strategy designed for immediate results (sales, donations, etc.). Audience Engagement is a marketing strategy designed for deepening relationships with current stakeholders and expanding reach over time. 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