{"id":2520,"date":"2013-02-16T07:21:30","date_gmt":"2013-02-16T12:21:30","guid":{"rendered":"http:\/\/www.artsjournal.com\/engage\/?p=2520"},"modified":"2013-02-16T07:21:30","modified_gmt":"2013-02-16T12:21:30","slug":"from-here-to-there","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/engage\/2013\/02\/from-here-to-there\/","title":{"rendered":"From Here to There"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-2526\" alt=\"YouAreHere\" src=\"https:\/\/www.artsjournal.com\/engage\/wp-content\/uploads\/2013\/02\/YouAreHere-300x300.jpg\" width=\"260\" height=\"260\" srcset=\"https:\/\/www.artsjournal.com\/engage\/wp-content\/uploads\/2013\/02\/YouAreHere-300x300.jpg 300w, https:\/\/www.artsjournal.com\/engage\/wp-content\/uploads\/2013\/02\/YouAreHere-150x150.jpg 150w, https:\/\/www.artsjournal.com\/engage\/wp-content\/uploads\/2013\/02\/YouAreHere-70x70.jpg 70w, https:\/\/www.artsjournal.com\/engage\/wp-content\/uploads\/2013\/02\/YouAreHere-110x110.jpg 110w, https:\/\/www.artsjournal.com\/engage\/wp-content\/uploads\/2013\/02\/YouAreHere.jpg 500w\" sizes=\"auto, (max-width: 260px) 100vw, 260px\" \/>Last month I promised (some might say threatened) to begin a series on the potential for mainstreaming community engagement. That is, understanding that we don&#8217;t have resources to do more than we are already doing, how might we reorient the things we already do in ways that serve engagement?<\/p>\n<p>But before I begin, it would be incredibly myopic not to acknowledge that there is much relevant discussion going on about transformation in the field. Nina Simon has <a href=\"http:\/\/museumtwo.blogspot.com\/2013\/01\/conviction-check-money-check-so-whats.html\" target=\"_blank\">written<\/a> that the Irvine Foundation is having difficulty getting strong proposals for its <a href=\"http:\/\/irvine.org\/grantmaking\/our-programs\/arts-program\/new-arts-strategy\/exploring-engagement-funds\/exploring-engagement-fund\" target=\"_blank\">Exploring Engagement <\/a>program. Clayton Lord has presented several concerns about the difficulty of institutional transformation, especially with respect to diversity as defined by race. (<a href=\"http:\/\/www.artsjournal.com\/newbeans\/2013\/02\/diversification-as-disruption.html\" target=\"_blank\">Diversification as Disruption<\/a> and <a href=\"http:\/\/www.artsjournal.com\/newbeans\/2013\/02\/the-weight-of-white-people.html\" target=\"_blank\">The Weight of White People in the World<\/a>). And Diane Ragsdale has weighed in with\u00a0<a href=\"http:\/\/www.artsjournal.com\/jumper\/2013\/02\/on-coercive-philanthropy-and-change-when-breakups-may-be-necessary\/\" target=\"_blank\">On coercive philanthropy and change<\/a>, acknowledging that funders and organizations need to be honest with themselves and others about the time and money required for significant institutional transformation. (And since I drafted this a bit over a week ago, Barry Hessenius has joined the fray\u2013<a href=\"http:\/\/feedproxy.google.com\/%7Er\/BarrysBlog\/%7E3\/ZMXDsT2zLBs\/coercive-philanthropy-legitimacy-v.html\" target=\"_blank\">Coercive Philanthropy? Legitimacy v. Wisdom<\/a> as has Ian David Moss\u2013<a href=\"http:\/\/createquity.com\/2013\/02\/why-arent-there-more-butts-of-color-in-these-seats.html\" target=\"_blank\">Why aren\u2019t there more butts of color in these seats?<\/a>\u00a0 Ian always gets style points for his titles.)<\/p>\n<p>There are so many elements to this. It&#8217;s tempting (and would be debilitating) to try to address them all. Mr. Lord&#8217;s discussion of\u00a0 the difference between valuing and managing diversity is helpful and important to bear in mind. Mr. Moss is particularly on point in acknowledging that much, if not all, of this chatter is coming from white liberals. Guilty, guilty, guilty!) However, let&#8217;s not lose sight of the fact that race is only one element with which we must be concerned. Beyond that, my work, other than my cheerleader advocacy for community engagement, is focused on helping sort through how to get from here to there, once the decision is made to travel. That decision must ultimately come from inside the organization. It is my thesis that such a decision is one to be made not just for moral reasons but for self-preservation, taking a long view. The commitment to engage is, then, the essential first move. Indeed the first two steps on my <a href=\"http:\/\/www.artsengaged.com\/www.artsengaged.com\/eightfoldpath\" target=\"_blank\">Eightfold Path to Community Engagement<\/a> are:<\/p>\n<p style=\"padding-left: 30px;\">1. <span style=\"text-decoration: underline;\">Belief<\/span>: <strong>know and trust that engagement is good<\/strong> for the arts and good for the community<br \/>\nNo work in this field can be successful in the long term unless those involved truly believe it should be done. This cannot be entered into as \u201cwindow dressing.\u201d It must be and seem real.<br \/>\n2. <span style=\"text-decoration: underline;\">Commitment<\/span>: <strong>provide, ungrudgingly, the time and money that engagement requires<\/strong><br \/>\nThe early stages of relationship building should not immediately yield big projects. Be patient. Persevere. <em><strong><\/strong><\/em><\/p>\n<p>So, what I will be addressing in successive posts are how our work in the areas of programming, governance, and development (marketing and fundraising) can be altered in the service of engagement while using existing resources. That said, I think it&#8217;s important, before I begin to share the caveat I include in almost all my workshops and trainings. To deal with diverse populations (and that includes <em>all<\/em> kinds of diversity) it&#8217;s important first to know that there are worlds of things that one does now know, second, find out what you can, and third, learn the things you need to learn. Here&#8217;s my partial list of categories:<\/p>\n<ul>\n<li>Cultural Humility<\/li>\n<li>The Understanding of Privilege<\/li>\n<li>Communities and Community Organizing<\/li>\n<li>Discussion of Difficult Issues<\/li>\n<li>Conflict Resolution<\/li>\n<li>Self Knowledge<\/li>\n<li>Strategies for Engagement<\/li>\n<li>Learning Styles\/Teaching Techniques<\/li>\n<li>Interdisciplinary Knowledge<\/li>\n<\/ul>\n<p>Not everyone involved in working with communities needs to be expert in all of these (who could be?), but organizations in transition need access to these forms of knowledge\/wisdom in their interaction with new constituencies. And, if you don&#8217;t think it&#8217;s an arts organizations job to undertake any of this, don&#8217;t do so. I&#8217;m clear it&#8217;s not part of the core mission. But I believe, for reasons of self-interest if no other, more and more will see this work as vital to their future. Sustainability in the long term is going to demand it.<\/p>\n<p>Engage, with eyes wide open!<\/p>\n<p>Doug<\/p>\n<p>Photo:<a href=\"http:\/\/creativecommons.org\/licenses\/by-nc-sa\/2.0\/\"> <img decoding=\"async\" title=\"Attribution\" alt=\"Attribution\" src=\"http:\/\/l.yimg.com\/g\/images\/cc_icon_attribution_small.gif\" border=\"0\" \/><img decoding=\"async\" title=\"Noncommercial\" alt=\"Noncommercial\" src=\"http:\/\/l.yimg.com\/g\/images\/cc_icon_noncomm_small.gif\" border=\"0\" \/><img decoding=\"async\" title=\"Share Alike\" alt=\"Share Alike\" src=\"http:\/\/l.yimg.com\/g\/images\/cc_icon_sharealike_small.gif\" border=\"0\" \/><\/a> <a title=\"Attribution-NonCommercial-ShareAlike License\" href=\"http:\/\/creativecommons.org\/licenses\/by-nc-sa\/2.0\/\" target=\"_blank\">Some rights reserved<\/a> by <a href=\"http:\/\/www.flickr.com\/photos\/mag3737\/\" target=\"_blank\">mag3737<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Last month I promised (some might say threatened) to begin a series on the potential for mainstreaming community engagement. That is, understanding that we don&#8217;t have resources to do more than we are already doing, how might we reorient the things we already do in ways that serve engagement? But before I begin, it would [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4,5],"tags":[12,13,42,31,22],"class_list":{"0":"post-2520","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-overview","7":"category-principles","8":"tag-arts","9":"tag-community-engagement","10":"tag-diversity","11":"tag-mainstreaming","12":"tag-public-good","13":"entry","14":"has-post-thumbnail"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p1G6h9-EE","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":2307,"url":"https:\/\/www.artsjournal.com\/engage\/2013\/01\/mainstreaming-on-my-mind\/","url_meta":{"origin":2520,"position":0},"title":"Mainstreaming on My Mind","author":"Doug Borwick","date":"January 12, 2013","format":false,"excerpt":"My basic beliefs about the arts and community engagement are fairly well-known to anyone who reads this blog or who has read my book. 1) Community engagement is vital to a healthy future for the arts; 2) substantive community engagement is relatively rare in the established arts world; and 3)\u2026","rel":"","context":"In &quot;The Practice of Engagement&quot;","block_context":{"text":"The Practice of Engagement","link":"https:\/\/www.artsjournal.com\/engage\/category\/the-practice-of-engagement\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/engage\/wp-content\/uploads\/2012\/12\/OnMyMind.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2643,"url":"https:\/\/www.artsjournal.com\/engage\/2013\/03\/the-board-as-engagers\/","url_meta":{"origin":2520,"position":1},"title":"The Board as Engagers","author":"Doug Borwick","date":"March 9, 2013","format":false,"excerpt":"Today we consider nonprofit governance from a community engagement perspective, specifically the make-up and function of the nonprofit board of directors. Most arts administrators understand boards as resource engines. We have a history (understandably) of populating our boards with moneyed people or people who know moneyed people. They clearly represent\u2026","rel":"","context":"In &quot;Principles&quot;","block_context":{"text":"Principles","link":"https:\/\/www.artsjournal.com\/engage\/category\/principles\/"},"img":{"alt_text":"Introductions","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/engage\/wp-content\/uploads\/2013\/02\/Introductions-300x199.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2683,"url":"https:\/\/www.artsjournal.com\/engage\/2013\/03\/engaged-marketing-sales\/","url_meta":{"origin":2520,"position":2},"title":"Engaged Marketing: Sales","author":"Doug Borwick","date":"March 30, 2013","format":false,"excerpt":"I am in the process of considering marketing as part of my ongoing series on mainstreaming community engagement\u2013figuring out how to be engaged without adding a lot of new \"stuff\" to do. Here, I want to discuss how the sales process can be \"engaging.\" (NB: In posts on mainstreaming engagement,\u2026","rel":"","context":"In &quot;Principles&quot;","block_context":{"text":"Principles","link":"https:\/\/www.artsjournal.com\/engage\/category\/principles\/"},"img":{"alt_text":"Bazaar","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/engage\/wp-content\/uploads\/2013\/02\/Bazaar-300x174.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2541,"url":"https:\/\/www.artsjournal.com\/engage\/2013\/02\/engaging-the-third-rail\/","url_meta":{"origin":2520,"position":3},"title":"Engaging the Third Rail","author":"Doug Borwick","date":"February 27, 2013","format":false,"excerpt":"The art. Programming. The reason artists create and arts organizations exist.\u00a0 The untouchable heart of the enterprise. (NB: In these posts on mainstreaming engagement, I am addressing only those individuals or organizations that want broader and deeper relationships with their communities but are uncertain how to begin or even whether\u2026","rel":"","context":"In &quot;Principles&quot;","block_context":{"text":"Principles","link":"https:\/\/www.artsjournal.com\/engage\/category\/principles\/"},"img":{"alt_text":"ThirdRail","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/engage\/wp-content\/uploads\/2013\/02\/ThirdRail-300x258.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2575,"url":"https:\/\/www.artsjournal.com\/engage\/2013\/04\/excellence-to-what-end\/","url_meta":{"origin":2520,"position":4},"title":"Excellence\u2013To What End?","author":"Doug Borwick","date":"April 3, 2013","format":false,"excerpt":"Taking a time out from mainstreaming engagement and questions of diversity (although both really are related to this), I feel a need to revisit (briefly) the \"question of quality.\" This is something that needs to be done with some regularity by anyone advocating for a community-oriented perspective in the arts.\u2026","rel":"","context":"In &quot;Principles&quot;","block_context":{"text":"Principles","link":"https:\/\/www.artsjournal.com\/engage\/category\/principles\/"},"img":{"alt_text":"ExcellenceSign","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/engage\/wp-content\/uploads\/2013\/02\/ExcellenceSign-300x148.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2653,"url":"https:\/\/www.artsjournal.com\/engage\/2013\/03\/a-board-of-engagers\/","url_meta":{"origin":2520,"position":5},"title":"A Board of Engagers","author":"Doug Borwick","date":"March 13, 2013","format":false,"excerpt":"Previously (The Board as Engagers), I discussed considering one role of the board to be that of relationship engine. That would lead recruitment processes to include relationship capital as one criteria for membership. I also acknowledged, at the end, that that might not be immediately possible, practical, or even advisable\u2026","rel":"","context":"In &quot;Principles&quot;","block_context":{"text":"Principles","link":"https:\/\/www.artsjournal.com\/engage\/category\/principles\/"},"img":{"alt_text":"Introductions","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/engage\/wp-content\/uploads\/2013\/02\/Introductions-300x199.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/posts\/2520","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/comments?post=2520"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/posts\/2520\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/media?parent=2520"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/categories?post=2520"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/tags?post=2520"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}