{"id":2009,"date":"2012-09-15T06:56:23","date_gmt":"2012-09-15T10:56:23","guid":{"rendered":"http:\/\/www.artsjournal.com\/engage\/?p=2009"},"modified":"2012-09-15T06:56:23","modified_gmt":"2012-09-15T10:56:23","slug":"placemaking","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/engage\/2012\/09\/placemaking\/","title":{"rendered":"Placemaking"},"content":{"rendered":"

In October I am speaking in Washington, DC to the Community Development Interest Group at the National Assembly of State Arts Agencies annual conference, Assembly 2012. (That was a mouthful!) They are going to be focusing on Creative Placemaking. When asked what my topic would be, it seemed like “Beyond Placemaking” might be energizing, for them and for me. I’ve written previously (Creative Placemaking<\/a>) about my concern that “placemaking” might become the latest fashion statement in arts advocacy. We have had a good run (and will continue to do so, I’m sure) with economic development. There is a lot of energy (and money) in the placemaking arena. But I am concerned that the potential for the arts that substantive engagement with community represents is *much* broader and deeper than either of these categories and I don’t want us to lose sight of that.<\/p>\n

So, knowing that I would soon be talking about placemaking, it seemed important to read Roberto Bedoya’s recent article Creative Placemaking and the Politics of Belonging and Dis-Belonging<\/a>. I’m glad I did. I had been focusing on what to my mind is the common thread of much placemaking discussion\u2013creation of new bricks and mortar projects or application of the arts to existing, largely generic physical structures. I know that’s not the sum total of what the placemaking conversations are about, but that was the unconscious shorthand I was carrying in my head. Roberto’s writing reminded me that ultimately, important places are about people’s memories, traditions, the fabric of their lives. In other words, culture\u2013of neighborhoods, communities, ethnic groups, societies. The physical structures serve as the mnemonic devices that trigger memories and cement relationships.<\/p>\n

It is the tendency to assume that all are like us that leads to homogenous approaches in any field. Placemaking is simply one of them. In providing training for effective community engagement, I attempt to ensure that participants understand that their perspective is limited to their own experience and, in the best of circumstances, the reports of the experience of others that they have sought out (and heard). There are many other stories. Mr. Bedoya points out that a missing link in placemaking conversation is “a lack of understanding that before you have places of belonging<\/em>, you must feel you belong.” <\/em>I think that may be a source of my unconscious assumption that many placemaking projects were generic.<\/p>\n

Educators understand that elementary schools do not function in a vacuum. Factors technically beyond the purview of the classroom\u2013issues of home and neighborhood environment: readiness, support, supervision\u2013are critical to children\u2019s success. Similarly, while creative placemakers cannot be held accountable for any lack of belonging that citizens might feel, the success of their endeavors is closely tied to this element of the \u201csocial infrastructure.\u201d It is important to bear this fact in mind when developing projects and to do whatever can be done to ameliorate the impact on the project that will result from people feeling themselves to be outsiders. Creative placemakers, in developing projects, need to take people\u2019s feeling of disenfranchisement into account as much as possible so that the resultant works do not become homogenous expressions (or reflections) of majority experience.<\/p>\n

Once again, I am grateful to Mr. Bedoya for highlighting an issue in cultural awareness. It is important for us to remember that we don\u2019t know what we don\u2019t know, as hard as it often is to bear that in mind. I now feel better prepared to begin drafting my remarks for NASAA.<\/p>\n

Engage!<\/p>\n

Doug<\/p>\n","protected":false},"excerpt":{"rendered":"

In October I am speaking in Washington, DC to the Community Development Interest Group at the National Assembly of State Arts Agencies annual conference, Assembly 2012. (That was a mouthful!) They are going to be focusing on Creative Placemaking. When asked what my topic would be, it seemed like “Beyond Placemaking” might be energizing, for […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[4],"tags":[12,13,34],"class_list":["post-2009","post","type-post","status-publish","format-standard","category-overview","tag-arts","tag-community-engagement","tag-placemaking","entry"],"jetpack_publicize_connections":[],"jetpack_shortlink":"https:\/\/wp.me\/p1G6h9-wp","jetpack_sharing_enabled":true,"jetpack-related-posts":[],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/posts\/2009","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/comments?post=2009"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/posts\/2009\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/media?parent=2009"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/categories?post=2009"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/engage\/wp-json\/wp\/v2\/tags?post=2009"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}