{"id":995,"date":"2016-08-22T19:55:09","date_gmt":"2016-08-23T02:55:09","guid":{"rendered":"http:\/\/www.artsjournal.com\/diacritical\/?p=995"},"modified":"2016-08-23T05:40:30","modified_gmt":"2016-08-23T12:40:30","slug":"how-dance-will-help-teach-us-about-the-next-transformative-technology","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/diacritical\/2016\/08\/how-dance-will-help-teach-us-about-the-next-transformative-technology.html","title":{"rendered":"How Dance Will Help Teach Us About The Next Transformative Technology"},"content":{"rendered":"<p><a href=\"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/08\/Pixel-Interactive-Projected-Effects-for-Performance-Projection-Mapping-Central.png?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-996\" src=\"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/08\/Pixel-Interactive-Projected-Effects-for-Performance-Projection-Mapping-Central.png?resize=1024%2C461&#038;ssl=1\" alt=\"Pixel Interactive Projected Effects for Performance Projection Mapping Central\" width=\"1024\" height=\"461\" srcset=\"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/08\/Pixel-Interactive-Projected-Effects-for-Performance-Projection-Mapping-Central.png?resize=1024%2C461&amp;ssl=1 1024w, https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/08\/Pixel-Interactive-Projected-Effects-for-Performance-Projection-Mapping-Central.png?resize=300%2C135&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/08\/Pixel-Interactive-Projected-Effects-for-Performance-Projection-Mapping-Central.png?resize=768%2C346&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/08\/Pixel-Interactive-Projected-Effects-for-Performance-Projection-Mapping-Central.png?w=1400&amp;ssl=1 1400w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/a><\/p>\n<p>Dance is the most\u00a0physical art. Bodies moving, yes, but physical also because of how bodies relate to the spaces they&#8217;re in. Much of the energy in tech innovation right now is directed to exploring the\u00a0edges between physical and virtual worlds, and how we perceive spaces and interact with them. Much of the work is in new interfaces for our machines &#8211; voice control, facial recognition, biometrics, etc &#8211; but we also see it in virtual the overlays of augmented reality that graft information atop the physical world you&#8217;re looking at. How we interact with the space and things around us is going to change significantly over the next decade.<\/p>\n<p>Which brings me back to dance.<\/p>\n<p>Who better to help us think differently about space and how we move amidst those things around us than dancers? Last year <a href=\"http:\/\/www.choreotech.com\/\">there was a conference<\/a> that brought together choreographers and technologists studying\u00a0integration of the physical and virtual. And some choreographers are staging pieces integrated with technology:<\/p>\n<p align=\"center\"><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/114767889\" width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p style=\"text-align: left;\" align=\"center\">This piece from Adrien M &amp; Claire B uses projection mapping to create virtual objects on stage with which the dancers interact.<\/p>\n<p style=\"text-align: left;\" align=\"center\">Computer generated animation has gotten to be so good that pop stars such as Beyonce are using it on tour (the video isn&#8217;t embeddable, so click on the image to see it).<\/p>\n<p><a href=\"https:\/\/vimeo.com\/24945059\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-997\" src=\"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/08\/Beyonce-Run-The-World-Girls-Live-Billboard-2011-on-Vimeo.png?resize=640%2C360&#038;ssl=1\" alt=\"Beyonce Run The World Girls Live Billboard 2011 on Vimeo\" width=\"640\" height=\"360\" \/><\/a><\/p>\n<p>And then there is a whole other genre &#8211; dancing with drones:<\/p>\n<p align=\"center\"><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/S3vsrbkbbd4\" width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p style=\"text-align: left;\" align=\"center\">Artists look at ordinary things and show them to us in ways we hadn&#8217;t seen. But they can also look at extraordinary things we may never have seen and show us ways to relate to\u00a0them. As our relationship with the things around us changes, dancers will have lots to say about how we interact with them.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Dance is the most\u00a0physical art. Bodies moving, yes, but physical also because of how bodies relate to the spaces they&#8217;re in. Much of the energy in tech innovation right now is directed to exploring the\u00a0edges between physical and virtual worlds, and how we perceive spaces and interact with them. Much of the work is in [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":996,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[15],"tags":[],"class_list":{"0":"post-995","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-tech","8":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/08\/Pixel-Interactive-Projected-Effects-for-Performance-Projection-Mapping-Central.png?fit=1400%2C630&ssl=1","jetpack_shortlink":"https:\/\/wp.me\/p4ePZm-g3","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":947,"url":"https:\/\/www.artsjournal.com\/diacritical\/2016\/08\/is-opera-the-real-21st-century-art-form.html","url_meta":{"origin":995,"position":0},"title":"Is Opera The Real 21st Century Art Form?","author":"Douglas McLennan","date":"August 2, 2016","format":false,"excerpt":"A 2015 survey\u00a0by blogger Mae Mai reported that\u00a0260 new opera companies started since 2000 in the United States. There are 80 opera companies now working in New York alone. Over the past couple months the New York Opera Fest showcased many of the New York companies.\u00a0For the most part, these\u2026","rel":"","context":"In &quot;arts &amp; tech&quot;","block_context":{"text":"arts &amp; tech","link":"https:\/\/www.artsjournal.com\/diacritical\/category\/arts-tech"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/08\/13-17-brainTraffic.jpg?fit=1200%2C675&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/08\/13-17-brainTraffic.jpg?fit=1200%2C675&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/08\/13-17-brainTraffic.jpg?fit=1200%2C675&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/08\/13-17-brainTraffic.jpg?fit=1200%2C675&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/08\/13-17-brainTraffic.jpg?fit=1200%2C675&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":1115,"url":"https:\/\/www.artsjournal.com\/diacritical\/2016\/09\/the-new-york-philharmonics-new-hall-is-an-opportunity-to-rethink-the-orchestra-experience-and-amplify-it.html","url_meta":{"origin":995,"position":1},"title":"The New York Philharmonic&#8217;s New Hall Is An Opportunity To Rethink The Orchestra Experience (And Amplify It)","author":"Douglas McLennan","date":"September 13, 2016","format":false,"excerpt":"Last week Michael Cooper made a plea\u00a0in the NYT to the New York Philharmonic for some upgrades to the concert amenity experience when the orchestra overhauls Geffen Hall (formerly Avery Fisher) in 2019. His list of excellent suggestions includes comfier seats (why should movie theatres be more comfortable?) more legroom,\u2026","rel":"","context":"In &quot;audience experience&quot;","block_context":{"text":"audience experience","link":"https:\/\/www.artsjournal.com\/diacritical\/category\/audience-experience"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/09\/Avery-Fisher.jpg?fit=1000%2C403&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/09\/Avery-Fisher.jpg?fit=1000%2C403&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/09\/Avery-Fisher.jpg?fit=1000%2C403&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/09\/Avery-Fisher.jpg?fit=1000%2C403&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":2793,"url":"https:\/\/www.artsjournal.com\/diacritical\/2024\/03\/a-framework-for-thinking-about-disruption-of-the-arts-by-ai.html","url_meta":{"origin":995,"position":2},"title":"A Framework for Thinking about Disruption of the Arts by AI","author":"Douglas McLennan","date":"March 30, 2024","format":false,"excerpt":"What would a strategy for the arts sector be for anticipating artificial intelligence, if consensus seems to be it will change everything?","rel":"","context":"In &quot;arts &amp; tech&quot;","block_context":{"text":"arts &amp; tech","link":"https:\/\/www.artsjournal.com\/diacritical\/category\/arts-tech"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2024\/03\/workshop-4863393_1280-1.jpg?fit=1000%2C579&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2024\/03\/workshop-4863393_1280-1.jpg?fit=1000%2C579&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2024\/03\/workshop-4863393_1280-1.jpg?fit=1000%2C579&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2024\/03\/workshop-4863393_1280-1.jpg?fit=1000%2C579&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":1161,"url":"https:\/\/www.artsjournal.com\/diacritical\/2016\/09\/man-down-weve-lost-andrew-sullivan-the-battle-for-the-real-world-is-coming-for-you.html","url_meta":{"origin":995,"position":3},"title":"Man Down! We&#8217;ve Lost Andrew Sullivan: The Battle For The Real World Is Coming For You","author":"Douglas McLennan","date":"September 23, 2016","format":false,"excerpt":"Is reality just a construct of the online world or is the online world merely an overlay on reality? Every new technological advance that extends our reach also imposes previously unnecessary decisions about how and whether to use it.","rel":"","context":"In &quot;arts &amp; tech&quot;","block_context":{"text":"arts &amp; tech","link":"https:\/\/www.artsjournal.com\/diacritical\/category\/arts-tech"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/09\/Information-Overload.jpg?fit=840%2C425&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/09\/Information-Overload.jpg?fit=840%2C425&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/09\/Information-Overload.jpg?fit=840%2C425&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/09\/Information-Overload.jpg?fit=840%2C425&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":2391,"url":"https:\/\/www.artsjournal.com\/diacritical\/2020\/05\/how-technology-is-shaping-opera.html","url_meta":{"origin":995,"position":4},"title":"How Technology is Shaping Opera","author":"Douglas McLennan","date":"May 18, 2020","format":false,"excerpt":"Opera America had asked me to speak at their annual conference this year, but of course the conference was canceled and moved online. So I made this video for the online conference, talking about the influence of technology on opera and how audience expectations evolve as they use technology. We've\u2026","rel":"","context":"In &quot;arts &amp; tech&quot;","block_context":{"text":"arts &amp; tech","link":"https:\/\/www.artsjournal.com\/diacritical\/category\/arts-tech"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2020\/05\/2020.05.18-19_51_07.jpg?fit=565%2C477&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2020\/05\/2020.05.18-19_51_07.jpg?fit=565%2C477&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2020\/05\/2020.05.18-19_51_07.jpg?fit=565%2C477&ssl=1&resize=525%2C300 1.5x"},"classes":[]},{"id":715,"url":"https:\/\/www.artsjournal.com\/diacritical\/2016\/01\/715.html","url_meta":{"origin":995,"position":5},"title":"The Virtual Arts &#8211; Have It Your Way?","author":"Douglas McLennan","date":"January 26, 2016","format":false,"excerpt":"C-NET came away from this month's Consumer Electronics Show in Las Vegas pronouncing that virtual reality is going to displace traditional porn. No surprise that the porn industry leads in technology. Because of all the money in the early days of the internet, porn invested heavily in technology and pioneered\u2026","rel":"","context":"In &quot;audience&quot;","block_context":{"text":"audience","link":"https:\/\/www.artsjournal.com\/diacritical\/category\/audience"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/01\/scene2vr.jpg?fit=1200%2C675&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/01\/scene2vr.jpg?fit=1200%2C675&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/01\/scene2vr.jpg?fit=1200%2C675&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/01\/scene2vr.jpg?fit=1200%2C675&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/01\/scene2vr.jpg?fit=1200%2C675&ssl=1&resize=1050%2C600 3x"},"classes":[]}],"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/posts\/995","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/comments?post=995"}],"version-history":[{"count":4,"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/posts\/995\/revisions"}],"predecessor-version":[{"id":1001,"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/posts\/995\/revisions\/1001"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/media\/996"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/media?parent=995"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/categories?post=995"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/tags?post=995"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}