{"id":905,"date":"2016-07-04T16:24:44","date_gmt":"2016-07-04T23:24:44","guid":{"rendered":"http:\/\/www.artsjournal.com\/diacritical\/?p=905"},"modified":"2016-07-06T08:13:19","modified_gmt":"2016-07-06T15:13:19","slug":"five-highlights-from-last-weeks-aj-you-shouldnt-miss","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/diacritical\/2016\/07\/five-highlights-from-last-weeks-aj-you-shouldnt-miss.html","title":{"rendered":"Five Highlights From Last Week&#8217;s AJ You Shouldn&#8217;t Miss"},"content":{"rendered":"<p><a href=\"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/07\/10000_hours.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-906\" src=\"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/07\/10000_hours.jpg?resize=1024%2C294&#038;ssl=1\" alt=\"10000_hours\" width=\"1024\" height=\"294\" srcset=\"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/07\/10000_hours.jpg?resize=1024%2C294&amp;ssl=1 1024w, https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/07\/10000_hours.jpg?resize=300%2C86&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/07\/10000_hours.jpg?resize=768%2C220&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/07\/10000_hours.jpg?w=2000&amp;ssl=1 2000w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/a><\/p>\n<p>This week: Alas, hard work probably doesn&#8217;t trump innate ability&#8230; It&#8217;s tempting to believe extravagant claims for technology, but there are limits&#8230; Yes, by all means let&#8217;s talk about equity, but be sure you know what it means&#8230; A real-world experiment in ticket pricing (and some surprising results)&#8230; The death of the mid-budget Hollywood movie.<\/p>\n<ol>\n<li class=\"entry-title\"><strong>We Like The Idea That Hard Work Trumps Talent. Alas&#8230;\u00a0<\/strong>You put in your 10,000 hours practicing something, you expect results. Our bookshelves are heavy with books extolling the virtues of hard work for success. But <a href=\"http:\/\/www.newstatesman.com\/culture\/books\/2016\/06\/talent-trap-why-try-try-and-trying-again-isn-t-key-success\">the truth is<\/a>, &#8220;we know, from a growing pile of evidence from many different sources, that while innate ability is far from the only contributor to success, it is probably the best predictor of it.\u201d<\/li>\n<li class=\"entry-title\"><strong>Why Do We Believe The Technology Utopians?<\/strong> They&#8217;re constantly trying to convince us that their technology will make the world a better place. In some ways our tech innovators have become the high priests of our age.\u00a0Alas <a href=\"http:\/\/www.theatlantic.com\/technology\/archive\/2016\/06\/tech-and-other-peoples-problems\/488297\/\">they&#8217;re often wrong<\/a>. &#8220;Can we find a synthesis in which technologists look at their work critically and work closely with the people they\u2019re trying to help in order to build sociotechnical systems that address hard problems?\u201d<\/li>\n<li class=\"entry-title\"><strong>Jump Aboard The Equity Train! (But Be Sure You Know What It Means):<\/strong> The arts are awash in declarations about equity. But a lot of what&#8217;s being said is vague and meaningless if things are going to change. So let&#8217;s get <a href=\"http:\/\/www.clydefitchreport.com\/2016\/06\/equity-equality-diversity-afta\/\">what we mean by equity straight<\/a>.\u201cIt falls to those seeking fair equity to propose a new way to allocate resources, with all the pros and cons on the table, for there to be a basis of discussion. Put another way, those who call for redressing inequity \u2014 and here I\u2019ll expand this discussion to include diversity and inclusion, which suffer from the same definitional complexities \u2014 must propose ways to achieve the equity they seek.\u201d<\/li>\n<li class=\"entry-title\"><strong>Ticket Price Matters. And Not Just To Sell More Tickets:<\/strong> Maybe one reason we&#8217;re getting demographically narrow audiences is because of ticket pricing. Need <a href=\"http:\/\/www.wnyc.org\/story\/if-theater-affordable-will-more-people-go\/\">some real-world evidence?<\/a>\u00a0In 2005, Signature Theatre, an off-Broadway house on far West 42nd Street, \u201cdid a very hard-to-do thing. They convinced a big corporation, Time Warner, to hand the theater $500,000 to try to chip away at the price barrier. Before that grant, tickets to Signature\u2019s shows had cost around $55. After the grant, they cost just $15.\u201d<\/li>\n<li class=\"entry-title\"><strong>This Is Why You Might Be Watching Fewer Movies:\u00a0<\/strong>\u201cEither you offer audiences an unmissable blockbuster derived from well-known intellectual property, or you invest in meek, sub-$10-million indies and pray for a return on investment on the art-house and VOD circuits. That once-upon-a-time sweet spot of $30-million to $50-million productions, with marquee stars and trusted directors? <a href=\"http:\/\/www.theglobeandmail.com\/arts\/film\/the-free-fall-state-of-mid-budget-studio-dramas\/article30707483\/\">That era is over<\/a>.\u201d<\/li>\n<\/ol>\n<h6 style=\"text-align: center;\"><span style=\"color: #808080;\">Image: <a style=\"color: #808080;\" href=\"https:\/\/youbeunstoppable.wordpress.com\/2012\/09\/16\/you-are-10000-magic-hours-near-to-success\/\">YouBeUnstoppable<\/a><\/span><\/h6>\n<footer class=\"entry-footer\"><\/footer>\n","protected":false},"excerpt":{"rendered":"<p>This week: Alas, hard work probably doesn&#8217;t trump innate ability&#8230; It&#8217;s tempting to believe extravagant claims for technology, but there are limits&#8230; Yes, by all means let&#8217;s talk about equity, but be sure you know what it means&#8230; A real-world experiment in ticket pricing (and some surprising results)&#8230; The death of the mid-budget Hollywood movie. [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":906,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[30],"tags":[],"class_list":{"0":"post-905","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-weekly-aj-top-stories","8":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/07\/10000_hours.jpg?fit=2292%2C658&ssl=1","jetpack_shortlink":"https:\/\/wp.me\/p4ePZm-eB","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":1222,"url":"https:\/\/www.artsjournal.com\/diacritical\/2016\/11\/this-weeks-aj-highlights-ominous-orchestra-results-new-arts-journalism-accountable-algorithms.html","url_meta":{"origin":905,"position":0},"title":"This Week&#8217;s AJ Highlights: Ominous Orchestra Results? New Arts Journalism? Accountable Algorithms?","author":"Douglas McLennan","date":"November 6, 2016","format":false,"excerpt":"This Week: Record ticket sales at the Chicago Symphony but still a budget problem...Wall Street Journal cuts arts coverage and Boston Globe gets a subsidized critic...Why did Shakespeare's Globe fire its director?...Two cities on opposite sides of a border, share common arts culture... Who will hold intelligent machines accountable? An\u2026","rel":"","context":"In &quot;Weekly AJ Top Stories&quot;","block_context":{"text":"Weekly AJ Top Stories","link":"https:\/\/www.artsjournal.com\/diacritical\/category\/weekly-aj-top-stories"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/10\/thompson.jpg?fit=500%2C271&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":342,"url":"https:\/\/www.artsjournal.com\/diacritical\/2006\/12\/artsjournals_new_look-2.html","url_meta":{"origin":905,"position":1},"title":"ArtsJournal&#039;s New Look","author":"Douglas McLennan","date":"December 10, 2006","format":false,"excerpt":"Actually it's more than just a new look. The entire website has been rebuilt from the ground up. Why change something that's simple and easy to use and has worked well for the past four years? Content management systems have advanced considerably since we last rebuilt ArtsJournal, and the new\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/diacritical\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":349,"url":"https:\/\/www.artsjournal.com\/diacritical\/2009\/04\/be_the_driver_dont_be_the_car-2.html","url_meta":{"origin":905,"position":2},"title":"Be the Driver, Don&#039;t be the Car","author":"Douglas McLennan","date":"April 15, 2009","format":false,"excerpt":"People want things how they want them. In Japan, \"five of last year's top ten best-selling novels started life as mobile phone - or keitai - novels.\" There was a time when mobile phones were used simply to communicate. In high-speed Japan, where more than 100 million people own mobile\u2026","rel":"","context":"Similar post","block_context":{"text":"Similar post","link":""},"img":{"alt_text":"hybrid-car.jpg","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/hybrid-car.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1107,"url":"https:\/\/www.artsjournal.com\/diacritical\/2016\/09\/this-weeks-aj-arts-highlights-has-entertainment-made-art-irrelevant.html","url_meta":{"origin":905,"position":3},"title":"This Week&#8217;s AJ Arts Highlights: Has Entertainment Made Art Irrelevant?","author":"Douglas McLennan","date":"September 11, 2016","format":false,"excerpt":"This Week: Major shakeup in London's museum world... Nobel laureate says entertainment has killed art... Latest study of Hollywood reaffirms cultural inequality... Why did Wells Fargo disparage artists?... Did the Glenn Gould Foundation get ahead of itself in announcing arts Nobel prizes? Seismic Changes In London's Museum World: Two high-profile\u2026","rel":"","context":"In &quot;Weekly AJ Top Stories&quot;","block_context":{"text":"Weekly AJ Top Stories","link":"https:\/\/www.artsjournal.com\/diacritical\/category\/weekly-aj-top-stories"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/09\/crowd-of-people-1209630_1280.jpg?fit=800%2C403&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/09\/crowd-of-people-1209630_1280.jpg?fit=800%2C403&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/09\/crowd-of-people-1209630_1280.jpg?fit=800%2C403&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/09\/crowd-of-people-1209630_1280.jpg?fit=800%2C403&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":52,"url":"https:\/\/www.artsjournal.com\/diacritical\/2009\/03\/time_to_start_blogging_1.html","url_meta":{"origin":905,"position":4},"title":"Time to start blogging","author":"Douglas McLennan","date":"March 16, 2009","format":false,"excerpt":"I've been using this blog mostly as a place to put administrative posts about AJ. But I've decided to take up blogging myself. First, a couple more administrative notes. We've been adding more blogs to AJ in recent weeks. Former NYTimes reporter Judith Dobrzynski's Real Clear Arts debuted last week\u2026","rel":"","context":"Similar post","block_context":{"text":"Similar post","link":""},"img":{"alt_text":"pi_shirt_in_box_medium.jpg","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/pi_shirt_in_box_medium.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":535,"url":"https:\/\/www.artsjournal.com\/diacritical\/2014\/01\/welcoming-a-new-aj-blogger-whose-art-is-the-audience.html","url_meta":{"origin":905,"position":5},"title":"Welcoming A New AJ Blogger: Art of the audience","author":"Douglas McLennan","date":"January 27, 2014","format":false,"excerpt":"I'm very pleased to welcome a new blogger to ArtsJournal today. Lynne Conner will be writing the blog We the Audience, a blog about the relationships between artists and audiences. Lynne is a\u00a0professor in the theatre and dance department at Colby College in Maine, where she directs plays and teaches\u2026","rel":"","context":"Similar post","block_context":{"text":"Similar post","link":""},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2014\/01\/conner.jpg?fit=392%2C582&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]}],"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/posts\/905","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/comments?post=905"}],"version-history":[{"count":1,"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/posts\/905\/revisions"}],"predecessor-version":[{"id":907,"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/posts\/905\/revisions\/907"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/media\/906"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/media?parent=905"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/categories?post=905"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/tags?post=905"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}