{"id":891,"date":"2016-06-12T14:23:26","date_gmt":"2016-06-12T21:23:26","guid":{"rendered":"http:\/\/www.artsjournal.com\/diacritical\/?p=891"},"modified":"2016-06-14T07:26:34","modified_gmt":"2016-06-14T14:26:34","slug":"this-weeks-top-aj-stories-when-blockbusters-fail-edition","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/diacritical\/2016\/06\/this-weeks-top-aj-stories-when-blockbusters-fail-edition.html","title":{"rendered":"This Week&#8217;s Top AJ Stories, When Blockbusters Fail Edition"},"content":{"rendered":"<p><a href=\"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/06\/musiced.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-893\" src=\"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/06\/musiced.jpg?resize=550%2C263&#038;ssl=1\" alt=\"musiced\" width=\"550\" height=\"263\" srcset=\"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/06\/musiced.jpg?w=550&amp;ssl=1 550w, https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/06\/musiced.jpg?resize=300%2C143&amp;ssl=1 300w\" sizes=\"auto, (max-width: 550px) 100vw, 550px\" \/><\/a><\/p>\n<p>Maybe our biggest problem with teaching music in schools is the way we teach it. Hollywood thought making blockbusters would save it. Surprise! How charity auctions take advantage of artists. The internet is changing what we value in the world. And the wonder of Bill T. Jones&#8230;<\/p>\n<ol>\n<li><strong>Music Teacher:\u00a0We should change the way we teach music in schools <\/strong>Currently we teach it based on classical music principles of notation and performance and history. But is that really how people hear or use music today? Shouldn&#8217;t the tools of music we teach reflect how somebody might use them in contemporary culture?\u00a0\u201c<a href=\"https:\/\/theconversation.com\/why-music-lessons-need-to-keep-up-with-the-times-58268\">I would like to suggest <\/a>here that perhaps the perfect example of the skill set required of a reenvisioned music teacher can be seen in the life of a music producer. These professionals are part musician, part technician, part guidance counselor and part magician for the artists that they work with.<\/li>\n<li><strong>Hollywood Movies Are Creatively Bankrupt (And Now The Box Office Isn&#8217;t Working)<\/strong> The most interesting work is on TV these days, and the movie industry has collapsed into endless blockbuster sequels that have built-in audiences. These franchise sequels were thought to be immune from critics and distractions of the rest of the contemporary world. Maybe now, though, <a href=\"http:\/\/www.hollywoodreporter.com\/news\/hollywoods-new-problem-sequels-moviegoers-899765\">not so much<\/a>. \u00a0\u201cWhat\u2019s <a href=\"http:\/\/www.theatlantic.com\/business\/archive\/2016\/06\/hollywood-has-a-huge-millennial-problem\/486209\/\">really happening<\/a>? How did Hollywood become overrun with sequels, and why does it suddenly seems as if nobody wants to see them? The short answer is that the movie industry has over-learned the lesson that sequels perform well at the box office and has tried to sequelize every marginally successful movie. The deeper answer is that, on top of long-term structural declines in movie attendance, Hollywood is losing its grip on young people.\u201d<\/li>\n<li><strong>How Charity Auctions Take Advantage of Artists:<\/strong> Seems like a good idea, right? Charity fundraising auctions ask artists to contribute their work, and bidders will buy it with proceeds going to the organization. But some artists are inundated with requests to donate their work. And often the work doesn&#8217;t sell for much in front of audiences that might not perceive its real value.\u00a0The seismographic range of institutions, causes, and charities staging sales creates a <a href=\"http:\/\/www.artnews.com\/2016\/06\/07\/the-best-intentions-inside-the-wild-world-of-charity-auctions\/\">constant barrage for artists<\/a>. \u201cIt takes an amazing amount of, for lack of a better word, administrative time. It\u2019s very hard to keep it all going.\u201d Artist Marilyn Minter said she receives requests for donations every week. Rob Pruitt fields about 20 solicitations a year.<\/li>\n<li><strong>The Internet Is Making Us Smarter\/Dumber\/More Distracted\/Focused:<\/strong>\u00a0Virginia Heffernan reflects on <a href=\"http:\/\/www.nytimes.com\/2016\/06\/12\/books\/review\/virginia-heffernans-magic-and-loss.html?_r=0\">how the web is shaping our aesthetics<\/a>.\u00a0\u00ad\u201cWhether or not we admit it, the internet and its artifacts are not just like their cultural precedents. They\u2019re not even a rough translation \u2014 or a strong misreading \u2014 of those precedents.\u201d Meanwhile, Tim Berners-Lee, the man who invented the internet, believes <a href=\"http:\/\/www.nytimes.com\/2016\/06\/08\/technology\/the-webs-creator-looks-to-reinvent-it.html\">the net has become toxic and needs to be reinvented<\/a>:\u00a0\u201cIt controls what people see, creates mechanisms for how people interact. It\u2019s been great, but spying, blocking sites, repurposing people\u2019s content, taking you to the wrong websites \u2013 that completely undermines the spirit of helping people create.\u201d Recent research suggests that the internet has fueled constant distraction, and that <a href=\"http:\/\/www.fastcompany.com\/3060388\/your-most-productive-self\/what-happens-in-your-brain-when-you-lose-focus\">our brains perceive distraction as a threat<\/a>.\u00a0\u201cThis new research finds that an unexpected event also appears to clear out what you were thinking. This function of the brain served an important role when humans could be confronted with danger and needed a fight or flight response, but today it has negative consequences.\u201d<\/li>\n<li><strong>The Wonder That Is Bill T. Jones:<\/strong>\u00a0&#8220;<a href=\"http:\/\/www.nytimes.com\/2016\/06\/06\/t-magazine\/bill-t-jones-dance-choreography.html\">Arguably the most written-about figure in the dance world of the last quarter century<\/a>, Jones is inarguably the most broadly laureled, with a National Medal of Arts and a Kennedy Center Honor and Tony Awards and a Dorothy &amp; Lillian Gish Prize and a MacArthur Fellowship and, without hyperbole, scores more.&#8221;\u00a0He&#8217;s not just any 64-year-old. Bill T. Jones. is making some of the most personal work of his career:\u00a0\u201cIt occurred to me, watching Jones move, that, like all great attempts at artistic expression, his art manages to model compassion for the spectator \u2014 to make us feel what it\u2019s like to be dealing with an intense feeling not our own, but one that becomes ours to deal with. When we add in the way in which Jones\u2019s mind and body are changing, the dances themselves take on a new sort of vulnerability, a new riskiness far from the formalism of the \u201970s.\u201d<\/li>\n<\/ol>\n","protected":false},"excerpt":{"rendered":"<p>Maybe our biggest problem with teaching music in schools is the way we teach it. Hollywood thought making blockbusters would save it. Surprise! How charity auctions take advantage of artists. The internet is changing what we value in the world. And the wonder of Bill T. Jones&#8230; Music Teacher:\u00a0We should change the way we teach [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":892,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[30],"tags":[],"class_list":{"0":"post-891","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-weekly-aj-top-stories","8":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/06\/music-811025_960_720.jpg?fit=720%2C720&ssl=1","jetpack_shortlink":"https:\/\/wp.me\/p4ePZm-en","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":1209,"url":"https:\/\/www.artsjournal.com\/diacritical\/2016\/10\/five-aj-highlights-from-this-week-a-golden-age-for-music-an-arts-olympics.html","url_meta":{"origin":891,"position":0},"title":"Five AJ Highlights From This Week: A Golden Age For Music? An Arts Olympics?","author":"Douglas McLennan","date":"October 9, 2016","format":false,"excerpt":"This Week: The movie industry is undergoing a top-to-bottom revolution... Claim: teaching humanities fights racism... Outing the identity of Elena Ferrante sparks debate on privacy... Now may be the best-ever time for music... Do we really need an Olympics for the arts? Big Changes In How Movies Are Being Made:\u2026","rel":"","context":"In &quot;Weekly AJ Top Stories&quot;","block_context":{"text":"Weekly AJ Top Stories","link":"https:\/\/www.artsjournal.com\/diacritical\/category\/weekly-aj-top-stories"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/10\/music.jpg?fit=800%2C337&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/10\/music.jpg?fit=800%2C337&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/10\/music.jpg?fit=800%2C337&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/10\/music.jpg?fit=800%2C337&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":799,"url":"https:\/\/www.artsjournal.com\/diacritical\/2016\/02\/this-weeks-top-aj-stories-2-28-16.html","url_meta":{"origin":891,"position":1},"title":"This Week&#8217;s Top AJ Stories 2.28.16","author":"Douglas McLennan","date":"February 28, 2016","format":false,"excerpt":"Arguably, the dominant cultural issue of our time is the changes in how people are finding and getting culture. \u00a0In response, business models supporting culture and the kinds of culture being made are also changing. \u00a0It also underpins debates about diversity, engagement and power. Some broad themes this week: 1.\u2026","rel":"","context":"In &quot;Weekly AJ Top Stories&quot;","block_context":{"text":"Weekly AJ Top Stories","link":"https:\/\/www.artsjournal.com\/diacritical\/category\/weekly-aj-top-stories"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/02\/28mag-teams1-articleLarge.jpg?fit=600%2C924&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/02\/28mag-teams1-articleLarge.jpg?fit=600%2C924&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/02\/28mag-teams1-articleLarge.jpg?fit=600%2C924&ssl=1&resize=525%2C300 1.5x"},"classes":[]},{"id":864,"url":"https:\/\/www.artsjournal.com\/diacritical\/2016\/05\/five-stories-from-last-weeks-aj-likes-and-dislikes-edition.html","url_meta":{"origin":891,"position":2},"title":"Five Stories From Last Week&#8217;s AJ: Likes And Dislikes Edition","author":"Douglas McLennan","date":"May 22, 2016","format":false,"excerpt":"Why aren't the arts something we can all get behind? Maybe it's somewhere in the psychology of how we like what we like? Revealed: nobody reads arts reviews anymore (says an editor who hates to run them but wants to \"support\" the arts). Where the money is in music (hint:\u2026","rel":"","context":"In &quot;Weekly AJ Top Stories&quot;","block_context":{"text":"Weekly AJ Top Stories","link":"https:\/\/www.artsjournal.com\/diacritical\/category\/weekly-aj-top-stories"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/05\/theatre.jpg?fit=1200%2C720&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/05\/theatre.jpg?fit=1200%2C720&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/05\/theatre.jpg?fit=1200%2C720&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/05\/theatre.jpg?fit=1200%2C720&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/05\/theatre.jpg?fit=1200%2C720&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":858,"url":"https:\/\/www.artsjournal.com\/diacritical\/2016\/05\/dougs-list-last-weeks-eye-catching-aj-stories-playing-god-edition.html","url_meta":{"origin":891,"position":3},"title":"Doug&#8217;s List: Last Week&#8217;s Eye-Catching AJ Stories, Playing God Edition","author":"Douglas McLennan","date":"May 15, 2016","format":false,"excerpt":"Disrupting the orchestra model, doing away with artistic directors, a cure for what ails the Met Opera, how our ideas about knowledge are changing, and recreating Leonardo (no kidding!) 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Does it seem odd that there have been so few experiments in\u2026","rel":"","context":"In &quot;Weekly AJ Top Stories&quot;","block_context":{"text":"Weekly AJ Top Stories","link":"https:\/\/www.artsjournal.com\/diacritical\/category\/weekly-aj-top-stories"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/05\/ad9a4095.jpg?fit=600%2C400&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/05\/ad9a4095.jpg?fit=600%2C400&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/05\/ad9a4095.jpg?fit=600%2C400&ssl=1&resize=525%2C300 1.5x"},"classes":[]},{"id":844,"url":"https:\/\/www.artsjournal.com\/diacritical\/2016\/04\/money-diversity-and-power-this-weeks-top-aj-stories-04-24-16.html","url_meta":{"origin":891,"position":4},"title":"Money, Diversity And Power: This Week&#8217;s Top AJ Stories (04.24.16)","author":"Douglas McLennan","date":"April 24, 2016","format":false,"excerpt":"This week: Do the Met Museum's financial woes say anything about today's museum business? Who wants to see art in mobbed museums anyway? Prince's career as a control freak. A realignment of power in cities. And diversity as fetish object. Met Versus MoMA: Lessons About Popular Taste In The Balance\u2026","rel":"","context":"In &quot;Weekly AJ Top Stories&quot;","block_context":{"text":"Weekly AJ Top Stories","link":"https:\/\/www.artsjournal.com\/diacritical\/category\/weekly-aj-top-stories"},"img":{"alt_text":"22MUSEUMDEFICIT1-master675-1","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/04\/22MUSEUMDEFICIT1-master675-1.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/04\/22MUSEUMDEFICIT1-master675-1.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/04\/22MUSEUMDEFICIT1-master675-1.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":773,"url":"https:\/\/www.artsjournal.com\/diacritical\/2016\/02\/editors-choice-some-artsjournal-stories-you-shouldnt-miss-from-the-past-week.html","url_meta":{"origin":891,"position":5},"title":"Editors&#8217; Choice: ArtsJournal Stories You Shouldn&#8217;t Miss From The Past Week","author":"Douglas McLennan","date":"February 14, 2016","format":false,"excerpt":"1. This week in What-Does-The-Audience-Want? Cheaper tickets, for sure. Or at least the opportunity to pay what they want. \u00a0One theatre converted its season to pay-as-you-want and saw a 50% increase in audience. But perhaps it's frustrating that people don't see more people like themselves on stages. \"One of my\u2026","rel":"","context":"In &quot;Weekly AJ Top Stories&quot;","block_context":{"text":"Weekly AJ Top Stories","link":"https:\/\/www.artsjournal.com\/diacritical\/category\/weekly-aj-top-stories"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/02\/Sense-and-Sensibil_2462481b.jpg?fit=620%2C387&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/02\/Sense-and-Sensibil_2462481b.jpg?fit=620%2C387&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/02\/Sense-and-Sensibil_2462481b.jpg?fit=620%2C387&ssl=1&resize=525%2C300 1.5x"},"classes":[]}],"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/posts\/891","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/comments?post=891"}],"version-history":[{"count":1,"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/posts\/891\/revisions"}],"predecessor-version":[{"id":894,"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/posts\/891\/revisions\/894"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/media\/892"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/media?parent=891"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/categories?post=891"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/tags?post=891"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}