{"id":88,"date":"2009-04-14T04:28:53","date_gmt":"2009-04-14T04:28:53","guid":{"rendered":"http:\/\/www.artsjournal.com\/diacritical\/wp\/2009\/04\/atlanta_journal-constitution_o\/"},"modified":"2009-04-14T04:28:53","modified_gmt":"2009-04-14T04:28:53","slug":"atlanta_journal-constitution_o","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/diacritical\/2009\/04\/atlanta_journal-constitution_o.html","title":{"rendered":"Atlanta Journal-Constitution Offloads Its Arts Critics"},"content":{"rendered":"

It’s hard to accept the premise that newspapers are worth saving when they cut away the reasons to buy them. The Atlanta Journal-Constitution has pretty much declared it’s out of the culture coverage business by getting rid of its arts staff, including a few critics who have had national prominence. Art critic Catherine Fox has been a bright light nationally, covering antiquities. Arts journalism will survive. Just not in newspapers<\/a>. <\/p>\n

Star lifestyle writer Jim Auchmutey will be leaving. So will star war
\ncorrespondent Moni Basu — perhaps not surprising since the AJC<\/em>‘s
\ndays of sending reporters abroad seems to be over. The paper also
\nappears to be clearing house of its arts critics: visual arts critic
\nCathy Fox, theater critic Wendell Brock and classical music critic
\nPierre Ruhe, as well as Sonia Murray, who writes about the hip-hop
\nscene.<\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"

It’s hard to accept the premise that newspapers are worth saving when they cut away the reasons to buy them. The Atlanta Journal-Constitution has pretty much declared it’s out of the culture coverage business by getting rid of its arts staff, including a few critics who have had national prominence. Art critic Catherine Fox has […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1],"tags":[],"class_list":{"0":"post-88","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized","7":"entry"},"yoast_head":"\nAtlanta Journal-Constitution Offloads Its Arts Critics - diacritical<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.artsjournal.com\/diacritical\/2009\/04\/atlanta_journal-constitution_o.html\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Atlanta Journal-Constitution Offloads Its Arts Critics - diacritical\" \/>\n<meta property=\"og:description\" content=\"It’s hard to accept the premise that newspapers are worth saving when they cut away the reasons to buy them. The Atlanta Journal-Constitution has pretty much declared it’s out of the culture coverage business by getting rid of its arts staff, including a few critics who have had national prominence. 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John Terauds, for six years staff classical music critic of the Toronto Star, was reassigned this week to the paper\u2019s business section. He was the last full-time classical music critic at a Canadian newspaper. The\u2026","rel":"","context":"In "arts journalism"","block_context":{"text":"arts journalism","link":"https:\/\/www.artsjournal.com\/diacritical\/category\/arts-journalism"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wp\/wp-content\/uploads\/2011\/08\/eacae9164a65af69f68bb9fe5451.jpeg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":348,"url":"https:\/\/www.artsjournal.com\/diacritical\/2009\/04\/why_dont_arts_organizations_ha-2.html","url_meta":{"origin":88,"position":1},"title":"Why don't arts organizations have critics in residence?","author":"Douglas McLennan","date":"April 7, 2009","format":false,"excerpt":"Lots of arts organizations have blogs on their websites. Most aren't very good, and they're difficult to maintain well. There are many out-of-work critics. And less and less arts coverage in local press. So why not critics-in-residence? Yeah independence. But let's suspend for a moment the idea that criticism's highest\u2026","rel":"","context":"With 14 comments","block_context":{"text":"With 14 comments","link":"https:\/\/www.artsjournal.com\/diacritical\/2009\/04\/why_dont_arts_organizations_ha-2.html#comments"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":20,"url":"https:\/\/www.artsjournal.com\/diacritical\/2006\/12\/rockwell_your_opening_salvo.html","url_meta":{"origin":88,"position":2},"title":"Rockwell: your opening salvo","author":"Douglas McLennan","date":"December 13, 2006","format":false,"excerpt":"Doug: By actual count there are 4,217 really good ideas in your five paragraphs. Well, maybe one or two less, but they're all piquant and deserve response. Here's a start: Just as artists resent others laying their taste\/biases\/criteria on them, so might critics object when artists (or their enabling presenters,\u2026","rel":"","context":"In "main"","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/diacritical\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":38,"url":"https:\/\/www.artsjournal.com\/diacritical\/2006\/12\/john_a_misunderstanding_and_tw.html","url_meta":{"origin":88,"position":3},"title":"John: A Misunderstanding and Two Questions","author":"Douglas McLennan","date":"December 17, 2006","format":false,"excerpt":"Doug: I think we're talking about different things with the word \"rules.\" I meant that for each individual, critic or otherwise, there should be no rigid, exclusionary standards that determine our positions about most anything. With conflicts of interest and objectivity, I meant by no rules that to take an\u2026","rel":"","context":"In "main"","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/diacritical\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":36,"url":"https:\/\/www.artsjournal.com\/diacritical\/2006\/12\/john_arts_coverage_then_and_no.html","url_meta":{"origin":88,"position":4},"title":"John: Arts Coverage Then and Now","author":"Douglas McLennan","date":"December 19, 2006","format":false,"excerpt":"Doug: I agree with most everything you say in your last posting (to the annoyance of those, like editors, who value a good dust-up over reasoned dialogue). I do think editors at daily newspapers today prize lively writing and versatile newspaperly skills over expertise in a field of art; they\u2026","rel":"","context":"In "main"","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/diacritical\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":37,"url":"https:\/\/www.artsjournal.com\/diacritical\/2006\/12\/doug_generally_speaking_the_cr.html","url_meta":{"origin":88,"position":5},"title":"Doug: Generally Speaking (The Critic As Specialist)","author":"Douglas McLennan","date":"December 18, 2006","format":false,"excerpt":"John: Two huge topics to jump into, both probably worth spending a whole week on by themselves. I'll wait on answering the first till later, since it's such a huge topic. But the second, about specialist critics vs. generalists is easier to take a bite out of. I don't think\u2026","rel":"","context":"In "main"","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/diacritical\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/posts\/88","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/comments?post=88"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/posts\/88\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/media?parent=88"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/categories?post=88"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/tags?post=88"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}