{"id":87,"date":"2009-04-13T11:33:13","date_gmt":"2009-04-13T11:33:13","guid":{"rendered":"http:\/\/www.artsjournal.com\/diacritical\/wp\/2009\/04\/vote_for_your_favorite_artist\/"},"modified":"2009-04-13T11:33:13","modified_gmt":"2009-04-13T11:33:13","slug":"vote_for_your_favorite_artist","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/diacritical\/2009\/04\/vote_for_your_favorite_artist.html","title":{"rendered":"Vote for your favorite artist of the 20th Century"},"content":{"rendered":"<p>The Times of London is running a poll to pick the favorite artist of the 20th Century. &#8220;Readers and<br \/>\nvisitors were asked to nominate their favourite artists working since<br \/>\n1900 from a list including some of the most influential painters,<br \/>\nsculptors, photographers, video and installation artists of the period.<br \/>\nAfter 1 million+ votes cast, the leading 300 artists are now listed<br \/>\nbelow in alphabetical order.&#8221; Winners to be announced May 25. <a href=\"http:\/\/entertainment.timesonline.co.uk\/tol\/arts_and_entertainment\/visual_arts\/article6069166.ece\">Here<\/a> to vote.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Times of London is running a poll to pick the favorite artist of the 20th Century. &#8220;Readers and visitors were asked to nominate their favourite artists working since 1900 from a list including some of the most influential painters, sculptors, photographers, video and installation artists of the period. After 1 million+ votes cast, the [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1],"tags":[],"class_list":{"0":"post-87","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized","7":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p4ePZm-1p","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":915,"url":"https:\/\/www.artsjournal.com\/diacritical\/2016\/07\/do-artists-have-a-vision-for-the-future.html","url_meta":{"origin":87,"position":0},"title":"Do Artists Have A Vision For The Future?","author":"Douglas McLennan","date":"July 10, 2016","format":false,"excerpt":"Around the beginning of the 20th Century, some French artists were asked to design a series of cards that would imagine what life would be like 100 years in the future in the year 2000. The first cards were created for the 1900 World Exhibition in Paris and eventually there\u2026","rel":"","context":"In &quot;arts &amp; tech&quot;","block_context":{"text":"arts &amp; tech","link":"https:\/\/www.artsjournal.com\/diacritical\/category\/arts-tech"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/07\/France_in_XXI_Century._Electric_scrubbing.jpg?fit=1200%2C757&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/07\/France_in_XXI_Century._Electric_scrubbing.jpg?fit=1200%2C757&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/07\/France_in_XXI_Century._Electric_scrubbing.jpg?fit=1200%2C757&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/07\/France_in_XXI_Century._Electric_scrubbing.jpg?fit=1200%2C757&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/07\/France_in_XXI_Century._Electric_scrubbing.jpg?fit=1200%2C757&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":3192,"url":"https:\/\/www.artsjournal.com\/diacritical\/2026\/01\/old-laws-new-ghosts-why-the-creative-resistance-to-ai-is-failing.html","url_meta":{"origin":87,"position":1},"title":"Old Laws, New Ghosts: Why Artists are losing the Battle for AI","author":"Douglas McLennan","date":"January 20, 2026","format":false,"excerpt":"The fear and concern are real. The issues are real. But we're trying to conjure up rules for 21st Century technologies with a 20th-Century vocabulary that's ill-equipped for the job.","rel":"","context":"In &quot;arts and AI&quot;","block_context":{"text":"arts and AI","link":"https:\/\/www.artsjournal.com\/diacritical\/category\/arts-and-ai"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2026\/01\/letters-4988771_1280-1.jpg?fit=1200%2C800&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2026\/01\/letters-4988771_1280-1.jpg?fit=1200%2C800&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2026\/01\/letters-4988771_1280-1.jpg?fit=1200%2C800&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2026\/01\/letters-4988771_1280-1.jpg?fit=1200%2C800&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2026\/01\/letters-4988771_1280-1.jpg?fit=1200%2C800&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":569,"url":"https:\/\/www.artsjournal.com\/diacritical\/2015\/02\/too-many-artists-or-not-enough-value.html","url_meta":{"origin":87,"position":2},"title":"Too Many Artists Or Not Enough Value?","author":"Douglas McLennan","date":"February 5, 2015","format":false,"excerpt":"Scott Timberg's book Culture Crash makes a case that the transformation of our culture right now is killing artists' ability to make a living making art. He cites a number of reasons, but in the end it boils down to the fact that with so much free culture\/art available, people\u2026","rel":"","context":"In &quot;changing culture&quot;","block_context":{"text":"changing culture","link":"https:\/\/www.artsjournal.com\/diacritical\/category\/changing-culture"},"img":{"alt_text":"Print","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2015\/02\/INLINE_the_new_republic-624x624-300x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2944,"url":"https:\/\/www.artsjournal.com\/diacritical\/2024\/11\/how-should-we-measure-art.html","url_meta":{"origin":87,"position":3},"title":"How Should we Measure Art?","author":"Douglas McLennan","date":"November 3, 2024","format":false,"excerpt":"Pre-internet, the lines were pretty clear about the binary relationship between artist and audience. Artists created and audience consumed. In today\u2019s digital world, the landscape is fluid\u2014we create and express our identities by what we choose to share online. Sharing, or curating what we encounter both online and in the\u2026","rel":"","context":"In &quot;audience&quot;","block_context":{"text":"audience","link":"https:\/\/www.artsjournal.com\/diacritical\/category\/audience"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2024\/11\/clown-4133113_1280-1.jpg?fit=1000%2C601&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2024\/11\/clown-4133113_1280-1.jpg?fit=1000%2C601&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2024\/11\/clown-4133113_1280-1.jpg?fit=1000%2C601&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2024\/11\/clown-4133113_1280-1.jpg?fit=1000%2C601&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":702,"url":"https:\/\/www.artsjournal.com\/diacritical\/2016\/01\/five-picks-stories-from-this-weeks-artsjournal.html","url_meta":{"origin":87,"position":4},"title":"FIVE PICKS: Stories From This Week&#8217;s ArtsJournal","author":"Douglas McLennan","date":"January 24, 2016","format":false,"excerpt":"Welcome to our weekly \"best of\" ArtsJournal. These aren't necessarily the most important of the 156 stories we found this week, but they particularly caught our eye. Your #AllWhiteOscars Controversy Primer The biggest flurry of stories this week was the reaction to last week's Oscars nominations, where for the second\u2026","rel":"","context":"In &quot;Weekly AJ Top Stories&quot;","block_context":{"text":"Weekly AJ Top Stories","link":"https:\/\/www.artsjournal.com\/diacritical\/category\/weekly-aj-top-stories"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/01\/oscars.jpg?fit=580%2C350&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/01\/oscars.jpg?fit=580%2C350&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/01\/oscars.jpg?fit=580%2C350&ssl=1&resize=525%2C300 1.5x"},"classes":[]},{"id":1252,"url":"https:\/\/www.artsjournal.com\/diacritical\/2016\/12\/this-weeks-top-artsjournal-reads-an-artist-identity-crisis.html","url_meta":{"origin":87,"position":5},"title":"This Week&#8217;s Top ArtsJournal Reads: An Artist Identity Crisis?","author":"Douglas McLennan","date":"December 4, 2016","format":false,"excerpt":"This Week: The next wave of arts journalism layoffs begins... Lots of debate about the role of artists in the Trump era... Prominent Canadian artists petition the government to \"fix\" support for creativity... It's getting harder to define what \"home\" is... Is \"mindfulness\" overrated? Three More Big City Newspaper Arts\u2026","rel":"","context":"In &quot;Weekly AJ Top Stories&quot;","block_context":{"text":"Weekly AJ Top Stories","link":"https:\/\/www.artsjournal.com\/diacritical\/category\/weekly-aj-top-stories"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/12\/artsjournalism.jpg?fit=800%2C359&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/12\/artsjournalism.jpg?fit=800%2C359&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/12\/artsjournalism.jpg?fit=800%2C359&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/12\/artsjournalism.jpg?fit=800%2C359&ssl=1&resize=700%2C400 2x"},"classes":[]}],"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/posts\/87","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/comments?post=87"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/posts\/87\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/media?parent=87"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/categories?post=87"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/tags?post=87"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}