{"id":835,"date":"2016-04-10T14:40:37","date_gmt":"2016-04-10T21:40:37","guid":{"rendered":"http:\/\/www.artsjournal.com\/diacritical\/?p=835"},"modified":"2016-04-11T12:22:25","modified_gmt":"2016-04-11T19:22:25","slug":"art-is-always-messy-edition-five-highlights-from-this-weeks-artsjournal-04-10-16","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/diacritical\/2016\/04\/art-is-always-messy-edition-five-highlights-from-this-weeks-artsjournal-04-10-16.html","title":{"rendered":"Art-Is-Always-Messy Edition: Five Highlights From This Week&#8217;s ArtsJournal 04.10.16"},"content":{"rendered":"<p><a href=\"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/04\/rembrandt.jpg?ssl=1\" rel=\"attachment wp-att-836\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignleft size-large wp-image-836\" src=\"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/04\/rembrandt.jpg?resize=1024%2C576&#038;ssl=1\" alt=\"rembrandt\" width=\"1024\" height=\"576\" srcset=\"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/04\/rembrandt.jpg?resize=1024%2C576&amp;ssl=1 1024w, https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/04\/rembrandt.jpg?resize=300%2C169&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/04\/rembrandt.jpg?resize=768%2C432&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/04\/rembrandt.jpg?w=1072&amp;ssl=1 1072w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/a>What business success in theatre looks like, our over-obsession with creativity as a catch-all answer to success, how the art markets really work, how taste gets confused with pretension, and machines&#8217; inroads to art.<\/p>\n<ol>\n<li><strong>Theatre is a big gamble but when it hits it REALLY hits:<\/strong>\u00a0We&#8217;re used to being dazzled by the huge budgets and box office of movies. Theatre not so much. Mostly, theatre is a risky business. But when a Broadway show becomes a runaway hit, it really hits. Enter &#8220;Hamilton&#8221;, which is poised to make enormous amounts of money and will be big business. <a href=\"http:\/\/www.nytimes.com\/2016\/04\/10\/magazine\/the-ceo-of-hamilton-inc.html\" target=\"_blank\">Here&#8217;s an insightful look<\/a> into the business of a Broadway success.<\/li>\n<li><strong>Why &#8220;creativity&#8221; and &#8220;innovation&#8221; WON&#8217;T make you successful:<\/strong>\u00a0It&#8217;s sexy. It&#8217;s interesting. But our obsession with creating and innovating and imagining that these are the only keys to success could be a problem. It&#8217;s a mindset that can <a href=\"http:\/\/bookforum.com\/inprint\/023_01\/15797\" target=\"_blank\">skew who wins and who loses<\/a>.<\/li>\n<li>\n<footer class=\"entry-footer\"><strong>How the art markets really function:<\/strong> \u00a0Everyone complains about the runaway commercialism of the art market. Art as commodity determines how you look at it. As art has become a go-to investment for the super-rich, perhaps we need to think about how the market is regulated. An essay in the Chronicle of Higher Education suggests that \u201ca<a href=\"http:\/\/chronicle.com\/article\/Art-in-the-New-Plutocracy\/235903\" target=\"_blank\">rt has become an instrument for generating wealth and political influence<\/a> in the interests of an audacious plutocracy. In this sense, we are indeed being ruled by art in a way we have not been before, and its price now comes at a direct social cost. Its commodification has ceased to be a matter merely of cultural debate, as it was for Fry, and should now be subject to political scrutiny in the name of the public interest.\u201d Meanwhile, the Panama Papers reveal <a href=\"http:\/\/www.theguardian.com\/news\/2016\/apr\/07\/panama-papers-joe-lewis-offshore-art-world-picasso-christies\" target=\"_blank\">how a super-rich collector revolutionized the art market<\/a>: \u00a0<span style=\"line-height: 1.5;\"><span style=\"line-height: 1.5;\">\u201cThe files may finally lay to rest rumours about how Christie\u2019s snatched the Ganz commission from under the noses of rival auction houses. It is also a masterclass in the art of hedging by one of the world\u2019s most successful financial speculators.\u201d<\/span><\/span><\/footer>\n<\/li>\n<li>\n<footer class=\"entry-footer\"><strong><a class=\"ext-link\" title=\"\" href=\"http:\/\/www.slate.com\/articles\/arts\/books\/2016\/04\/pretentiousness_why_it_matters_by_dan_fox_reviewed.html\" target=\"_blank\" rel=\"bookmark\" data-wpel-target=\"_new\">How we confuse pretentiousness with aspirations to know\/do\/be better<\/a>:\u00a0<\/strong>\u201cA discomfort with the radical, or the confusing, or the challenging\u2014with artworks, and lives, that insist on being otherwise\u2014is very often what lies beneath the charge of pretentiousness. As much as it\u2019s a way of deflating some apparently empty cultural gesture, calling something (or someone) pretentious is also a way of defending yourself against the uncomfortable feeling of not getting something, or\u2014worse still\u2014the uncomfortable suspicion that you\u2019re being had.\u201d<\/footer>\n<\/li>\n<li><strong>Will artificial intelligence redefine how we think about art?<\/strong> If art is a distillation of experience, a way of interpreting, an inspired observation, a skilled expression, a unique insight, then how are we going to regard artificial intelligence when it starts creating? Already, it&#8217;s difficult to distinguish between music produced by machines and music made by humans. And then there&#8217;s<a href=\"http:\/\/www.smithsonianmag.com\/smart-news\/new-rembrandt-created-347-years-after-the-dutch-masters-death-180958664\/\" target=\"_blank\"> this from Smithsonian magazine<\/a>: Scientists had a computer create a painting &#8220;using data from more than 168,000 fragments of Rembrandt\u2019s work. Over the course of 18 months, a group of engineers, Rembrandt experts and data scientists analyzed 346 of Rembrandt\u2019s works, then trained a deep learning engine to \u2018paint\u2019 in the master\u2019s signature style.\u201d<\/li>\n<\/ol>\n<footer class=\"entry-footer\"><\/footer>\n<footer class=\"entry-footer\"><\/footer>\n","protected":false},"excerpt":{"rendered":"<p>What business success in theatre looks like, our over-obsession with creativity as a catch-all answer to success, how the art markets really work, how taste gets confused with pretension, and machines&#8217; inroads to art. Theatre is a big gamble but when it hits it REALLY hits:\u00a0We&#8217;re used to being dazzled by the huge budgets and [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":836,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[30],"tags":[],"class_list":{"0":"post-835","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-weekly-aj-top-stories","8":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/04\/rembrandt.jpg?fit=1072%2C603&ssl=1","jetpack_shortlink":"https:\/\/wp.me\/p4ePZm-dt","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":825,"url":"https:\/\/www.artsjournal.com\/diacritical\/2016\/03\/the-existential-arts-this-weeks-best-reads-on-artsjournal-03-27-16.html","url_meta":{"origin":835,"position":0},"title":"The Existential Arts &#8211; This Week&#8217;s Best Reads On ArtsJournal (03.27.16)","author":"Douglas McLennan","date":"March 27, 2016","format":false,"excerpt":"This week's best reads hover around existential questions. What arts organizations should exist? Does truth exist? Can theatre really change anything, and should it even try? Canada's new government makes an existential bet on culture. And do our tools define art? Arts Organizations At The Existential Crossroads: Some have argued\u2026","rel":"","context":"In &quot;Weekly AJ Top Stories&quot;","block_context":{"text":"Weekly AJ Top Stories","link":"https:\/\/www.artsjournal.com\/diacritical\/category\/weekly-aj-top-stories"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/03\/519048855_1280x720.jpg?fit=1200%2C675&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/03\/519048855_1280x720.jpg?fit=1200%2C675&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/03\/519048855_1280x720.jpg?fit=1200%2C675&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/03\/519048855_1280x720.jpg?fit=1200%2C675&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/03\/519048855_1280x720.jpg?fit=1200%2C675&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":535,"url":"https:\/\/www.artsjournal.com\/diacritical\/2014\/01\/welcoming-a-new-aj-blogger-whose-art-is-the-audience.html","url_meta":{"origin":835,"position":1},"title":"Welcoming A New AJ Blogger: Art of the audience","author":"Douglas McLennan","date":"January 27, 2014","format":false,"excerpt":"I'm very pleased to welcome a new blogger to ArtsJournal today. Lynne Conner will be writing the blog We the Audience, a blog about the relationships between artists and audiences. Lynne is a\u00a0professor in the theatre and dance department at Colby College in Maine, where she directs plays and teaches\u2026","rel":"","context":"Similar post","block_context":{"text":"Similar post","link":""},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2014\/01\/conner.jpg?fit=392%2C582&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":132,"url":"https:\/\/www.artsjournal.com\/diacritical\/2010\/04\/beware_the_mushy_middle.html","url_meta":{"origin":835,"position":2},"title":"Beware the mushy middle","author":"Douglas McLennan","date":"April 16, 2010","format":false,"excerpt":"The NYT's Charles Isherwood writes about what he calls the \"odd-man-out\" syndrome: This can roughly be described as the experience of attending an event at which much of the audience appears to be having a rollicking good time, while you sit in stony silence, either bored to stupefaction or itchy\u2026","rel":"","context":"With 4 comments","block_context":{"text":"With 4 comments","link":"https:\/\/www.artsjournal.com\/diacritical\/2010\/04\/beware_the_mushy_middle.html#comments"},"img":{"alt_text":"mush.jpg","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/mush.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":113,"url":"https:\/\/www.artsjournal.com\/diacritical\/2009\/06\/_how_do_you_spread.html","url_meta":{"origin":835,"position":3},"title":"Terms Of Endearment &#8211; How Does An Orchestra Spell Success?","author":"Douglas McLennan","date":"June 10, 2009","format":false,"excerpt":"How do good ideas take hold? It's not enough to talk about them; the context in which you talk about them has to be right. How do producers pitch ideas for movies? They relate them to other movies that have already been successful. So Terminator meets Cheaper by the Dozen\u2026","rel":"","context":"With 1 comment","block_context":{"text":"With 1 comment","link":"https:\/\/www.artsjournal.com\/diacritical\/2009\/06\/_how_do_you_spread.html#comments"},"img":{"alt_text":"ideaspread.jpg","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/ideaspread.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":93,"url":"https:\/\/www.artsjournal.com\/diacritical\/2009\/04\/short_attention_span_theatre.html","url_meta":{"origin":835,"position":4},"title":"Short Attention Span Theatre","author":"Douglas McLennan","date":"April 20, 2009","format":false,"excerpt":"Mark Ravenhill argues that endless choice has shortened our attention spans, to the detriment of all art.Maybe we should blame the invention of the TV remote control: people often do. At some point around 30 years ago, it became possible to hop aimlessly between channels. Programme-makers became convinced that they\u2026","rel":"","context":"Similar post","block_context":{"text":"Similar post","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1169,"url":"https:\/\/www.artsjournal.com\/diacritical\/2016\/09\/five-storiestrends-from-this-weeks-artsjournal-how-the-arts-speak-to-real-life.html","url_meta":{"origin":835,"position":5},"title":"Five Stories\/Trends From This Week&#8217;s ArtsJournal: How The Arts Speak To Real Life","author":"Douglas McLennan","date":"September 25, 2016","format":false,"excerpt":"This Week: Why is it so hard to tell\u00a0if American theatre is thriving or not?... Have art and technology had a falling out?... Perhaps TV is the solution to our political polarization... The music industry seems to be finally getting it together... A cautionary tale about getting swallowed up by\u2026","rel":"","context":"In &quot;Weekly AJ Top Stories&quot;","block_context":{"text":"Weekly AJ Top Stories","link":"https:\/\/www.artsjournal.com\/diacritical\/category\/weekly-aj-top-stories"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/09\/free-1641264_1280.jpg?fit=1200%2C780&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/09\/free-1641264_1280.jpg?fit=1200%2C780&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/09\/free-1641264_1280.jpg?fit=1200%2C780&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/09\/free-1641264_1280.jpg?fit=1200%2C780&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/09\/free-1641264_1280.jpg?fit=1200%2C780&ssl=1&resize=1050%2C600 3x"},"classes":[]}],"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/posts\/835","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/comments?post=835"}],"version-history":[{"count":2,"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/posts\/835\/revisions"}],"predecessor-version":[{"id":838,"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/posts\/835\/revisions\/838"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/media\/836"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/media?parent=835"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/categories?post=835"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/tags?post=835"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}