{"id":62,"date":"2009-03-24T08:01:54","date_gmt":"2009-03-24T08:01:54","guid":{"rendered":"http:\/\/www.artsjournal.com\/diacritical\/wp\/2009\/03\/the_npr_conundrum\/"},"modified":"2009-03-24T08:01:54","modified_gmt":"2009-03-24T08:01:54","slug":"the_npr_conundrum","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/diacritical\/2009\/03\/the_npr_conundrum.html","title":{"rendered":"The NPR Conundrum"},"content":{"rendered":"

The Washington Post reports<\/a> this morning that NPR’s audience has grown about 47 percent in this decade. A pretty nice bump. But NPR is still having to cut as its income declines in the recession. As for longer-term prospects, NPR stands in a pretty interesting space. While audiences for mass-media outlets have declined precipitously in the Online Age, NPR has done very well. But it’s current business model as a member-station organization faces some major challenges. I’ve delved in to some of the numbers over here<\/a> at the NAJP’s ARTicles<\/a> blog.<\/p>\n","protected":false},"excerpt":{"rendered":"

The Washington Post reports this morning that NPR’s audience has grown about 47 percent in this decade. A pretty nice bump. But NPR is still having to cut as its income declines in the recession. As for longer-term prospects, NPR stands in a pretty interesting space. While audiences for mass-media outlets have declined precipitously in […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1],"tags":[],"class_list":{"0":"post-62","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-uncategorized","7":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p4ePZm-10","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":901,"url":"https:\/\/www.artsjournal.com\/diacritical\/2016\/06\/last-weeks-dont-miss-arts-stories-brexit-edition.html","url_meta":{"origin":62,"position":0},"title":"Last Week’s Don’t Miss Arts Stories: Brexit Edition","author":"Douglas McLennan","date":"June 26, 2016","format":false,"excerpt":"Clearly Brexit is a cultural decision, and it will have a big impact... 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Magazines: People magazine is solidly mass market. In 2006 it had a circulation of 3.8 million. Its rivals Us Weekly sold 1.8 million\u2026","rel":"","context":"In "main"","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/diacritical\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":113,"url":"https:\/\/www.artsjournal.com\/diacritical\/2009\/06\/_how_do_you_spread.html","url_meta":{"origin":62,"position":2},"title":"Terms Of Endearment – How Does An Orchestra Spell Success?","author":"Douglas McLennan","date":"June 10, 2009","format":false,"excerpt":"How do good ideas take hold? It's not enough to talk about them; the context in which you talk about them has to be right. How do producers pitch ideas for movies? They relate them to other movies that have already been successful. 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