{"id":541,"date":"2014-01-27T12:14:58","date_gmt":"2014-01-27T20:14:58","guid":{"rendered":"http:\/\/www.artsjournal.com\/diacritical\/?p=541"},"modified":"2014-01-27T12:24:18","modified_gmt":"2014-01-27T20:24:18","slug":"british-orchestras-bigger-audiences-for-less-money","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/diacritical\/2014\/01\/british-orchestras-bigger-audiences-for-less-money.html","title":{"rendered":"British Orchestras &#8211; Bigger Audiences For Less Money"},"content":{"rendered":"<p>British orchestras report an increase in attendees &#8211; <a href=\"http:\/\/www.independent.co.uk\/arts-entertainment\/classical\/news\/british-orchestras-are-in-danger-of-losing-top-billing-despite-rising-ticket-sales-9085502.html\" target=\"_blank\">a 16 percent increase<\/a> no less &#8211; over an earlier three-year period:<\/p>\n<blockquote><p>A survey by the Association of British Orchestras (ABO) has found attendances at concerts and performances between 2012 and 2013 were up 16 per cent on those\u00a0 three years earlier. More than 4.5 million people a year now see orchestras play live in the UK.<\/p><\/blockquote>\n<p>But earned income is down substantially:<\/p>\n<div id=\"attachment_542\" style=\"width: 310px\" class=\"wp-caption alignright\"><a href=\"http:\/\/www.independent.co.uk\/arts-entertainment\/classical\/news\/british-orchestras-are-in-danger-of-losing-top-billing-despite-rising-ticket-sales-9085502.html\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-542\" class=\"size-medium wp-image-542 \" alt=\"p17orchestraEPA\" src=\"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2014\/01\/p17orchestraEPA.jpg?resize=300%2C225&#038;ssl=1\" width=\"300\" height=\"225\" srcset=\"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2014\/01\/p17orchestraEPA.jpg?resize=300%2C225&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2014\/01\/p17orchestraEPA.jpg?w=620&amp;ssl=1 620w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><p id=\"caption-attachment-542\" class=\"wp-caption-text\">Image: <a href=\"http:\/\/www.independent.co.uk\/arts-entertainment\/classical\/news\/british-orchestras-are-in-danger-of-losing-top-billing-despite-rising-ticket-sales-9085502.html\">The Independent (UK)<\/a><\/p><\/div>\n<blockquote><p>..news of growth in attendance has not translated into huge returns at the box office, as income from ticket sales and contract hires has fallen 11 per cent over the same period, according to the survey. And added to this a 14 per cent decline, in real terms, in public funding.<\/p><\/blockquote>\n<p>Add the numbers and you have more people attending orchestra concerts at significantly cheaper prices. And presumably, one might suppose that the audience for orchestras has increased even more because of digital access. So more people, less money. That sounds like the situation for pretty much any creative industry these days as they grapple with changes in audience behavior brought about by the internet.<\/p>\n<p>The question is, given the subsidy model that orchestras operate in: what is the tolerable rate of subsidy? Fifty percent? 60? 90? Whatever it is, it&#8217;s not keeping up with covering costs &#8211; even with an increase in audience &#8211; paying lower prices. This isn&#8217;t just happening for orchestras or the arts. Pop musicians are having to <a href=\"http:\/\/www.washingtonpost.com\/entertainment\/music\/grammy-advertisements-tell-us-more-about-state-of-music-biz-than-the-show-itself\/2014\/01\/27\/e6d8d3dc-875f-11e3-833c-33098f9e5267_story.html\" target=\"_blank\">change the subsidy model<\/a> for their work too.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>British orchestras report an increase in attendees &#8211; a 16 percent increase no less &#8211; over an earlier three-year period: A survey by the Association of British Orchestras (ABO) has found attendances at concerts and performances between 2012 and 2013 were up 16 per cent on those\u00a0 three years earlier. More than 4.5 million people [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":542,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[21],"tags":[],"class_list":{"0":"post-541","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-culture-business-models","8":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2014\/01\/p17orchestraEPA.jpg?fit=620%2C465&ssl=1","jetpack_shortlink":"https:\/\/wp.me\/p4ePZm-8J","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":1296,"url":"https:\/\/www.artsjournal.com\/diacritical\/2017\/01\/are-orchestras-a-ticket-or-an-art-maybe-were-thinking-about-the-made-up-model-wrong.html","url_meta":{"origin":541,"position":0},"title":"Are Orchestras A Ticket Or An Art? Maybe We&#8217;re Thinking About The (Made Up) Model Wrong","author":"Douglas McLennan","date":"January 26, 2017","format":false,"excerpt":"As recently as 1990, American symphony orchestras accounted for an average of 60 percent of their budgets in earned income. This meant, at the time, that if you weren't selling enough tickets (and other services) to make 60 percent, then you weren't considered healthy. A report in 1991 - The\u2026","rel":"","context":"In &quot;culture business models&quot;","block_context":{"text":"culture business models","link":"https:\/\/www.artsjournal.com\/diacritical\/category\/culture-business-models"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2017\/01\/orchnumbers.png?fit=959%2C1200&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2017\/01\/orchnumbers.png?fit=959%2C1200&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2017\/01\/orchnumbers.png?fit=959%2C1200&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2017\/01\/orchnumbers.png?fit=959%2C1200&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":1201,"url":"https:\/\/www.artsjournal.com\/diacritical\/2016\/10\/aj-week-in-review-two-big-orchestras-strike-two-others-report-record-success.html","url_meta":{"origin":541,"position":1},"title":"AJ Week In Review: Two Big Orchestras Strike, Two Others Report Record Success","author":"Douglas McLennan","date":"October 2, 2016","format":false,"excerpt":"This Week: Three orchestras now on strike as audience waits... Two other orchestras report record success... A museum raises $100 million in just three months... Bots are getting awfully good at making art... More links between being bored and being creative. A Bad Week For Three Orchestras: The audience was\u2026","rel":"","context":"In &quot;Weekly AJ Top Stories&quot;","block_context":{"text":"Weekly AJ Top Stories","link":"https:\/\/www.artsjournal.com\/diacritical\/category\/weekly-aj-top-stories"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/10\/PhiladelphiaOrchestrastrikecp.jpg?fit=1200%2C720&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/10\/PhiladelphiaOrchestrastrikecp.jpg?fit=1200%2C720&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/10\/PhiladelphiaOrchestrastrikecp.jpg?fit=1200%2C720&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/10\/PhiladelphiaOrchestrastrikecp.jpg?fit=1200%2C720&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/10\/PhiladelphiaOrchestrastrikecp.jpg?fit=1200%2C720&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":2468,"url":"https:\/\/www.artsjournal.com\/diacritical\/2021\/06\/how-has-technology-changed-orchestras-my-talk-for-the-league-of-american-orchestras-conference.html","url_meta":{"origin":541,"position":2},"title":"How Has Technology Changed Orchestras? &#8212; My Talk for the League of American Orchestras Conference","author":"Douglas McLennan","date":"June 9, 2021","format":false,"excerpt":"I was asked to deliver a \"provocation\" for this week's League of American Orchestras annual conference with the prompt \"How has Technology Changed Orchestras Forever?\" Here's a video of the talk and the transcript:.","rel":"","context":"In &quot;arts &amp; tech&quot;","block_context":{"text":"arts &amp; tech","link":"https:\/\/www.artsjournal.com\/diacritical\/category\/arts-tech"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2021\/06\/violin-2772433_1280.jpg?fit=1200%2C533&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2021\/06\/violin-2772433_1280.jpg?fit=1200%2C533&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2021\/06\/violin-2772433_1280.jpg?fit=1200%2C533&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2021\/06\/violin-2772433_1280.jpg?fit=1200%2C533&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2021\/06\/violin-2772433_1280.jpg?fit=1200%2C533&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":1240,"url":"https:\/\/www.artsjournal.com\/diacritical\/2016\/11\/this-weeks-aj-highlights-hamilton-teaches-the-art-of-protest-at-last-some-real-data-on-orchestras.html","url_meta":{"origin":541,"position":3},"title":"This Week&#8217;s AJ Highlights: &#8220;Hamilton&#8221; Teaches The Art Of Protest, At Last Some Real Data On Orchestras","author":"Douglas McLennan","date":"November 20, 2016","format":false,"excerpt":"This Week: That Mike Pence goes to \"Hamilton\" story? A textbook protest... Finally - some real data on the health of orchestras... Arts criticism is either being reborn or it's in dire shape... Pop culture is getting to be only for the rich... The myth of the outsider is a\u2026","rel":"","context":"In &quot;Weekly AJ Top Stories&quot;","block_context":{"text":"Weekly AJ Top Stories","link":"https:\/\/www.artsjournal.com\/diacritical\/category\/weekly-aj-top-stories"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/11\/%E2%80%98Hamilton%E2%80%99-Had-Some-Unscripted-Lines-for-Pence.-Trump-Wasn%E2%80%99t-Happy.-The-New-York-Times.jpg?fit=1200%2C607&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/11\/%E2%80%98Hamilton%E2%80%99-Had-Some-Unscripted-Lines-for-Pence.-Trump-Wasn%E2%80%99t-Happy.-The-New-York-Times.jpg?fit=1200%2C607&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/11\/%E2%80%98Hamilton%E2%80%99-Had-Some-Unscripted-Lines-for-Pence.-Trump-Wasn%E2%80%99t-Happy.-The-New-York-Times.jpg?fit=1200%2C607&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/11\/%E2%80%98Hamilton%E2%80%99-Had-Some-Unscripted-Lines-for-Pence.-Trump-Wasn%E2%80%99t-Happy.-The-New-York-Times.jpg?fit=1200%2C607&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/11\/%E2%80%98Hamilton%E2%80%99-Had-Some-Unscripted-Lines-for-Pence.-Trump-Wasn%E2%80%99t-Happy.-The-New-York-Times.jpg?fit=1200%2C607&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":1151,"url":"https:\/\/www.artsjournal.com\/diacritical\/2016\/09\/some-of-our-orchestras-seem-to-be-thriving-is-this-a-new-trend.html","url_meta":{"origin":541,"position":4},"title":"Some Of Our Orchestras Seem To Be Thriving &#8211; Is This A New Trend?","author":"Douglas McLennan","date":"September 20, 2016","format":false,"excerpt":"There's been a change in the news coming out of symphony orchestras over the past summer. Usually there's a background drumbeat of struggle as orchestras fight to stay alive. But for months now, the beat has shifted, and we're hearing about orchestras that are not only surviving but thriving. Yes,\u2026","rel":"","context":"In &quot;arts and business&quot;","block_context":{"text":"arts and business","link":"https:\/\/www.artsjournal.com\/diacritical\/category\/arts-and-business"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/09\/Stlouisso.jpg?fit=800%2C213&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/09\/Stlouisso.jpg?fit=800%2C213&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/09\/Stlouisso.jpg?fit=800%2C213&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/09\/Stlouisso.jpg?fit=800%2C213&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":113,"url":"https:\/\/www.artsjournal.com\/diacritical\/2009\/06\/_how_do_you_spread.html","url_meta":{"origin":541,"position":5},"title":"Terms Of Endearment &#8211; How Does An Orchestra Spell Success?","author":"Douglas McLennan","date":"June 10, 2009","format":false,"excerpt":"How do good ideas take hold? It's not enough to talk about them; the context in which you talk about them has to be right. How do producers pitch ideas for movies? They relate them to other movies that have already been successful. So Terminator meets Cheaper by the Dozen\u2026","rel":"","context":"With 1 comment","block_context":{"text":"With 1 comment","link":"https:\/\/www.artsjournal.com\/diacritical\/2009\/06\/_how_do_you_spread.html#comments"},"img":{"alt_text":"ideaspread.jpg","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/ideaspread.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/posts\/541","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/comments?post=541"}],"version-history":[{"count":3,"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/posts\/541\/revisions"}],"predecessor-version":[{"id":547,"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/posts\/541\/revisions\/547"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/media\/542"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/media?parent=541"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/categories?post=541"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/tags?post=541"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}