{"id":2563,"date":"2022-04-23T20:28:47","date_gmt":"2022-04-24T03:28:47","guid":{"rendered":"https:\/\/www.artsjournal.com\/diacritical\/?p=2563"},"modified":"2022-04-23T22:41:11","modified_gmt":"2022-04-24T05:41:11","slug":"this-weeks-undertow-why-are-police-playing-disney-songs-and-why-did-this-orchestra-fire-it-conductor-for-conducting","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/diacritical\/2022\/04\/this-weeks-undertow-why-are-police-playing-disney-songs-and-why-did-this-orchestra-fire-it-conductor-for-conducting.html","title":{"rendered":"This Week&#8217;s UnderTow: Why are Police Playing Disney Songs? And Why did this Orchestra Fire its Conductor for&#8230; Conducting?"},"content":{"rendered":"\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2022\/04\/architecture-gf15a314ff_1280-1.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"582\" src=\"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2022\/04\/architecture-gf15a314ff_1280-1.jpg?resize=1000%2C582&#038;ssl=1\" alt=\"\" class=\"wp-image-2564\" srcset=\"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2022\/04\/architecture-gf15a314ff_1280-1.jpg?w=1000&amp;ssl=1 1000w, https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2022\/04\/architecture-gf15a314ff_1280-1.jpg?resize=300%2C175&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2022\/04\/architecture-gf15a314ff_1280-1.jpg?resize=768%2C447&amp;ssl=1 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/a><\/figure>\n\n\n\n<p>This week&#8217;s podcast of The UnderTow, ArtsJournal&#8217;s new weekly podcast, features three stories from the past week. Sometimes stories are not exactly about the things they seem to be about at first look. Our first story is one such. You might have seen the headline in ArtsJournal about police in California playing Disney songs while investigating calls and thought &#8220;that&#8217;s odd&#8221; and passed it by. And yes, on the surface it&#8217;s a story about police finding a way to discourage bystanders from videotaping them. But the story about copyright abuse by social platforms is something that could affect any creative artist. <\/p>\n\n\n\n<p>So this week&#8217;s story lineup:<\/p>\n\n\n\n<ol class=\"wp-block-list\" type=\"1\"><li>First, the story of police in cities in California pulling up in the squad cars on calls and blasting \u2013 of all things \u2013 Disney songs on their loudspeakers as they investigate, bewildering and aggravating residents. <a href=\"https:\/\/www.washingtonpost.com\/nation\/2022\/04\/12\/santa-ana-police-disney-music\">What can they be thinking<\/a>?<\/li><li>Second, and oddly enough \u2013 another Disney story \u2013 in which the Governor of Florida declares war on the company, the state\u2019s biggest business and cultural icon, no less \u2013stripping it of its special governing district.<\/li><li>Finally \u2013 the story of a Texas orchestra that fired its music director \u2026 for <a href=\"https:\/\/www.tpr.org\/arts-culture\/2022-04-19\/music-director-speaks-out-about-his-san-antonio-symphony-contract-termination\">conducting his musicians in a concert.<\/a><\/li><\/ol>\n\n\n\n<p>You can see and download episodes <a href=\"https:\/\/www.buzzsprout.com\/1585927\/episodes\"><strong>here.<\/strong><\/a> If you like what you hear, subscribe through Apple or Spotify or wherever you get your podcasts. <\/p>\n\n\n\n<div id=\"buzzsprout-player-10491127\"><\/div><script src=\"https:\/\/www.buzzsprout.com\/1585927\/10491127-episode-2-using-copyright-as-a-weapon-disney-and-the-culture-wars-and-firing-a-conductor-for-conducting.js?container_id=buzzsprout-player-10491127&amp;player=small\" type=\"text\/javascript\" charset=\"utf-8\"><\/script>\n","protected":false},"excerpt":{"rendered":"<p>This week&#8217;s podcast of The UnderTow, ArtsJournal&#8217;s new weekly podcast, features three stories from the past week. Sometimes stories are not exactly about the things they seem to be about at first look. <\/p>\n","protected":false},"author":1,"featured_media":2564,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[39],"tags":[],"class_list":{"0":"post-2563","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-podcast","8":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2022\/04\/architecture-gf15a314ff_1280-1.jpg?fit=1000%2C582&ssl=1","jetpack_shortlink":"https:\/\/wp.me\/p4ePZm-Fl","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":2554,"url":"https:\/\/www.artsjournal.com\/diacritical\/2022\/04\/introducing-our-new-podcast-the-undertow.html","url_meta":{"origin":2563,"position":0},"title":"Introducing our New Podcast: The UnderTow","author":"Douglas McLennan","date":"April 14, 2022","format":false,"excerpt":"Today we introduce a new podcast -- ArtsJournal's \"The UnderTow\" - a more or less weekly deeper look at two or three stories from the past week.","rel":"","context":"In &quot;podcast&quot;","block_context":{"text":"podcast","link":"https:\/\/www.artsjournal.com\/diacritical\/category\/podcast"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2022\/04\/28445667452_ff661839f9_o-2.jpg?fit=1000%2C522&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2022\/04\/28445667452_ff661839f9_o-2.jpg?fit=1000%2C522&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2022\/04\/28445667452_ff661839f9_o-2.jpg?fit=1000%2C522&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2022\/04\/28445667452_ff661839f9_o-2.jpg?fit=1000%2C522&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":2586,"url":"https:\/\/www.artsjournal.com\/diacritical\/2022\/06\/the-undertow-the-high-flying-oil-industry-fears-demand-destruction-should-the-arts.html","url_meta":{"origin":2563,"position":1},"title":"The UnderTow: The High-flying Oil Industry fears &#8220;Demand Destruction.&#8221; Should the Arts?","author":"Douglas McLennan","date":"June 7, 2022","format":false,"excerpt":"Oil prices are at a record high. And profits are rolling in. But there's an intriguing phenomenon in the oil industry called \"demand destruction.\" It means when prices get too high for too long, consumers invest in alternatives and don't return. The arts have faced their own version of demand\u2026","rel":"","context":"In &quot;culture business models&quot;","block_context":{"text":"culture business models","link":"https:\/\/www.artsjournal.com\/diacritical\/category\/culture-business-models"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2022\/06\/apocalypse-ga65c29138_1280-1.jpg?fit=1000%2C563&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2022\/06\/apocalypse-ga65c29138_1280-1.jpg?fit=1000%2C563&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2022\/06\/apocalypse-ga65c29138_1280-1.jpg?fit=1000%2C563&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2022\/06\/apocalypse-ga65c29138_1280-1.jpg?fit=1000%2C563&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":2591,"url":"https:\/\/www.artsjournal.com\/diacritical\/2022\/06\/undertow-what-the-new-edinburgh-fringe-tells-us-about-a-post-covid-world.html","url_meta":{"origin":2563,"position":2},"title":"The UnderTow: What the new Edinburgh Fringe Tells us about a Post-COVID World","author":"Douglas McLennan","date":"June 26, 2022","format":false,"excerpt":"How has COVID changed what people want when they decide to put down their screens and go out? We'll explore what Edinburgh thinks it is.\u00a0","rel":"","context":"In &quot;audience&quot;","block_context":{"text":"audience","link":"https:\/\/www.artsjournal.com\/diacritical\/category\/audience"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2022\/06\/people-g715bfad60_1280-1.jpg?fit=1000%2C579&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2022\/06\/people-g715bfad60_1280-1.jpg?fit=1000%2C579&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2022\/06\/people-g715bfad60_1280-1.jpg?fit=1000%2C579&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2022\/06\/people-g715bfad60_1280-1.jpg?fit=1000%2C579&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":2575,"url":"https:\/\/www.artsjournal.com\/diacritical\/2022\/05\/the-undertow-subscriptions-are-the-new-business-model-of-choice-so-why-are-subscriptions-failing-in-the-arts.html","url_meta":{"origin":2563,"position":3},"title":"The UnderTow: Subscriptions are the New Business Model of Choice. So Why are Subscriptions Failing in the Arts?","author":"Douglas McLennan","date":"May 23, 2022","format":false,"excerpt":"Is it the subscription model that\u2019s not working or is it the way the arts do subscriptions?","rel":"","context":"In &quot;arts and business&quot;","block_context":{"text":"arts and business","link":"https:\/\/www.artsjournal.com\/diacritical\/category\/arts-and-business"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2022\/05\/internet-g9c37e8faa_1280.jpg?fit=1200%2C733&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2022\/05\/internet-g9c37e8faa_1280.jpg?fit=1200%2C733&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2022\/05\/internet-g9c37e8faa_1280.jpg?fit=1200%2C733&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2022\/05\/internet-g9c37e8faa_1280.jpg?fit=1200%2C733&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2022\/05\/internet-g9c37e8faa_1280.jpg?fit=1200%2C733&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":3338,"url":"https:\/\/www.artsjournal.com\/diacritical\/2026\/03\/aj-chronicles-why-tech-infrastructure-is-the-most-important-arts-story-of-the-year.html","url_meta":{"origin":2563,"position":4},"title":"AJ Chronicles: Why Tech Infrastructure is Becoming the Most Important Arts Story of 2026","author":"Douglas McLennan","date":"March 28, 2026","format":false,"excerpt":"The infrastructure carrying culture to audiences \u2014 legal, technical, financial, corporate \u2014 was not built for the creative sector. It was built by and for technology companies, telecommunications firms, and entertainment conglomerates.","rel":"","context":"In &quot;arts &amp; tech&quot;","block_context":{"text":"arts &amp; tech","link":"https:\/\/www.artsjournal.com\/diacritical\/category\/arts-tech"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2026\/03\/fotolehrling-railway-station-1363771_1280.jpg?fit=1200%2C795&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2026\/03\/fotolehrling-railway-station-1363771_1280.jpg?fit=1200%2C795&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2026\/03\/fotolehrling-railway-station-1363771_1280.jpg?fit=1200%2C795&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2026\/03\/fotolehrling-railway-station-1363771_1280.jpg?fit=1200%2C795&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2026\/03\/fotolehrling-railway-station-1363771_1280.jpg?fit=1200%2C795&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":342,"url":"https:\/\/www.artsjournal.com\/diacritical\/2006\/12\/artsjournals_new_look-2.html","url_meta":{"origin":2563,"position":5},"title":"ArtsJournal&#039;s New Look","author":"Douglas McLennan","date":"December 10, 2006","format":false,"excerpt":"Actually it's more than just a new look. The entire website has been rebuilt from the ground up. Why change something that's simple and easy to use and has worked well for the past four years? Content management systems have advanced considerably since we last rebuilt ArtsJournal, and the new\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/diacritical\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/posts\/2563","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/comments?post=2563"}],"version-history":[{"count":4,"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/posts\/2563\/revisions"}],"predecessor-version":[{"id":2569,"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/posts\/2563\/revisions\/2569"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/media\/2564"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/media?parent=2563"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/categories?post=2563"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/tags?post=2563"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}