{"id":22,"date":"2006-12-13T10:47:53","date_gmt":"2006-12-13T10:47:53","guid":{"rendered":"http:\/\/www.artsjournal.com\/diacritical\/wp\/2006\/12\/a_welcome_to_john_rockwell\/"},"modified":"2006-12-13T10:47:53","modified_gmt":"2006-12-13T10:47:53","slug":"a_welcome_to_john_rockwell","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/diacritical\/2006\/12\/a_welcome_to_john_rockwell.html","title":{"rendered":"A Welcome to John Rockwell"},"content":{"rendered":"<p>We&#8217;ve had lots of comments on the new design for ArtsJournal &#8211; many of them positive &#8211; and then a full-throated chorus of <a href=\"http:\/\/www.artsjournal.com\/diacritical\/2006\/12\/artsjournals_new_look.shtml#comments\"><strong>those who find the new look wanting<\/strong><\/a> (ouch). I&#8217;ve changed a number of things based on these comments. The biggest change is restoring the topic groupings to the newsletters. Many complained that it was more difficult to scan the stories when they weren&#8217;t grouped by topic.<\/p>\n<p>I&#8217;m going to stick for now to the mixed stories on the main page. I think it provides an easier scan of what&#8217;s been updated, and anyone looking to see stories by topic can click on the topic link. Those links are across the top of the site, and they also link from the topic tag that runs with every story. Really easy.<\/p>\n<p>The new rss feeds are almost ready and will be implemented sometime in the next day (and they&#8217;ll offer full text of blurbs and are organizeable by topic). I&#8217;m still working on fixing broken links etc. I hope things will be mostly done by the weekend. Oh, and all that white space at the bottom of the site that some have been upset about? In the weeks and months to come, it will be filled with new features. It&#8217;ll be worth the wait, I promise. Now on to something much more interesting and that has more to do with art.<\/p>\n<p><b>Special Guest Blogger<\/b><br \/>\n<img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" align=\"right\" alt=\"John Rockwell\" src=\"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/john-editedsmallBW2.jpg?resize=200%2C184\" width=\"200\" height=\"184\" \/><br \/>\nFor the next week, John Rockwell will be joining the blog for what we hope will be a wide-ranging conversation about the arts, arts journalism, and him. John has been a longtime critic for the New York Times, and he&#8217;s leaving the paper (&#8220;retiring,&#8221; he claims) at the end of this month. Coinciding with his departure from the Times, he&#8217;s got a new book out &#8211; <a href=\"http:\/\/www.amazon.com\/Outsider-John-Rockwell-Arts-1967-2006\/dp\/0879103337\/sr=8-1\/qid=1166037059\/ref=pd_bbs_sr_1\/102-0127627-5095323?ie=UTF8&#038;s=books\"><strong>Outsider<\/strong><\/a> &#8211; which is a collection of pieces he&#8217;s written since he was a cub critic in Oakland in the 60s. It&#8217;s a fun and revealing read.<\/p>\n<p>We haven&#8217;t really worked out a form for this discussion, but it will start later today, after John gets off a plane from Europe. Hope you&#8217;ll look in on us.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>We&#8217;ve had lots of comments on the new design for ArtsJournal &#8211; many of them positive &#8211; and then a full-throated chorus of those who find the new look wanting (ouch). I&#8217;ve changed a number of things based on these comments. The biggest change is restoring the topic groupings to the newsletters. Many complained that [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[22],"tags":[],"class_list":{"0":"post-22","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p4ePZm-m","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":342,"url":"https:\/\/www.artsjournal.com\/diacritical\/2006\/12\/artsjournals_new_look-2.html","url_meta":{"origin":22,"position":0},"title":"ArtsJournal&#039;s New Look","author":"Douglas McLennan","date":"December 10, 2006","format":false,"excerpt":"Actually it's more than just a new look. The entire website has been rebuilt from the ground up. Why change something that's simple and easy to use and has worked well for the past four years? Content management systems have advanced considerably since we last rebuilt ArtsJournal, and the new\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/diacritical\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":356,"url":"https:\/\/www.artsjournal.com\/diacritical\/2009\/06\/when_the_mob_turns_angry_whats-2.html","url_meta":{"origin":22,"position":1},"title":"When The Mob Turns Angry, What&#039;s A Museum To Do?","author":"Douglas McLennan","date":"June 4, 2009","format":false,"excerpt":"A week ago New York Magazine art critic Jerry Saltz launched a bomb on his Facebook page: \"The Museum of Modern Art practices a form of gender-based apartheid. Of the 383 works currently installed on the 4th and 5th floors of the permanent collection, only 19 are by women; that's\u2026","rel":"","context":"With 6 comments","block_context":{"text":"With 6 comments","link":"https:\/\/www.artsjournal.com\/diacritical\/2009\/06\/when_the_mob_turns_angry_whats-2.html#comments"},"img":{"alt_text":"mob.jpg","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/mob.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":551,"url":"https:\/\/www.artsjournal.com\/diacritical\/2016\/01\/what-makes-a-great-blogger-a-five-point-list.html","url_meta":{"origin":22,"position":2},"title":"What Makes A Great Blog(ger)? Five Observations","author":"Douglas McLennan","date":"January 21, 2016","format":false,"excerpt":"As inconsistent and distracted a blogger as I am, I am hardly a great blogger. But as someone who runs a network of arts blogs, I do have some observations. Great bloggers don't just get you interested in a post, they draw you into a topic. They stake out that\u2026","rel":"","context":"In &quot;arts blogging&quot;","block_context":{"text":"arts blogging","link":"https:\/\/www.artsjournal.com\/diacritical\/category\/arts-blogging"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/01\/2836828090_67d4900ab3_o.jpg?fit=836%2C545&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/01\/2836828090_67d4900ab3_o.jpg?fit=836%2C545&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/01\/2836828090_67d4900ab3_o.jpg?fit=836%2C545&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/01\/2836828090_67d4900ab3_o.jpg?fit=836%2C545&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":14,"url":"https:\/\/www.artsjournal.com\/diacritical\/2006\/09\/the_best_culture_coverage.html","url_meta":{"origin":22,"position":3},"title":"The Best Culture Coverage?","author":"Douglas McLennan","date":"September 19, 2006","format":false,"excerpt":"I like the Guardian. Though it has a good stable of writers, its biggest strength is its editing. The Guardian is a consistently lively read day in and day out. This is a paper that isn't afraid to argue with itself. A critic might sound off on some topic one\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/diacritical\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1099,"url":"https:\/\/www.artsjournal.com\/diacritical\/2016\/09\/this-weeks-notable-aj-stories-an-artist-erased-a-cautionary-tale.html","url_meta":{"origin":22,"position":4},"title":"This Week&#8217;s Notable AJ Stories: An Artist Erased, A Cautionary Tale","author":"Douglas McLennan","date":"September 4, 2016","format":false,"excerpt":"This Week: What exactly does cultural equity actually mean?... In our social media world everything is about images... A cautionary tale as an artist is erased from the internet... There's a difference between culture and art... Why Italy fought to keep Venice off the endangered list. A Good Survey Of\u2026","rel":"","context":"In &quot;Weekly AJ Top Stories&quot;","block_context":{"text":"Weekly AJ Top Stories","link":"https:\/\/www.artsjournal.com\/diacritical\/category\/weekly-aj-top-stories"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/09\/a37cdd303d36b0bc45b2997748bd767d_ebfae2e60ce6cc21783fbd09892854b62000x1122_quality99_o_1amdsmtpq1v0t15av1d4rr10prfju.jpg?fit=620%2C415&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/09\/a37cdd303d36b0bc45b2997748bd767d_ebfae2e60ce6cc21783fbd09892854b62000x1122_quality99_o_1amdsmtpq1v0t15av1d4rr10prfju.jpg?fit=620%2C415&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/09\/a37cdd303d36b0bc45b2997748bd767d_ebfae2e60ce6cc21783fbd09892854b62000x1122_quality99_o_1amdsmtpq1v0t15av1d4rr10prfju.jpg?fit=620%2C415&ssl=1&resize=525%2C300 1.5x"},"classes":[]},{"id":844,"url":"https:\/\/www.artsjournal.com\/diacritical\/2016\/04\/money-diversity-and-power-this-weeks-top-aj-stories-04-24-16.html","url_meta":{"origin":22,"position":5},"title":"Money, Diversity And Power: This Week&#8217;s Top AJ Stories (04.24.16)","author":"Douglas McLennan","date":"April 24, 2016","format":false,"excerpt":"This week: Do the Met Museum's financial woes say anything about today's museum business? Who wants to see art in mobbed museums anyway? Prince's career as a control freak. A realignment of power in cities. And diversity as fetish object. Met Versus MoMA: Lessons About Popular Taste In The Balance\u2026","rel":"","context":"In &quot;Weekly AJ Top Stories&quot;","block_context":{"text":"Weekly AJ Top Stories","link":"https:\/\/www.artsjournal.com\/diacritical\/category\/weekly-aj-top-stories"},"img":{"alt_text":"22MUSEUMDEFICIT1-master675-1","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/04\/22MUSEUMDEFICIT1-master675-1.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/04\/22MUSEUMDEFICIT1-master675-1.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/04\/22MUSEUMDEFICIT1-master675-1.jpg?resize=525%2C300 1.5x"},"classes":[]}],"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/posts\/22","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/comments?post=22"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/posts\/22\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/media?parent=22"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/categories?post=22"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/tags?post=22"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}