{"id":172,"date":"2011-12-04T22:44:49","date_gmt":"2011-12-05T06:44:49","guid":{"rendered":"http:\/\/www.artsjournal.com\/diacritical\/?p=172"},"modified":"2016-08-29T15:27:37","modified_gmt":"2016-08-29T22:27:37","slug":"the-new-literate","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/diacritical\/2011\/12\/the-new-literate.html","title":{"rendered":"The New Literate?"},"content":{"rendered":"<blockquote><p>Literacy has traditionally been described as the ability to read for knowledge, write coherently and think critically about printed material.<br \/>\n&#8211; Wikipedia<\/p><\/blockquote>\n<p><a href=\"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2011\/12\/qr.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-174 alignleft\" src=\"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2011\/12\/qr.jpg?resize=235%2C239&#038;ssl=1\" alt=\"qr\" width=\"235\" height=\"239\" srcset=\"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2011\/12\/qr.jpg?w=235&amp;ssl=1 235w, https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2011\/12\/qr.jpg?resize=70%2C70&amp;ssl=1 70w\" sizes=\"auto, (max-width: 235px) 100vw, 235px\" \/><\/a>Literacy at its most basic is the ability to read and write. Someone is judged &#8220;literate&#8221; by what they&#8217;ve read or written, and notions of literateness (as opposed to &#8220;literacy&#8221;) have changed over time. Time was when definitions of literate included study of Latin. Then there was a list of Great Books you had to have read. Today our access to information and knowledge is so vast and overwhelming it&#8217;s difficult to suggest a definitive list to define literate.<\/p>\n<p>So literate has evolved.\u00a0Literacy, however, is still usually defined by the ability to read and write text. What should define literacy today? Hard to believe that a proper definition would stop with words. We&#8217;re a visual culture. And the digital revolution has put sophisticated tools of video and image and sound within reach of almost anyone. Six-year-olds make videos. High-schoolers make feature films.<\/p>\n<p>In a culture where sharing media is basic behavior, the ability to create and share multimedia is becoming the new literacy. If you can&#8217;t make video or image or sound, you&#8217;re at a communications disadvantage. This is not to diss the power of words; great writing is compelling, even more so now, I believe, when so much bad writing abounds.<\/p>\n<p>But I think the new literate goes beyond words, and beyond making video and image and sound. I think code and meta-data are the new new literacy, and that in turn leads to a new literateness. Information and ideas are multi-dimensional. Those who can take dynamic information and mash it up and mix it and find creative ways of presenting it in service of ideas have the possibility of communicating in more compelling ways than with just words or video or image.<\/p>\n<p>I&#8217;m not talking about being a developer or software designer. I&#8217;m talking about an approach to finding and gathering information and being able to use code to make arguments. In a world where data is fluid and multi-dimensional, the ability to understand code and how to use it to sort that data, arrange it and argue ideas is powerful.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Literacy has traditionally been described as the ability to read for knowledge, write coherently and think critically about printed material. &#8211; Wikipedia Literacy at its most basic is the ability to read and write. Someone is judged &#8220;literate&#8221; by what they&#8217;ve read or written, and notions of literateness (as opposed to &#8220;literacy&#8221;) have changed over [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":174,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[15],"tags":[],"class_list":{"0":"post-172","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-tech","8":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2011\/12\/qr.jpg?fit=235%2C239&ssl=1","jetpack_shortlink":"https:\/\/wp.me\/p4ePZm-2M","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":29,"url":"https:\/\/www.artsjournal.com\/diacritical\/2006\/12\/john_community_and_zingers.html","url_meta":{"origin":172,"position":0},"title":"John: Community and Zingers","author":"Douglas McLennan","date":"December 21, 2006","format":false,"excerpt":"Doug: I retain a certain affection for dumbed-down classics, since (even with childhood piano lessons) I was led into my love for classical music as a young teenager by Arthur Fiedler. Still, I agree with your notion that high-arts organizations should concentrate on serious arts for those who love them.\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/diacritical\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":348,"url":"https:\/\/www.artsjournal.com\/diacritical\/2009\/04\/why_dont_arts_organizations_ha-2.html","url_meta":{"origin":172,"position":1},"title":"Why don&#039;t arts organizations have critics in residence?","author":"Douglas McLennan","date":"April 7, 2009","format":false,"excerpt":"Lots of arts organizations have blogs on their websites. Most aren't very good, and they're difficult to maintain well. There are many out-of-work critics. And less and less arts coverage in local press. So why not critics-in-residence? Yeah independence. But let's suspend for a moment the idea that criticism's highest\u2026","rel":"","context":"With 14 comments","block_context":{"text":"With 14 comments","link":"https:\/\/www.artsjournal.com\/diacritical\/2009\/04\/why_dont_arts_organizations_ha-2.html#comments"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1161,"url":"https:\/\/www.artsjournal.com\/diacritical\/2016\/09\/man-down-weve-lost-andrew-sullivan-the-battle-for-the-real-world-is-coming-for-you.html","url_meta":{"origin":172,"position":2},"title":"Man Down! We&#8217;ve Lost Andrew Sullivan: The Battle For The Real World Is Coming For You","author":"Douglas McLennan","date":"September 23, 2016","format":false,"excerpt":"Is reality just a construct of the online world or is the online world merely an overlay on reality? Every new technological advance that extends our reach also imposes previously unnecessary decisions about how and whether to use it.","rel":"","context":"In &quot;arts &amp; tech&quot;","block_context":{"text":"arts &amp; tech","link":"https:\/\/www.artsjournal.com\/diacritical\/category\/arts-tech"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/09\/Information-Overload.jpg?fit=840%2C425&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/09\/Information-Overload.jpg?fit=840%2C425&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/09\/Information-Overload.jpg?fit=840%2C425&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/09\/Information-Overload.jpg?fit=840%2C425&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":1243,"url":"https:\/\/www.artsjournal.com\/diacritical\/2016\/11\/this-weeks-top-aj-stories-does-pittsburgh-symphony-strike-settle-solve-anything-should-arts-funding-be-dependent-on-encouraging-bad-behavior.html","url_meta":{"origin":172,"position":3},"title":"This Week&#8217;s Top AJ Stories: Does Pittsburgh Symphony Strike Settlement Solve Anything? Should Arts Funding Be Dependent On Encouraging Bad Behavior?","author":"Douglas McLennan","date":"November 27, 2016","format":false,"excerpt":"This Week: Did settling the Pittsburgh Symphony strike just kick the can down the road?... The idea of progress is a fragile (and recent) notion... Why should this arts funding depend on encouraging bad behavior?... The art establishment is caught in an increasingly high-stakes investment battle... We celebrate reading -\u2026","rel":"","context":"In &quot;Weekly AJ Top Stories&quot;","block_context":{"text":"Weekly AJ Top Stories","link":"https:\/\/www.artsjournal.com\/diacritical\/category\/weekly-aj-top-stories"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/11\/pittsburgh-strike.jpg?fit=817%2C414&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/11\/pittsburgh-strike.jpg?fit=817%2C414&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/11\/pittsburgh-strike.jpg?fit=817%2C414&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/11\/pittsburgh-strike.jpg?fit=817%2C414&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":938,"url":"https:\/\/www.artsjournal.com\/diacritical\/2016\/07\/editors-picks-five-highlights-from-last-weeks-aj-how-to-define-art-edition.html","url_meta":{"origin":172,"position":4},"title":"Editor&#8217;s Picks: Five Highlights From Last Week&#8217;s AJ &#8211; How To Define Art Edition","author":"Douglas McLennan","date":"July 31, 2016","format":false,"excerpt":"This Week: In an age of artists what is the definition of being an artist?... Canadian study says arts workers are most at risk... What is R&D in the arts?... Edinburgh Festival's success shows the broadening impact of festivals... In the information age our opinions seem to be more arrogant.\u2026","rel":"","context":"In &quot;Weekly AJ Top Stories&quot;","block_context":{"text":"Weekly AJ Top Stories","link":"https:\/\/www.artsjournal.com\/diacritical\/category\/weekly-aj-top-stories"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/07\/idea_sized-Vilhelm_Hammershoi_1898_-_Interior_med_laesende_ung_mand.jpg?fit=1200%2C720&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/07\/idea_sized-Vilhelm_Hammershoi_1898_-_Interior_med_laesende_ung_mand.jpg?fit=1200%2C720&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/07\/idea_sized-Vilhelm_Hammershoi_1898_-_Interior_med_laesende_ung_mand.jpg?fit=1200%2C720&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/07\/idea_sized-Vilhelm_Hammershoi_1898_-_Interior_med_laesende_ung_mand.jpg?fit=1200%2C720&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/07\/idea_sized-Vilhelm_Hammershoi_1898_-_Interior_med_laesende_ung_mand.jpg?fit=1200%2C720&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":2687,"url":"https:\/\/www.artsjournal.com\/diacritical\/2024\/01\/how-to-think-about-how-ai-will-change-the-arts.html","url_meta":{"origin":172,"position":5},"title":"How to Think About How AI will Change the Arts?","author":"Douglas McLennan","date":"January 7, 2024","format":false,"excerpt":"At the moment \"how to think about it\" may be the most important place to start.","rel":"","context":"In &quot;arts &amp; tech&quot;","block_context":{"text":"arts &amp; tech","link":"https:\/\/www.artsjournal.com\/diacritical\/category\/arts-tech"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2024\/01\/violin-1085606_1280-1.jpg?fit=1000%2C585&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2024\/01\/violin-1085606_1280-1.jpg?fit=1000%2C585&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2024\/01\/violin-1085606_1280-1.jpg?fit=1000%2C585&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2024\/01\/violin-1085606_1280-1.jpg?fit=1000%2C585&ssl=1&resize=700%2C400 2x"},"classes":[]}],"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/posts\/172","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/comments?post=172"}],"version-history":[{"count":1,"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/posts\/172\/revisions"}],"predecessor-version":[{"id":1074,"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/posts\/172\/revisions\/1074"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/media\/174"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/media?parent=172"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/categories?post=172"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/tags?post=172"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}