{"id":134,"date":"2010-05-24T06:19:07","date_gmt":"2010-05-24T06:19:07","guid":{"rendered":"http:\/\/www.artsjournal.com\/diacritical\/wp\/2010\/05\/the_lang_lang_experience_live\/"},"modified":"2010-05-24T06:19:07","modified_gmt":"2010-05-24T06:19:07","slug":"the_lang_lang_experience_live","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/diacritical\/2010\/05\/the_lang_lang_experience_live.html","title":{"rendered":"The Lang Lang Experience, Live And In 3D"},"content":{"rendered":"

Is the future of live classical music recitals to turn them into a multimedia experience that is somehow more “familiar” to a generation raised on video screens. Here’s a report<\/a> from Lang Lang’s concert in London over the weekend:<\/p>\n

He is not the first classical pianist to give a solo Albert
\nHall<\/a> recital but few of his predecessors brought along in-your-face
\namplification and multiple screens relaying close-ups of his hands at
\nwork. The sonic perspective rendered his Steinway clangorous and the
\nonly way to make the sound seem “natural” was to watch the screens,
\ntransforming the experience into a TV broadcast rather than a live
\nperformance. <\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"

Is the future of live classical music recitals to turn them into a multimedia experience that is somehow more “familiar” to a generation raised on video screens. Here’s a report from Lang Lang’s concert in London over the weekend: He is not the first classical pianist to give a solo Albert Hall recital but few […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[15],"tags":[],"class_list":{"0":"post-134","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-arts-tech","7":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p4ePZm-2a","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":627,"url":"https:\/\/www.artsjournal.com\/diacritical\/2016\/01\/playing-for-the-screens-is-our-obsession-with-changing-the-live-arts-experience.html","url_meta":{"origin":134,"position":0},"title":"Playing For The Screens – Is Our Obsession With Video Changing The Live Arts Experience?","author":"Douglas McLennan","date":"January 20, 2016","format":false,"excerpt":"One weekend last November, the biggest box-office at movie theatres throughout the UK wasn't for the latest Hollywood blockbuster (the latest \"Hunger Games\" movie opened that Friday). It was for a live broadcast of \u00a0Kenneth Branagh\u2019s production of \u00a0\"The Winter\u2019s Tale\" which was streamed live to 520 theatres in the\u2026","rel":"","context":"In "audience"","block_context":{"text":"audience","link":"https:\/\/www.artsjournal.com\/diacritical\/category\/audience"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/01\/Judi-Dench-Paulina-and-Kenneth-Branagh-Leontes-in-The-Winters-Tale-CREDIT-Johan-Persson-700x455.jpg?fit=700%2C455&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/01\/Judi-Dench-Paulina-and-Kenneth-Branagh-Leontes-in-The-Winters-Tale-CREDIT-Johan-Persson-700x455.jpg?fit=700%2C455&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/01\/Judi-Dench-Paulina-and-Kenneth-Branagh-Leontes-in-The-Winters-Tale-CREDIT-Johan-Persson-700x455.jpg?fit=700%2C455&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/01\/Judi-Dench-Paulina-and-Kenneth-Branagh-Leontes-in-The-Winters-Tale-CREDIT-Johan-Persson-700x455.jpg?fit=700%2C455&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":101,"url":"https:\/\/www.artsjournal.com\/diacritical\/2009\/05\/how_perfection_killed_classica.html","url_meta":{"origin":134,"position":1},"title":"Is Perfection Killing Classical Music?","author":"Douglas McLennan","date":"May 3, 2009","format":false,"excerpt":"Not literally, of course, at least not yet. The ability to edit and fix recordings has long conditioned audiences to expect that the music we hear should be perfect. Has it changed the way performers play in live concert? The role of recordings in the music business has changed. Once,\u2026","rel":"","context":"With 9 comments","block_context":{"text":"With 9 comments","link":"https:\/\/www.artsjournal.com\/diacritical\/2009\/05\/how_perfection_killed_classica.html#comments"},"img":{"alt_text":"recording.jpg","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/recording.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":362,"url":"https:\/\/www.artsjournal.com\/diacritical\/2010\/07\/sorry_but_ill_take_experience-2.html","url_meta":{"origin":134,"position":2},"title":"Sorry, but I'll take experience over artistry","author":"Douglas McLennan","date":"July 30, 2010","format":false,"excerpt":"Professional sports has more money than God, and they spend more to attract and entertain fans than anyone else. So how does the NFL sell itself? Not by touting the quality of its games. They sell the contest. They sell the experience.And they have to work to keep making the\u2026","rel":"","context":"In "audience experience"","block_context":{"text":"audience experience","link":"https:\/\/www.artsjournal.com\/diacritical\/category\/audience-experience"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2010\/07\/meadowlands.jpg?fit=527%2C273&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2010\/07\/meadowlands.jpg?fit=527%2C273&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2010\/07\/meadowlands.jpg?fit=527%2C273&ssl=1&resize=525%2C300 1.5x"},"classes":[]},{"id":31,"url":"https:\/\/www.artsjournal.com\/diacritical\/2007\/02\/me_in_the_la_times.html","url_meta":{"origin":134,"position":3},"title":"Me in the LA Times","author":"Douglas McLennan","date":"February 6, 2007","format":false,"excerpt":"A few weeks ago I went to a moviecast of the Metropolitan Opera's \"First Emperor\" at the local movie theatre here in Seattle. With performing arts organizations everywhere trying to find new ways of appealing to audiences more familiar with video screens than stages, it struck me that the Met\u2026","rel":"","context":"In "main"","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/diacritical\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":165,"url":"https:\/\/www.artsjournal.com\/diacritical\/2011\/08\/the-classical-music-critic-goes-extinct.html","url_meta":{"origin":134,"position":4},"title":"The Classical Music Critic Goes Extinct","author":"Douglas McLennan","date":"August 23, 2011","format":false,"excerpt":"Seems important to note the passing of music criticism as a legitimate job in Canada. John Terauds, for six years staff classical music critic of the Toronto Star, was reassigned this week to the paper\u2019s business section. He was the last full-time classical music critic at a Canadian newspaper. The\u2026","rel":"","context":"In "arts journalism"","block_context":{"text":"arts journalism","link":"https:\/\/www.artsjournal.com\/diacritical\/category\/arts-journalism"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wp\/wp-content\/uploads\/2011\/08\/eacae9164a65af69f68bb9fe5451.jpeg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":125,"url":"https:\/\/www.artsjournal.com\/diacritical\/2009\/07\/better_seats.html","url_meta":{"origin":134,"position":5},"title":"The Theatre Experience: Time for an Upgrade","author":"Douglas McLennan","date":"July 23, 2009","format":false,"excerpt":"The latest new-generation movie megaplex recently opened near us. It's got stadium seating, reclining extra-wide luxurious seats with cup holders in the armrests, and so much legroom you could park a Winnebago. 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