{"id":1234,"date":"2016-11-13T12:09:03","date_gmt":"2016-11-13T20:09:03","guid":{"rendered":"http:\/\/www.artsjournal.com\/diacritical\/?p=1234"},"modified":"2016-11-17T08:57:40","modified_gmt":"2016-11-17T16:57:40","slug":"this-weeks-aj-highlights-divided-culture-audience-issues-hope-from-lin-manuel-miranda","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/diacritical\/2016\/11\/this-weeks-aj-highlights-divided-culture-audience-issues-hope-from-lin-manuel-miranda.html","title":{"rendered":"This Week&#8217;s AJ Highlights: Divided Culture, Audience Issues, Hope From Lin Manuel Miranda"},"content":{"rendered":"<p><a href=\"https:\/\/pixabay.com\/en\/contest-compare-win-lose-compete-1767672\/\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignright wp-image-1235 size-full\" src=\"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/11\/contest-1767672_1280.jpg?resize=800%2C402&#038;ssl=1\" alt=\"contest-1767672_1280\" width=\"800\" height=\"402\" srcset=\"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/11\/contest-1767672_1280.jpg?w=800&amp;ssl=1 800w, https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/11\/contest-1767672_1280.jpg?resize=300%2C151&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/11\/contest-1767672_1280.jpg?resize=768%2C386&amp;ssl=1 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/a><\/p>\n<p><strong>This Week:<\/strong> Hard to imagine there are arts headlines to compete with election news, but here goes: Science tries to explain why we&#8217;re ideologically segregated&#8230; It&#8217;s not just politics &#8211; arts and entertainment don&#8217;t really know what their audiences want&#8230; Even the most-respected arts coverage is being cut back&#8230; Infighting on the jury of the National Book Awards point to how deeply we&#8217;re divided&#8230; To end on an upbeat note, read Lin Manuel Miranda on the power of arts education.<\/p>\n<ol>\n<li><strong>Any Data To Help Explain Why We&#8217;re So Ideologically Segregated?<\/strong> Why <a href=\"https:\/\/psmag.com\/why-we-live-in-ideological-enclaves-f1e862de3abe#.is61miqw8\">yes<\/a>.\u00a0\u201cIncreasingly, our cultural divide is also a geographical divide, as mobile Americans choose to live among people with similar ideological beliefs. But why? A <a class=\"markup--anchor markup--p-anchor\" href=\"https:\/\/doi.org\/10.1177\/1948550616658096\" data-href=\"https:\/\/doi.org\/10.1177\/1948550616658096\">research study<\/a> published this summer provides a clear answer: It\u2019s far more emotionally comfortable. &#8220;Living among politically dissimilar others has a psychological effect on people,\u201d write psychologists William Chopik of Michigan State University and Matt Motyl of the University of Illinois\u2013Chicago. People in such circumstances \u201cfind it difficult depending on others, and taking the perspective of others.\u201d<\/li>\n<li><strong>Look, We Have An Audience Problem:<\/strong> Maybe you&#8217;re not interested in TV or movie ratings. But they are relevant as we understand the dynamics of what the larger culture sees. Right now movie and TV ratings are broken. The industry doesn&#8217;t <a href=\"http:\/\/www.npr.org\/2016\/11\/07\/501053201\/media-companies-struggle-to-gage-tv-ratings-in-age-of-netflix\">really know who&#8217;s watching what<\/a>. Netflix and Amazon, for example don&#8217;t reveal ratings. \u201cIf Netflix or Amazon can control how our perception of how popular a TV show is \u2013 how many people are watching it \u2013 that controls the TV industry. So that controls what kind of shows the viewer ultimately gets to see. Right? And there\u2019s other people, actors and producers, they want to get paid. And they also want people to recognize that they\u2019re creating shows that are popular.\u201d<\/li>\n<li><strong>We&#8217;re Losing Our Traditional Arts Media:<\/strong> Yes, it&#8217;s a story we&#8217;ve been hearing for a while now. Arts coverage in many cities now is non-existent or a shadow of what it used to be. But now the stalwarts, the Major Publications that have been go-to sources for cultural news and criticism are in trouble. Last week the Wall Street Journal announced it was downsizing cultural coverage. This week there&#8217;s a report the <a href=\"http:\/\/deadline.com\/2016\/11\/new-york-times-wall-street-journal-entertainment-coverage-staff-as-print-ads-vanish-1201850080\/\">New York Times will be following<\/a>.\u00a0\u201cThe revamped Arts front page will have no more than three stories (there now are sometimes as many as six) anchored by an oversize photograph, according to sources who have been apprised of the changes. Critics have been urged\u00a0to stop covering events least likely to appeal to online subscribers: indie movies having brief runs in art houses; one-night-only concerts, off- and off-off-Broadway shows that aren\u2019t star-driven, cabaret performances, and small art galleries. Many of the <em>Times<\/em>\u2018 contingent of freelance contributors, who provide much of that coverage, are likely to\u00a0meet the same fate as the regional freelancers last summer.&#8221;<\/li>\n<li><strong>We Have A Disruption Of Cultural Consensus &#8211; Even Among The Elite:<\/strong> An <a href=\"http:\/\/www.thedailybeast.com\/articles\/2016\/11\/06\/the-national-book-award-has-gone-to-hell.html\">extraordinary piece <\/a>about the dynamics on the jury gathered to choose the winner of the National Book Awards. \u00a0\u201cWhen two friends of mine were on recent panels, discord was so intense that each judge picked one finalist, the kind of situation that can produce unpredictable horse-trading and compromise winners. Corruption can also enter in. The year I was a judge, one colleague tried to give the award to a family friend. Another judge supported the writer with whom she shared an agent.\u201d<\/li>\n<li><strong>Finally, Uplifting Testimony From Lin Manuel Miranda About The Power Of The Arts:<\/strong>\u00a0The arts superstar says that <a href=\"http:\/\/www.wfmt.com\/2016\/10\/07\/lin-manuel-miranda-arts-educationsaved-life\/\">arts education saved (and defined) his life<\/a>: \u201cThe impact of arts education on my career is complete, total, and it saved my life. I no longer thought of school in semesters; I thought of it as: we do a play in the fall, we do a musical in the winter, and we had a student run theater group called Brick Prison which we would do in the spring. I was a writer with a deadline because I really wanted to get a play into Brick. That was the focus of my creative efforts for as long as I can remember.\u201d<\/li>\n<\/ol>\n<h6 style=\"text-align: center;\"><span style=\"color: #808080;\"><a style=\"color: #808080;\" href=\"https:\/\/pixabay.com\/en\/contest-compare-win-lose-compete-1767672\/\">Image: John Hain\/Pixabay<\/a><\/span><\/h6>\n<footer class=\"entry-footer\">\n<footer class=\"entry-footer\"><\/footer>\n<\/footer>\n","protected":false},"excerpt":{"rendered":"<p>This Week: Hard to imagine there are arts headlines to compete with election news, but here goes: Science tries to explain why we&#8217;re ideologically segregated&#8230; It&#8217;s not just politics &#8211; arts and entertainment don&#8217;t really know what their audiences want&#8230; Even the most-respected arts coverage is being cut back&#8230; Infighting on the jury of the [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":1235,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[30],"tags":[],"class_list":{"0":"post-1234","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-weekly-aj-top-stories","8":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/11\/contest-1767672_1280.jpg?fit=800%2C402&ssl=1","jetpack_shortlink":"https:\/\/wp.me\/p4ePZm-jU","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":342,"url":"https:\/\/www.artsjournal.com\/diacritical\/2006\/12\/artsjournals_new_look-2.html","url_meta":{"origin":1234,"position":0},"title":"ArtsJournal&#039;s New Look","author":"Douglas McLennan","date":"December 10, 2006","format":false,"excerpt":"Actually it's more than just a new look. The entire website has been rebuilt from the ground up. Why change something that's simple and easy to use and has worked well for the past four years? Content management systems have advanced considerably since we last rebuilt ArtsJournal, and the new\u2026","rel":"","context":"In &quot;main&quot;","block_context":{"text":"main","link":"https:\/\/www.artsjournal.com\/diacritical\/category\/main"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":938,"url":"https:\/\/www.artsjournal.com\/diacritical\/2016\/07\/editors-picks-five-highlights-from-last-weeks-aj-how-to-define-art-edition.html","url_meta":{"origin":1234,"position":1},"title":"Editor&#8217;s Picks: Five Highlights From Last Week&#8217;s AJ &#8211; How To Define Art Edition","author":"Douglas McLennan","date":"July 31, 2016","format":false,"excerpt":"This Week: In an age of artists what is the definition of being an artist?... Canadian study says arts workers are most at risk... What is R&D in the arts?... Edinburgh Festival's success shows the broadening impact of festivals... In the information age our opinions seem to be more arrogant.\u2026","rel":"","context":"In &quot;Weekly AJ Top Stories&quot;","block_context":{"text":"Weekly AJ Top Stories","link":"https:\/\/www.artsjournal.com\/diacritical\/category\/weekly-aj-top-stories"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/07\/idea_sized-Vilhelm_Hammershoi_1898_-_Interior_med_laesende_ung_mand.jpg?fit=1200%2C720&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/07\/idea_sized-Vilhelm_Hammershoi_1898_-_Interior_med_laesende_ung_mand.jpg?fit=1200%2C720&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/07\/idea_sized-Vilhelm_Hammershoi_1898_-_Interior_med_laesende_ung_mand.jpg?fit=1200%2C720&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/07\/idea_sized-Vilhelm_Hammershoi_1898_-_Interior_med_laesende_ung_mand.jpg?fit=1200%2C720&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/07\/idea_sized-Vilhelm_Hammershoi_1898_-_Interior_med_laesende_ung_mand.jpg?fit=1200%2C720&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":128,"url":"https:\/\/www.artsjournal.com\/diacritical\/2009\/09\/artsjournal_turns_ten_years_ol.html","url_meta":{"origin":1234,"position":2},"title":"ArtsJournal Turns Ten Years Old","author":"Douglas McLennan","date":"September 13, 2009","format":false,"excerpt":"This week I gave a talk in San Francisco and I mentioned that Sunday - today - ArtsJournal is ten years old. In web terms, that makes us pretty old. Except, in the room were the editors of at least a couple of other arts sites that are older than\u2026","rel":"","context":"With 10 comments","block_context":{"text":"With 10 comments","link":"https:\/\/www.artsjournal.com\/diacritical\/2009\/09\/artsjournal_turns_ten_years_ol.html#comments"},"img":{"alt_text":"aj99.jpg","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/aj99.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":869,"url":"https:\/\/www.artsjournal.com\/diacritical\/2016\/05\/five-highlights-from-last-weeks-aj-endless-arts-planning-edition.html","url_meta":{"origin":1234,"position":3},"title":"Five Highlights From Last Week&#8217;s AJ, Endless Arts Planning Edition","author":"Douglas McLennan","date":"May 29, 2016","format":false,"excerpt":"When arts planning becomes the point rather than the process. Why your creativity may be dependent on being bored. Are MFA degrees a waste of time if you want to be an artist? Broadway breaks more records. And three new ways to see traditional art. Boston Arts Plan - All\u2026","rel":"","context":"In &quot;Weekly AJ Top Stories&quot;","block_context":{"text":"Weekly AJ Top Stories","link":"https:\/\/www.artsjournal.com\/diacritical\/category\/weekly-aj-top-stories"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/05\/Boston_Back_Bay_reflection.jpg?fit=500%2C332&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1222,"url":"https:\/\/www.artsjournal.com\/diacritical\/2016\/11\/this-weeks-aj-highlights-ominous-orchestra-results-new-arts-journalism-accountable-algorithms.html","url_meta":{"origin":1234,"position":4},"title":"This Week&#8217;s AJ Highlights: Ominous Orchestra Results? New Arts Journalism? Accountable Algorithms?","author":"Douglas McLennan","date":"November 6, 2016","format":false,"excerpt":"This Week: Record ticket sales at the Chicago Symphony but still a budget problem...Wall Street Journal cuts arts coverage and Boston Globe gets a subsidized critic...Why did Shakespeare's Globe fire its director?...Two cities on opposite sides of a border, share common arts culture... Who will hold intelligent machines accountable? An\u2026","rel":"","context":"In &quot;Weekly AJ Top Stories&quot;","block_context":{"text":"Weekly AJ Top Stories","link":"https:\/\/www.artsjournal.com\/diacritical\/category\/weekly-aj-top-stories"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/10\/thompson.jpg?fit=500%2C271&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":535,"url":"https:\/\/www.artsjournal.com\/diacritical\/2014\/01\/welcoming-a-new-aj-blogger-whose-art-is-the-audience.html","url_meta":{"origin":1234,"position":5},"title":"Welcoming A New AJ Blogger: Art of the audience","author":"Douglas McLennan","date":"January 27, 2014","format":false,"excerpt":"I'm very pleased to welcome a new blogger to ArtsJournal today. Lynne Conner will be writing the blog We the Audience, a blog about the relationships between artists and audiences. Lynne is a\u00a0professor in the theatre and dance department at Colby College in Maine, where she directs plays and teaches\u2026","rel":"","context":"Similar post","block_context":{"text":"Similar post","link":""},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2014\/01\/conner.jpg?fit=392%2C582&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]}],"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/posts\/1234","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/comments?post=1234"}],"version-history":[{"count":2,"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/posts\/1234\/revisions"}],"predecessor-version":[{"id":1237,"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/posts\/1234\/revisions\/1237"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/media\/1235"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/media?parent=1234"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/categories?post=1234"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/tags?post=1234"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}