{"id":1201,"date":"2016-10-02T06:29:16","date_gmt":"2016-10-02T13:29:16","guid":{"rendered":"http:\/\/www.artsjournal.com\/diacritical\/?p=1201"},"modified":"2016-10-04T03:30:19","modified_gmt":"2016-10-04T10:30:19","slug":"aj-week-in-review-two-big-orchestras-strike-two-others-report-record-success","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/diacritical\/2016\/10\/aj-week-in-review-two-big-orchestras-strike-two-others-report-record-success.html","title":{"rendered":"AJ Week In Review: Two Big Orchestras Strike, Two Others Report Record Success"},"content":{"rendered":"<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignright size-large wp-image-1202\" src=\"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/10\/PhiladelphiaOrchestrastrikecp.jpg?resize=1024%2C614&#038;ssl=1\" alt=\"philadelphiaorchestrastrikecp\" width=\"1024\" height=\"614\" srcset=\"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/10\/PhiladelphiaOrchestrastrikecp.jpg?resize=1024%2C614&amp;ssl=1 1024w, https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/10\/PhiladelphiaOrchestrastrikecp.jpg?resize=300%2C180&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/10\/PhiladelphiaOrchestrastrikecp.jpg?resize=768%2C461&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/10\/PhiladelphiaOrchestrastrikecp.jpg?w=1200&amp;ssl=1 1200w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/p>\n<p><strong>This Week:<\/strong> Three orchestras now on strike as audience waits&#8230; Two other orchestras report record success&#8230; A museum raises $100 million in just three months&#8230; Bots are getting awfully good at making art&#8230; More links between being bored and being creative.<\/p>\n<ol>\n<li><strong>A Bad Week For Three Orchestras:<\/strong> The audience was sitting in Verizon Hall waiting for the Philadelphia Orchestra to take the stage Friday night, but the musicians never showed after <a href=\"http:\/\/www.philly.com\/philly\/blogs\/the-arts\/Philadelphia-Orchestra-votes-to-strike.html\">voting to go out on strike<\/a>. The orchestra and its musicians had punted a year ago during contract negotiations, hiring Michael Kaiser to evaluate the orchestra and write a prescription to fix it. But the financial and managerial problems are huge and complex and the orchestra has dug a deep hole for itself. It will be very hard to crawl out. Earlier in the week the Pittsburgh Symphony musicians also <a href=\"http:\/\/www.wtae.com\/news\/pittsburgh-symphony-orchestra-musicians-on-strike-reject-pay-cut-demand\/41896086\">went out on strike<\/a>, rejecting a 15 percent wage cut. The Fort Worth Symphony was already on strike and showed few signs of progress this week. There&#8217;s <a href=\"https:\/\/www.washingtonpost.com\/news\/style\/wp\/2016\/09\/30\/three-strikes-music-lovers-are-out\/\">no easy fix<\/a> for any of these orchestras. \u00a0And <a href=\"http:\/\/www.nytimes.com\/2016\/10\/02\/arts\/music\/philadelphia-orchestra-strike.html\">possibly no pattern either<\/a>\u00a0except that maybe success is tied to the fortunes of the cities in which they live? <strong>UPDATE:<\/strong> Philadelphia Orchestra musicians <a href=\"http:\/\/www.nytimes.com\/2016\/10\/03\/arts\/music\/philadelphia-orchestra-strike.html\">settled their strike<\/a> Sunday evening.<\/li>\n<li><strong>Two Other Orchestras Have A Different Story:<\/strong> The Milwaukee Symphony announced it had <a href=\"https:\/\/www.biztimes.com\/2016\/09\/29\/mso-has-record-year-of-ticket-sales-and-attendence\/\">set new box office and attendance records last season<\/a>. an 8 percent overall increase in single ticket sales and 20 sold-out performances. More than 200,000 people attended its shows over the season. \u2026 The organization said it also had a 32 percent increase in new attendees over the previous year.\u201d And Boston&#8217;s Handel and Haydn Society &#8211; America&#8217;s oldest performing arts organization and not technically an orchestra, sure, but often plays as one &#8211; \u00a0announced it had just <a href=\"https:\/\/www.bostonglobe.com\/arts\/music\/2016\/09\/19\/handel-and-haydn-society-raises-more-than-million\/6kZOF1I6Q6aDDI46lc3XoK\/story.html\">completed a $13 million endowment campaign<\/a> on the heels of six balanced budgets and growing from a $3 million organization to a $5 million one.<\/li>\n<li><strong>A Museum That Didn&#8217;t Do Too Badly, Either:<\/strong> Buffalo&#8217;s Albright-Knox Gallery raised $100 million in just 12 weeks.\u00a0<a href=\"http:\/\/buffalo.com\/2016\/09\/23\/news\/art\/albright-knox-raises-100-million-with-help-from-buffalo-born-billionaire\/\">The feat<\/a> was \u201cspurred in large part by a $42.5 million pledge from billionaire bond-trader and Western New York native Jeffrey Gundlach. \u2026 [His] gift was designed to flush out millions in matching donations from Western New York foundations, corporations and individuals as well as state, county and city government. It did just that.\u201d<\/li>\n<li><strong>Rise Of The Machines, Part 472:<\/strong>\u00a0It&#8217;s becoming more and more obvious that artificially intelligent machines will be making art &#8211; and potentially great art. <a href=\"http:\/\/fivethirtyeight.com\/features\/some-like-it-bot\/\">It makes sense<\/a>. \u201cWe\u2019re always writing from our experiences of things that we\u2019ve read and what we\u2019ve heard and things that we\u2019ve absorbed verbally. So to what extent can anyone author anything? And to what extent does this machine augment this capacity?\u201d Meanwhile, Watson, the IBM smartypants is <a href=\"http:\/\/marketingland.com\/chevrolet-hollywood-ibms-watson-learning-understand-emotion-personality-192427\">learning to recognize human emotion<\/a>. &#8220;As the artificial intelligence computer gets better at understanding humans it starts to interact with them in more complex ways. For now though, Watson is coming up with movie trailers\u2026&#8221;<\/li>\n<li><strong>A Link Between Boredom and Creativity:<\/strong> As we detailed last week, creativity seems to flourish when the mind is unhooked from a directed purpose. It opens up possibilities of inventive thinking. Now a fascinating piece on how <a href=\"https:\/\/www.wired.com\/2016\/09\/want-creative-kids-hand-something-works\/\">boredom can shape kids&#8217; creativity<\/a>. &#8220;Boredom is where creativity is born. Boredom is not the enemy. Boredom is the friend. Boredom is what gives rise to \u2018What happens when I take a picture between my fingers? What happens when I turn the camera sideways?\u2019\u201d<\/li>\n<\/ol>\n<h6 style=\"text-align: center;\"><span style=\"color: #808080;\"><a style=\"color: #808080;\" href=\"http:\/\/www.nbcphiladelphia.com\/news\/local\/Philadelphia-Orchestra-Goes-on-Strike-Right-Before-Gala-Performance-395475151.html\">Image: NBCPhiladelphia<\/a><\/span><\/h6>\n<footer class=\"entry-footer\">\n<footer class=\"entry-footer\"><\/footer>\n<footer class=\"entry-footer\">\n<header class=\"entry-header\">\n<h1 class=\"entry-title\"><\/h1>\n<\/header>\n<\/footer>\n<\/footer>\n","protected":false},"excerpt":{"rendered":"<p>This Week: Three orchestras now on strike as audience waits&#8230; Two other orchestras report record success&#8230; A museum raises $100 million in just three months&#8230; Bots are getting awfully good at making art&#8230; More links between being bored and being creative. A Bad Week For Three Orchestras: The audience was sitting in Verizon Hall waiting [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":1202,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[30],"tags":[],"class_list":{"0":"post-1201","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-weekly-aj-top-stories","8":"entry"},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/10\/PhiladelphiaOrchestrastrikecp.jpg?fit=1200%2C720&ssl=1","jetpack_shortlink":"https:\/\/wp.me\/p4ePZm-jn","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":1151,"url":"https:\/\/www.artsjournal.com\/diacritical\/2016\/09\/some-of-our-orchestras-seem-to-be-thriving-is-this-a-new-trend.html","url_meta":{"origin":1201,"position":0},"title":"Some Of Our Orchestras Seem To Be Thriving &#8211; Is This A New Trend?","author":"Douglas McLennan","date":"September 20, 2016","format":false,"excerpt":"There's been a change in the news coming out of symphony orchestras over the past summer. Usually there's a background drumbeat of struggle as orchestras fight to stay alive. But for months now, the beat has shifted, and we're hearing about orchestras that are not only surviving but thriving. Yes,\u2026","rel":"","context":"In &quot;arts and business&quot;","block_context":{"text":"arts and business","link":"https:\/\/www.artsjournal.com\/diacritical\/category\/arts-and-business"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/09\/Stlouisso.jpg?fit=800%2C213&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/09\/Stlouisso.jpg?fit=800%2C213&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/09\/Stlouisso.jpg?fit=800%2C213&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2016\/09\/Stlouisso.jpg?fit=800%2C213&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":541,"url":"https:\/\/www.artsjournal.com\/diacritical\/2014\/01\/british-orchestras-bigger-audiences-for-less-money.html","url_meta":{"origin":1201,"position":1},"title":"British Orchestras &#8211; Bigger Audiences For Less Money","author":"Douglas McLennan","date":"January 27, 2014","format":false,"excerpt":"British orchestras report an increase in attendees - a 16 percent increase no less - over an earlier three-year period: A survey by the Association of British Orchestras (ABO) has found attendances at concerts and performances between 2012 and 2013 were up 16 per cent on those\u00a0 three years earlier.\u2026","rel":"","context":"In &quot;culture business models&quot;","block_context":{"text":"culture business models","link":"https:\/\/www.artsjournal.com\/diacritical\/category\/culture-business-models"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2014\/01\/p17orchestraEPA.jpg?fit=620%2C465&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2014\/01\/p17orchestraEPA.jpg?fit=620%2C465&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2014\/01\/p17orchestraEPA.jpg?fit=620%2C465&ssl=1&resize=525%2C300 1.5x"},"classes":[]},{"id":1296,"url":"https:\/\/www.artsjournal.com\/diacritical\/2017\/01\/are-orchestras-a-ticket-or-an-art-maybe-were-thinking-about-the-made-up-model-wrong.html","url_meta":{"origin":1201,"position":2},"title":"Are Orchestras A Ticket Or An Art? Maybe We&#8217;re Thinking About The (Made Up) Model Wrong","author":"Douglas McLennan","date":"January 26, 2017","format":false,"excerpt":"As recently as 1990, American symphony orchestras accounted for an average of 60 percent of their budgets in earned income. This meant, at the time, that if you weren't selling enough tickets (and other services) to make 60 percent, then you weren't considered healthy. A report in 1991 - The\u2026","rel":"","context":"In &quot;culture business models&quot;","block_context":{"text":"culture business models","link":"https:\/\/www.artsjournal.com\/diacritical\/category\/culture-business-models"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2017\/01\/orchnumbers.png?fit=959%2C1200&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2017\/01\/orchnumbers.png?fit=959%2C1200&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2017\/01\/orchnumbers.png?fit=959%2C1200&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2017\/01\/orchnumbers.png?fit=959%2C1200&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":113,"url":"https:\/\/www.artsjournal.com\/diacritical\/2009\/06\/_how_do_you_spread.html","url_meta":{"origin":1201,"position":3},"title":"Terms Of Endearment &#8211; How Does An Orchestra Spell Success?","author":"Douglas McLennan","date":"June 10, 2009","format":false,"excerpt":"How do good ideas take hold? It's not enough to talk about them; the context in which you talk about them has to be right. How do producers pitch ideas for movies? They relate them to other movies that have already been successful. So Terminator meets Cheaper by the Dozen\u2026","rel":"","context":"With 1 comment","block_context":{"text":"With 1 comment","link":"https:\/\/www.artsjournal.com\/diacritical\/2009\/06\/_how_do_you_spread.html#comments"},"img":{"alt_text":"ideaspread.jpg","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/ideaspread.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2468,"url":"https:\/\/www.artsjournal.com\/diacritical\/2021\/06\/how-has-technology-changed-orchestras-my-talk-for-the-league-of-american-orchestras-conference.html","url_meta":{"origin":1201,"position":4},"title":"How Has Technology Changed Orchestras? &#8212; My Talk for the League of American Orchestras Conference","author":"Douglas McLennan","date":"June 9, 2021","format":false,"excerpt":"I was asked to deliver a \"provocation\" for this week's League of American Orchestras annual conference with the prompt \"How has Technology Changed Orchestras Forever?\" Here's a video of the talk and the transcript:.","rel":"","context":"In &quot;arts &amp; tech&quot;","block_context":{"text":"arts &amp; tech","link":"https:\/\/www.artsjournal.com\/diacritical\/category\/arts-tech"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2021\/06\/violin-2772433_1280.jpg?fit=1200%2C533&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2021\/06\/violin-2772433_1280.jpg?fit=1200%2C533&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2021\/06\/violin-2772433_1280.jpg?fit=1200%2C533&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2021\/06\/violin-2772433_1280.jpg?fit=1200%2C533&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2021\/06\/violin-2772433_1280.jpg?fit=1200%2C533&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":2675,"url":"https:\/\/www.artsjournal.com\/diacritical\/2023\/11\/american-orchestras-could-learn-something-from-south-dakota.html","url_meta":{"origin":1201,"position":5},"title":"American Orchestras Could Learn Something from South Dakota","author":"Douglas McLennan","date":"November 22, 2023","format":false,"excerpt":"Infinite choice of music in a few clicks sounds like a dream. In reality it can dull your desire and lead to what the social psychologist Barry Schwartz calls the \u201cparadox of choice,\u201d a kind of paralysis in decision-making that causes many of us to disengage altogether. Culture is like\u2026","rel":"","context":"Similar post","block_context":{"text":"Similar post","link":""},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2023\/11\/www-sdsymphony.jpeg?fit=1200%2C451&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2023\/11\/www-sdsymphony.jpeg?fit=1200%2C451&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2023\/11\/www-sdsymphony.jpeg?fit=1200%2C451&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2023\/11\/www-sdsymphony.jpeg?fit=1200%2C451&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2023\/11\/www-sdsymphony.jpeg?fit=1200%2C451&ssl=1&resize=1050%2C600 3x"},"classes":[]}],"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/posts\/1201","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/comments?post=1201"}],"version-history":[{"count":4,"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/posts\/1201\/revisions"}],"predecessor-version":[{"id":1206,"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/posts\/1201\/revisions\/1206"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/media\/1202"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/media?parent=1201"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/categories?post=1201"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/diacritical\/wp-json\/wp\/v2\/tags?post=1201"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}