{"version":"1.0","provider_name":"diacritical","provider_url":"https:\/\/www.artsjournal.com\/diacritical","author_name":"Douglas McLennan","author_url":"https:\/\/www.artsjournal.com\/diacritical\/author\/dmclennan","title":"diacritical - diacritical","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"hMTXJpkdM8\"><a href=\"https:\/\/www.artsjournal.com\/diacritical\/about\/diacritical\">diacritical<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.artsjournal.com\/diacritical\/about\/diacritical\/embed#?secret=hMTXJpkdM8\" width=\"600\" height=\"338\" title=\"&#8220;diacritical&#8221; &#8212; diacritical\" data-secret=\"hMTXJpkdM8\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.artsjournal.com\/diacritical\/wordpress\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","description":"Culture is thriving. But the structures built to support it are in peril. Audiences are hungry. Participation is up in forms that barely existed twenty years ago. The appetite for gathering around art and shared experience \u2014 live, local, communal \u2014 is undiminished. What&#8217;s mismatched is the infrastructure: the business models, institutions, and connective tissue [&hellip;]","thumbnail_url":"http:\/\/www.artsjournal.com\/diacritical\/wp\/wp-content\/uploads\/2010\/09\/diacritical-mark.png"}