{"version":"1.0","provider_name":"diacritical","provider_url":"https:\/\/www.artsjournal.com\/diacritical","author_name":"Douglas McLennan","author_url":"https:\/\/www.artsjournal.com\/diacritical\/author\/dmclennan","title":"Just How Big is the Culture Economy? - diacritical","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"QqoU3ko5D2\"><a href=\"https:\/\/www.artsjournal.com\/diacritical\/2026\/04\/just-how-big-is-the-culture-economy.html\">Just How Big is the Culture Economy?<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.artsjournal.com\/diacritical\/2026\/04\/just-how-big-is-the-culture-economy.html\/embed#?secret=QqoU3ko5D2\" width=\"600\" height=\"338\" title=\"&#8220;Just How Big is the Culture Economy?&#8221; &#8212; diacritical\" data-secret=\"QqoU3ko5D2\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.artsjournal.com\/diacritical\/wordpress\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/www.artsjournal.com\/diacritical\/wordpress\/wp-content\/uploads\/2026\/04\/The_Sphere_in_Las_Vegas.jpg","thumbnail_width":1280,"thumbnail_height":853,"description":"Most arts policy debates happen at one scale. Most cultural activity happens at another. It turns out the gap between those two scales \u2014 between the world that the arts, funding fights, and nonprofit board meetings live in, and the world where most people actually encounter culture \u2014 is so large that it's worth pausing to measure."}