sixty<\/em><\/strong> performances of new pieces by our sixteen student composers:<\/p>\nSUNDAY 11 MARCH, 3:00 pm
\n<\/strong>TUESDAY 13 MARCH, 7:30 pm
\n<\/strong>Winston Salem Symphony\u2019s Concert for Peace
\n<\/strong>Robert Moody leads the orchestra in a performance of Karl Jenkins\u2019\u00a0The Armed Man: A Mass for Peace.\u00a0\u00a0<\/em>Stevens Center.\u00a0 Admission charged.<\/p>\nTUESDAY 13 MARCH
\n<\/strong>Watson Brass Quintet
\n<\/strong>The Watson Brass Quintet performs new music by Anthony DiLorenzo and Eric Ewazen, and premieres Lawrence Dillon\u2019s\u00a0Disruption.<\/em>\u00a0 7:30 pm, Watson Hall.<\/p>\nWEDNESDAY 14 MARCH
\n<\/strong>Recording Session: Lindsay Kesselman\/Daniel Pesca
\n<\/strong>Soprano and pianist record songs by Kyrie Antoinette\u2019s Old News<\/em>, Derek Arnold\u2019s Song of the Shirt<\/em>, Alicia Bachorik\u2019s Love Songs<\/em> and Jessica Buford\u2019s They Were Miners<\/em>.\u00a0 8:00-10:00 pm, Watson Hall.<\/p>\nTHURSDAY 15 MARCH
\n<\/strong>Michel van der Aa
\n<\/strong>Dutch composer and Grawemeyer winner Michel van der Aa gives a public talk about his work, including a live performance of\u00a0Transit<\/em>\u00a0for piano, video and soundtrack.\u00a0 Brendle Recital Hall, Wake Forest University, 7:30 pm.\u00a0 Free admission.<\/p>\nSATURDAY 17 MARCH
\n<\/strong>Telling Tales
\n<\/strong>New music ensemble performs Tyson Davis\u2019\u00a0Rare Earth Metal<\/em>, Oliver Glynn\u2019s\u00a0Wholegrain Stumble <\/em>and Nick Karr\u2019s\u00a0Cells<\/em>.\u00a0 Crawford Hall, 2:00 pm.<\/p>\nSUNDAY 18 MARCH
\n<\/strong>Clifford Tam
\n<\/strong>Master\u2019s clarinet recital includes new music by Guillaume Connesson, Roberto Laneri, and Eric Mandat and the premiere of\u00a0Your Huddled Masses<\/em>\u00a0by Peyton Clifford.\u00a0 Watson Hall, 7:30 pm.<\/p>\nSATURDAY 24 MARCH
\n<\/strong>Jubal Fulks
\n<\/strong>Guest violinist Jubal Fulks performs music by John Cage, Elliott Carter, Arvo P\u00e4rt, Steve Reich and the premiere of Thomas Little\u2019s\u00a0Imaginary Poetry.<\/em>\u00a0 7:30 pm, Watson Hall.\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/strong><\/p>\nSUNDAY 25 MARCH
\n<\/strong>Wachovia Winds
\n<\/strong>Premiere of Moravian Mementos<\/em>, a joint project by Derek Arnold, Alicia Bachorik, Nicholas Karr, Thomas Little and Scott Shea commissioned by Wachovia Winds.\u00a0\u00a0<\/em>2:00 pm,\u00a0<\/em>Brendel Hall, Wake Forest University.<\/p>\nMONDAY 26 MARCH
\n<\/strong>Derek Wesley Arnold
\n<\/strong>Derek Wesley Arnold\u2019s Master\u2019s Composition recital, including\u00a0As Fast as Possible<\/em>,\u00a0The Robin and the Mirror<\/em>,\u00a0Venus and Adonis<\/em>,\u00a0Song of the Shirt<\/em>\u00a0and\u00a0This Place<\/em>.\u00a0 7:30 pm, Watson Hall.<\/p>\nTUESDAY 27 MARCH
\n<\/strong>Recording Session: Eighth Blackbird
\n<\/strong>Eighth Blackbird records music by Oliver Glynn\u2019s A couple of Ogden Nash poems<\/em>, Nicholas Karr\u2019s Sulcus<\/em>, Thomas Little\u2019s Invasion of the Minor Seconds<\/em>, Thomas McMillan\u2019s Prime Gaps<\/em>, Algernon Robinson\u2019s Spring<\/em>, Luis Sanz\u2019s Transiciones<\/em> and Scott Shea\u2019s First Impressions<\/em>.\u00a0 7:00-11:30 pm, Watson Hall.<\/p>\nFRIDAY 30 MARCH
\n<\/strong>Jessica Buford
\n<\/strong>Jessica Buford\u2019s senior recital includes performances of\u00a0Psalm 83, 8:57\/9, A Pair, Clara\u2019s Theme, Vulnerable Venerable\u00a0<\/em>and\u00a0Golden and Empty.<\/em>\u00a0 7:30 pm, Watson Hall.<\/p>\nWEDNESDAY 4 APRIL
\n<\/strong>Chamber Music
\n<\/strong>Premieres of Caleb Adams\u2019 Pigs and Banjos<\/em>, Gustav Knudson\u2019s Moorland Songs<\/em>, Christopher Pyle\u2019s A Moment of Your Time<\/em>, Please<\/em> and Braden Plyler\u2019s Wind Quintet<\/em>.\u00a0 2:00 pm, Crawford Hall.<\/p>\nTHURSDAY 5 APRIL
\n<\/strong>UNCSA Wind Ensemble and Wachovia Winds
\n<\/strong>Guest ensemble Wachovia Winds gives a repeat performance of Moravian Mementos<\/em>, a joint project by Derek Arnold, Alicia Bachorik, Nicholas Karr, Thomas Little and Scott Shea commissioned by Wachovia Winds.\u00a0 7:30 pm, Stevens Center.<\/p>\nSATURDAY 7 APRIL
\n<\/strong>Enchanted Evening
\n<\/strong>Nathan Zullinger leads the UNCSA Cantata Singers in Tyson Davis\u2019s There Is Another Sky<\/em>, Oliver Glynn\u2019s Nighttime Search<\/em> and Thomas Little\u2019s The Pines.<\/em>\u00a0 4:00 pm, Crawford Hall.\u00a0<\/strong><\/p>\nTUESDAY 10 APRIL
\n<\/strong>Orchestra Premieres
\n<\/strong>Christopher James Lees leads the UNCSA Symphony in performances of Alicia Bachorik\u2019s Tango<\/em>, Tyson Davis\u2019s The Age of Ambiguity<\/em>, Luis Sanz\u2019s La Conquista<\/em> and Scott Shea\u2019s The Tide Rises, The Tide Falls.<\/em>\u00a0 7:30 pm, Crawford Hall.<\/p>\nFRIDAY 13 APRIL
\n<\/strong>Jazz Ensemble
\n<\/strong>Ron Rudkin leads the jazz band in a performance of Luis Sanz\u2019s\u00a0Borinquen Fantasy<\/em>.\u00a0 7:30 pm, Freedman Theater.<\/p>\nWEDNESDAY 18 APRIL, 7:30 pm
\n<\/strong>FRIDAY 20 APRIL, 7:30 pm
\n<\/strong>SUNDAY 22 APRIL, 2:00 pm
\n<\/strong>Impressions de Pell\u00e9as
\n<\/em><\/strong>A.J. Fletcher Opera Institute production of Debussy\u2019s opera in a new scoring for piano and percussion by students of Michael Rothkopf.\u00a0 DeMille Theater.\u00a0<\/strong><\/p>\nSATURDAY 21 APRIL
\n<\/strong>Alicia Bachorik
\n<\/strong>Alicia Bachorik\u2019s Master\u2019s Composition recital includes\u00a0Each Day a New Beginning, Love Songs, Memento Mori, Seared Valor\u00a0<\/em>and\u00a0What Goes Around.<\/em>\u00a0 2:00 pm, Watson Hall.<\/p>\nTHURSDAY 26 APRIL
\n<\/strong>FRIDAY 27 APRIL
\n<\/strong>m3 spree
\n<\/strong>Composer-choreographer collaborations, featuring music by Alicia Bachorik,\u00a0Kyrie Antoinette,\u00a0Jessica Buford,\u00a0Thomas Little,\u00a0Oliver Glynn and Nick Karr.\u00a0 7:30 pm, DeMille Theater.<\/p>\n <\/p>\n","protected":false},"excerpt":{"rendered":"
I mentioned a couple of weeks ago that we had the Attacca String Quartet in residence here at the UNC School of the Arts.\u00a0\u00a0 Things are really jumping this spring, starting next week.\u00a0 We are going to have new music coming out our ears, which is exactly how I like it. \u00a0And I can’t help […]<\/p>\n","protected":false},"author":3,"featured_media":1234,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-1233","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-uncategorized","8":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/curves\/wp-json\/wp\/v2\/posts\/1233","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/curves\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/curves\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/curves\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/curves\/wp-json\/wp\/v2\/comments?post=1233"}],"version-history":[{"count":2,"href":"https:\/\/www.artsjournal.com\/curves\/wp-json\/wp\/v2\/posts\/1233\/revisions"}],"predecessor-version":[{"id":1236,"href":"https:\/\/www.artsjournal.com\/curves\/wp-json\/wp\/v2\/posts\/1233\/revisions\/1236"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/curves\/wp-json\/wp\/v2\/media\/1234"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/curves\/wp-json\/wp\/v2\/media?parent=1233"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/curves\/wp-json\/wp\/v2\/categories?post=1233"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/curves\/wp-json\/wp\/v2\/tags?post=1233"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
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<\/p>\n