{"id":1141,"date":"2017-09-04T11:28:34","date_gmt":"2017-09-04T15:28:34","guid":{"rendered":"http:\/\/www.artsjournal.com\/curves\/?p=1141"},"modified":"2017-09-04T11:28:34","modified_gmt":"2017-09-04T15:28:34","slug":"all-fall-down","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/curves\/2017\/09\/all-fall-down.html","title":{"rendered":"All Fall Down"},"content":{"rendered":"<div id=\"attachment_1142\" style=\"width: 310px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/www.artsjournal.com\/curves\/wp-content\/uploads\/2017\/09\/lincoln-center.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-1142\" class=\"size-medium wp-image-1142\" src=\"https:\/\/www.artsjournal.com\/curves\/wp-content\/uploads\/2017\/09\/lincoln-center-300x188.jpg\" alt=\"\" width=\"300\" height=\"188\" srcset=\"https:\/\/www.artsjournal.com\/curves\/wp-content\/uploads\/2017\/09\/lincoln-center-300x188.jpg 300w, https:\/\/www.artsjournal.com\/curves\/wp-content\/uploads\/2017\/09\/lincoln-center.jpg 768w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><p id=\"caption-attachment-1142\" class=\"wp-caption-text\">Arnaud Sussman, David Finckel, Paul Neubauer &#8211; November 11<\/p><\/div>\n<p>We\u2019ve got a packed fall season in the <a href=\"http:\/\/www.uncsa.edu\/music\/composition\/index.aspx\"><strong>Composition Department<\/strong><\/a> of the <a href=\"https:\/\/www.uncsa.edu\"><strong>UNC School of the Arts<\/strong><\/a>.\u00a0 For those who aren\u2019t familiar with it, this is a campus of about 1200 students, all artists, from high school through graduate school.\u00a0 Our composers have a ridiculous number of opportunities to write absolute music, music for film, for dance, for theater, installations \u2013 whatever they want to dive into, it\u2019s here.<\/p>\n<p>Here are some of the new music highlights for the next couple of months:<\/p>\n<ul>\n<li><strong>September 2: GEORGIA O\u2019KEEFE AND MUSIC<\/strong> \u2013 Phil Archer (Betsy Main Babcock Director of Interpretation at Reynolda House Museum of American Art) discusses connections between Georgia O\u2019Keefe\u2019s aesthetic and music, featuring performances of Katherine Hoover\u2019s <em>Kokopeli<\/em> and Libby Larsen\u2019s <em>Black Birds, Red Hills<\/em>.<\/li>\n<li><strong>September 17, 19<\/strong>: <strong>WINSTON SALEM SYMPHONY<\/strong> \u2013 Robert Moody leads the orchestra in a performance of David Ott\u2019s Concerto for Two Cellos and Orchestra.<\/li>\n<li><strong>September 20<\/strong>: <strong>JENNIFER HIGDON<\/strong> \u2013 Composer joins us to discuss her opera <em>Cold Mountain.<\/em><\/li>\n<li><strong>September 23<\/strong>: <strong>AN AMERICAN INFLUENCE<\/strong> &#8211; Christopher James Lees conducts the UNCSA Symphony in a performance of Alan Fletcher\u2019s <em>Se una notte d\u2019inverno un viaggaiatore.<\/em><\/li>\n<li><strong>September 28: NEW YORK REFLECTIONS <\/strong>\u2013 UNCSA Wind Ensemble performs Michael Daugherty\u2019s <em>Ladder to the Moon<\/em> and the premiere of Derek Arnold\u2019s <em>An Offering to the A. I. Overlords.<\/em><\/li>\n<li><strong>October 1<\/strong><em>: <\/em><strong>COLD MOUNTAIN<\/strong><em> \u2013 <\/em>NC Opera production of Jennifer Higdon\u2019s opera.<\/li>\n<li><strong>October 3: BLACK MOUNTAIN TRIO \u2013 <\/strong>Faculty artists give NC premiere of Evan Chamber\u2019s <em>A Hundred Ways<\/em>.<\/li>\n<li><strong>October 11: BEETHOVEN\u2019S SLIPPERS \u2013 <\/strong>Soprano Jennifer Trost performs Judith Cloud\u2019s monodrama.<\/li>\n<li><strong>October 13:<\/strong> <strong>JAMES ALLBRITTEN<\/strong> \u2013 Artistic Director of Piedmont Opera discusses contemporary opera and his upcoming production of Kevin Puts\u2019 <em>Silent Night<\/em>.<\/li>\n<li><strong>October 13, 14, 15<\/strong>: <strong>WINSTON SALEM SYMPHONY<\/strong> \u2013 Robert Moody leads the orchestra in a performance of James Stephenson\u2019s <em>Trumpet Concerto<\/em>.<\/li>\n<li><strong>October 27, 29, 31:<\/strong> <strong>SILENT NIGHT<\/strong> \u2013 Piedmont Opera production of Kevin Puts\u2019 opera.<\/li>\n<li><strong>November 3:<\/strong> <strong>THE EVOLUTION OF MINIMALISM<\/strong> \u2013 Saxophone students perform music by Louis Andriessen, Philip Glass, David Lang, Steve Reich and the premiere of Nicholas Karr\u2019s <em>Ripple<\/em>.<\/li>\n<li><strong>November 4, 5, 7<\/strong>: <strong>WINSTON SALEM SYMPHONY<\/strong> \u2013 Robert Moody leads the orchestra in a performance of Mason Bates\u2019 <em>Alternative Energy<\/em>.<\/li>\n<li><strong>November 9:<\/strong> <strong>ECSTATIC WATERS<\/strong> \u2013 Wind Ensemble performs James Stephenson\u2019s <em>The Storyteller<\/em> and <em>Rhythms of the Spirit<\/em> as well as Steven Bryant\u2019s <em>Ecstatic Waters<\/em>.<\/li>\n<li><strong>November 10<\/strong>: <strong>KENNETH FRAZELLE<\/strong> \u2013 Composer discusses his new cycle <em>Songs of Clay and Stone.<\/em><\/li>\n<li><strong>November 11<\/strong>: <strong>CHAMBER MUSIC SOCIETY OF LINCOLN CENTER<\/strong> \u2013 Ongoing partnership with UNCSA, now in its third year, features a performance of Krzysztof Penderecki\u2019s <em>String Trio<\/em>.<\/li>\n<\/ul>\n<p>There are other things coming up as well, some of them tentative, others still confidential.\u00a0 Definitely enough to keep me busy, when I&#8217;m not traveling.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>We\u2019ve got a packed fall season in the Composition Department of the UNC School of the Arts.\u00a0 For those who aren\u2019t familiar with it, this is a campus of about 1200 students, all artists, from high school through graduate school.\u00a0 Our composers have a ridiculous number of opportunities to write absolute music, music for film, [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":1142,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-1141","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-uncategorized","8":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/curves\/wp-json\/wp\/v2\/posts\/1141","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/curves\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/curves\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/curves\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/curves\/wp-json\/wp\/v2\/comments?post=1141"}],"version-history":[{"count":1,"href":"https:\/\/www.artsjournal.com\/curves\/wp-json\/wp\/v2\/posts\/1141\/revisions"}],"predecessor-version":[{"id":1143,"href":"https:\/\/www.artsjournal.com\/curves\/wp-json\/wp\/v2\/posts\/1141\/revisions\/1143"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/curves\/wp-json\/wp\/v2\/media\/1142"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/curves\/wp-json\/wp\/v2\/media?parent=1141"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/curves\/wp-json\/wp\/v2\/categories?post=1141"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/curves\/wp-json\/wp\/v2\/tags?post=1141"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}