{"id":1119,"date":"2017-07-31T09:31:04","date_gmt":"2017-07-31T13:31:04","guid":{"rendered":"http:\/\/www.artsjournal.com\/curves\/?p=1119"},"modified":"2017-07-31T09:31:04","modified_gmt":"2017-07-31T13:31:04","slug":"the-nyc-influence","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/curves\/2017\/07\/the-nyc-influence.html","title":{"rendered":"The NYC Influence"},"content":{"rendered":"<p><a href=\"https:\/\/www.artsjournal.com\/curves\/wp-content\/uploads\/2017\/07\/new-york-472392__480.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-1120\" src=\"https:\/\/www.artsjournal.com\/curves\/wp-content\/uploads\/2017\/07\/new-york-472392__480-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/www.artsjournal.com\/curves\/wp-content\/uploads\/2017\/07\/new-york-472392__480-300x200.jpg 300w, https:\/\/www.artsjournal.com\/curves\/wp-content\/uploads\/2017\/07\/new-york-472392__480.jpg 720w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>Over time, various cities emerge as strongholds of finance: \u00a0Venice, Zurich, Edinburgh, Singapore, Hong Kong.\u00a0 These cities, though they have many other characteristics, have been known for taking a leadership role at some point in regional or global finance.<\/p>\n<p>New York City has held a central position in this nation\u2019s financial dealings from the start, and one could argue it was in the city\u2019s DNA to take that role: the first Dutch settlers were certainly in it primarily for the money.<\/p>\n<p>New York City has also been the media center of the US for a substantial portion of this nation\u2019s history.\u00a0 One could argue that its influence, as media center, has declined in the internet age, but there is no denying that the messages coming out of Manhattan throughout the 20<sup>th<\/sup> century were unrivalled, arguing viewpoints and ways of life that left even Hollywood\u2019s voice a distant second.<\/p>\n<p>This marriage of finance and media led to an interesting form of cultural influence.\u00a0 With relentless panache, Madison Avenue was able to hold up the signposts of fulfillment, promoting the material acquisitions Americans had to have in order to be happy.\u00a0 The rest of the nation succumbed to the spell or resisted it, sometimes both at the same time.<\/p>\n<p>For many living in New York, or in its immediate vicinity (I did both in the first 27 years of my life) this perspective of the city could easily be overlooked in the multitude of other stimuli, just as Venetians at the end of the Middle Ages could easily overlook the bookkeeping their city was known for, swept away by the rich cultural milieu. \u00a0\u00a0But you can spot this perspective in the many times New Yorkers are confounded by citizens from other parts of the country who vote against their financial interests.\u00a0 Sometimes it can seem inconceivable, to someone with a NYC mindset, that other needs can Trump the pursuit of money.<\/p>\n<p>In any case, one of the results of Manhattan\u2019s success in selling the American materialist dream is the reputation this country has abroad.\u00a0 The peoples of other nations are often astonished at Americans\u2019 inability to value artistic accomplishments, to name one example.\u00a0 While other countries erect monuments to great writers, great thinkers, even great composers, the most imposing monuments and edifices here are increasingly named for the corporations that funded them.\u00a0 That\u2019s the message we\u2019ve learned about what matters.<\/p>\n<p>At this point, you could say it\u2019s in our DNA.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Over time, various cities emerge as strongholds of finance: \u00a0Venice, Zurich, Edinburgh, Singapore, Hong Kong.\u00a0 These cities, though they have many other characteristics, have been known for taking a leadership role at some point in regional or global finance. New York City has held a central position in this nation\u2019s financial dealings from the start, [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":1120,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-1119","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-uncategorized","8":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/curves\/wp-json\/wp\/v2\/posts\/1119","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/curves\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/curves\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/curves\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/curves\/wp-json\/wp\/v2\/comments?post=1119"}],"version-history":[{"count":1,"href":"https:\/\/www.artsjournal.com\/curves\/wp-json\/wp\/v2\/posts\/1119\/revisions"}],"predecessor-version":[{"id":1121,"href":"https:\/\/www.artsjournal.com\/curves\/wp-json\/wp\/v2\/posts\/1119\/revisions\/1121"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/curves\/wp-json\/wp\/v2\/media\/1120"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/curves\/wp-json\/wp\/v2\/media?parent=1119"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/curves\/wp-json\/wp\/v2\/categories?post=1119"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/curves\/wp-json\/wp\/v2\/tags?post=1119"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}