{"id":929,"date":"2010-09-20T09:24:00","date_gmt":"2010-09-20T16:24:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/culturecrash\/2010\/09\/two-new-cop-shows.html"},"modified":"2010-09-20T09:24:00","modified_gmt":"2010-09-20T16:24:00","slug":"two-new-cop-shows","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/culturecrash\/2010\/09\/two-new-cop-shows.html","title":{"rendered":"Two New Cop Shows"},"content":{"rendered":"<p><span>THE new television season is starting, and there are a lot of new cop shows. So far the best I&#8217;ve seen is the mellow, low-key <i>Terriers<\/i>, which I reviewed for The Hollywood Reporter last week. Two new shows try a lot harder but achieve less.\u00a0<\/span><br \/><span><br \/><\/span><br \/><span>Here&#8217;s my review of the\u00a0<\/span><a href=\"http:\/\/www.hollywoodreporter.com\/hr\/tv-reviews\/hawaii-five-0-tv-review-1004115433.story\"><span>Hawaii Five-0<\/span><\/a><span>\u00a0reboot, which begins:\u00a0<\/span><br \/><span><br \/><\/span><br \/><a href=\"http:\/\/3.bp.blogspot.com\/_yrL6yfubw8g\/TJeYo6CmdKI\/AAAAAAAAA-0\/WY8biXuQDdY\/s1600\/Hawaii_Five-O_Title_Screen.png\" imageanchor=\"1\"><img loading=\"lazy\" decoding=\"async\" border=\"0\" height=\"240\" src=\"http:\/\/3.bp.blogspot.com\/_yrL6yfubw8g\/TJeYo6CmdKI\/AAAAAAAAA-0\/WY8biXuQDdY\/s320\/Hawaii_Five-O_Title_Screen.png\" width=\"320\"><\/a><i><span>By the time the shooting begins in earnest on &#8220;Hawaii Five-0,&#8221; about halfway through the pilot, the action comes across well-directed, the camerawork crisp, the pace just right. But it took half an hour to get to this, and it just wasn&#8217;t worth it.<\/span><\/i><br \/><span><br \/><\/span><br \/><span>And here&#8217;s <\/span><a href=\"http:\/\/www.hollywoodreporter.com\/hr\/tv-reviews\/chase-tv-review-1004115432.story\"><span>Chase<\/span><\/a><span>, and its lead:<\/span><br \/><span><br \/><\/span><br \/><i><span>&#8220;Chase&#8221; begins with a fit blonde in tight jeans and a sharp leather jacket chasing a criminal through the streets of an unnamed city, brow furrowed in concentration. Pretty soon they&#8217;re in a stockyard &#8212; this turns out to be Fort Worth &#8212; then a rodeo. We&#8217;re all over Texas in this hourlong drama from NBC, and by show&#8217;s end we&#8217;ll be everywhere from Houston&#8217;s skyline to a cowboy bar in San Antonio to a border crossing into Mexico.<\/span><\/i><br \/><span><br \/><\/span><br \/><span>In short, <\/span><i><span>Chase<\/span><\/i><span> seemed to me formulaic, but it has potential and the lead is quite good. <\/span><i><span>Hawaii<\/span><\/i><span> <\/span><i><span>Five-0<\/span><\/i><span> &#8212; which has some serious talent behind it &#8212; only shines during the action scenes. The original is much smarter and cooler. Maybe they&#8217;ll both get better.\u00a0<\/span><br \/><span><br \/><\/span><br \/><span>I&#8217;m sure some people will like both shows, and many critics like <\/span><i><span>Five-0<\/span><\/i><span> quite a bit. But here&#8217;s the thing: We are supposedly in a golden age of television, and shows like <\/span><i><span>Deadwood<\/span><\/i><span>, <\/span><i><span>The Wire<\/span><\/i><span>, <\/span><i><span>Sopranos<\/span><\/i><span>, <\/span><i><span>The Office<\/span><\/i><span>, etc., have shown how good TV can be. Does every new show have to be as good as those? Of course now. But they&#8217;ve gotta be better than this.\u00a0<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>THE new television season is starting, and there are a lot of new cop shows. So far the best I&#8217;ve seen is the mellow, low-key Terriers, which I reviewed for The Hollywood Reporter last week. Two new shows try a lot harder but achieve less.\u00a0Here&#8217;s my review of the\u00a0Hawaii Five-0\u00a0reboot, which begins:\u00a0By the time the [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[229,77,62],"tags":[],"class_list":{"0":"post-929","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-hawaii","7":"category-television","8":"category-texas","9":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/posts\/929","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/comments?post=929"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/posts\/929\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/media?parent=929"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/categories?post=929"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/tags?post=929"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}