{"id":914,"date":"2010-10-18T09:03:00","date_gmt":"2010-10-18T16:03:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/culturecrash\/2010\/10\/smart-new-cop-show-from-uk.html"},"modified":"2010-10-18T09:03:00","modified_gmt":"2010-10-18T16:03:00","slug":"smart-new-cop-show-from-uk","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/culturecrash\/2010\/10\/smart-new-cop-show-from-uk.html","title":{"rendered":"Smart New Cop Show From UK"},"content":{"rendered":"<p>FANS of <i>The Wire<\/i> will be especially gratified by the new BBC series, <i>Luther<\/i>, in which the man we once knew as Stringer Bell (Brit actor Idris Elba) becomes a brilliant\/tormented police detective.<\/p>\n<p><a href=\"http:\/\/2.bp.blogspot.com\/_yrL6yfubw8g\/TLx9Wqsn6hI\/AAAAAAAABAA\/ZiXI1SLSC9Q\/s1600\/Idris_Elba.jpg\" imageanchor=\"1\"><img decoding=\"async\" border=\"0\" src=\"http:\/\/2.bp.blogspot.com\/_yrL6yfubw8g\/TLx9Wqsn6hI\/AAAAAAAABAA\/ZiXI1SLSC9Q\/s1600\/Idris_Elba.jpg\"><\/a>The show is dark, understated, and psychologically serious; the characters and their relationships are complex and well-drawn. The whole thing has a kind of brooding vibe to it:\u00a0The Massive Attack song that plays over the opening credits sets the tone quite well.<\/p>\n<p><a href=\"http:\/\/www.hollywoodreporter.com\/review\/luther-tv-review-30528\">HERE<\/a> is my review from The Hollywood Reporter. The show made its U.S. debut last night and goes up Sundays at 10 pm.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>FANS of The Wire will be especially gratified by the new BBC series, Luther, in which the man we once knew as Stringer Bell (Brit actor Idris Elba) becomes a brilliant\/tormented police detective. The show is dark, understated, and psychologically serious; the characters and their relationships are complex and well-drawn. The whole thing has a [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[217,88,77],"tags":[],"class_list":{"0":"post-914","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-the-wire","7":"category-brit-culture","8":"category-television","9":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/posts\/914","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/comments?post=914"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/posts\/914\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/media?parent=914"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/categories?post=914"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/tags?post=914"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}