{"id":901,"date":"2010-12-06T12:08:00","date_gmt":"2010-12-06T20:08:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/culturecrash\/2010\/12\/james-franco-and-the-adderall-diaries.html"},"modified":"2010-12-06T12:08:00","modified_gmt":"2010-12-06T20:08:00","slug":"james-franco-and-the-adderall-diaries","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/culturecrash\/2010\/12\/james-franco-and-the-adderall-diaries.html","title":{"rendered":"James Franco and The Adderall Diaries"},"content":{"rendered":"<p>ONE of the best and most unpredictable memoirs I&#8217;ve read in years is The Adderall Diaries, which is a weird hybrid of a murder trial, S&#038;M chronicle, and document of drug abuse. I just bumped into its author, Stephen Elliott, who is a far more level guy than you&#8217;d expect given that previous description, at the local coffee shop. Elliott, who&#8217;s an editor at the excellent literary site <a href=\"http:\/\/therumpus.net\/\">The Rumpus<\/a>, is in town for\u00a0a reading of an anthology of <i>Rumpus Women: Personal Essays By Women<\/i>\u00a0<a href=\"http:\/\/therumpus.net\/2010\/12\/rock-l-a-with-rumpus-women\/\">Tuesday night<\/a> at the Traveler&#8217;s Bookshelf on 3rd St. (He tells me the event will include a brief performance by Jill Sobule.)<\/p>\n<p><a href=\"http:\/\/3.bp.blogspot.com\/_yrL6yfubw8g\/TP1Cm_By0JI\/AAAAAAAABBU\/Pv7dio1dyHA\/s1600\/James_Franco_2007_Spiderman_3_premiere.jpg\" imageanchor=\"1\"><img loading=\"lazy\" decoding=\"async\" border=\"0\" height=\"320\" src=\"http:\/\/3.bp.blogspot.com\/_yrL6yfubw8g\/TP1Cm_By0JI\/AAAAAAAABBU\/Pv7dio1dyHA\/s320\/James_Franco_2007_Spiderman_3_premiere.jpg\" width=\"213\"><\/a>Anyway, Elliott mentioned that actor James Franco &#8212; who I will always think of as the tough kid from <i>Freaks and Geeks <\/i>despite his more high profile appearances\u00a0&#8212; <a href=\"http:\/\/blogs.publishersweekly.com\/blogs\/PWxyz\/?p=2591\">has optioned<\/a> the book for film adaptation. (Franco, tentatively, will both direct and appear in the film.)<\/p>\n<p>I met Elliott in LA last year to discuss his memoir &#8212; <a href=\"http:\/\/www.latimes.com\/entertainment\/news\/arts\/la-et-stephen-elliott2-2009nov02,0,2338761.story\">HERE<\/a> is the ensuing LA Times piece.<\/p>\n<p>The author enjoyed working with Franco, who is course a writer himself and has a recent book of deadpan short stories that have gotten mixed reviews. &#8220;He&#8217;s making a serious attempt to be an artist,&#8221; Elliott says. &#8220;Which is all you can do. There&#8217;s an integrity to him.&#8221;<\/p>\n<p>Elliott adapted the script &#8212; calling it &#8220;the easiest thing I&#8217;ve ever done.&#8221; He&#8217;s hot to write more scripts now.<\/p>\n<p>All kinds of things get optioned and never see daylight, but we&#8217;re optimistic about Franco these days. We&#8217;ll keep our eye on this one.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>ONE of the best and most unpredictable memoirs I&#8217;ve read in years is The Adderall Diaries, which is a weird hybrid of a murder trial, S&#038;M chronicle, and document of drug abuse. I just bumped into its author, Stephen Elliott, who is a far more level guy than you&#8217;d expect given that previous description, at [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[202,34,201,29],"tags":[],"class_list":{"0":"post-901","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-james-franco","7":"category-literary","8":"category-stephen-elliott","9":"category-west-coast","10":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/posts\/901","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/comments?post=901"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/posts\/901\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/media?parent=901"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/categories?post=901"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/tags?post=901"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}