{"id":873,"date":"2011-03-11T16:37:00","date_gmt":"2011-03-12T00:37:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/culturecrash\/2011\/03\/pianist-jeremy-denk-replaces-martha-argerich.html"},"modified":"2011-03-11T16:37:00","modified_gmt":"2011-03-12T00:37:00","slug":"pianist-jeremy-denk-replaces-martha-argerich","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/culturecrash\/2011\/03\/pianist-jeremy-denk-replaces-martha-argerich.html","title":{"rendered":"Pianist Jeremy Denk Replaces Martha Argerich"},"content":{"rendered":"\n\n\n\n
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Out: Argerich<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

THE raven-haired Argentine pianist Martha Argerich is legendary both for her impassioned playing of Chopin, Brahms and Liszt as well as for her tendency to cancel appearances. Sad to say, she’s done it again, canceling next weekend’s Los Angeles Philharmonic<\/a> appearances with Gustavio Dudamel conducting.<\/span>

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The good news: She is being replaced by one of the world’s most intriguing emerging pianists, Jeremy Denk, who plays Ives and Beethoven like nobody else and also runs a provocative blog, Think Denk. Here is my <\/span>profile<\/span><\/a>\u00a0of the pianist, and here he is playing and talking about Ligeti.<\/span>

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In: Denk<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\u00a0To put this in context: The last time I was looking forward to seeing Argerich, in 2006, she cancelled, as did Murray Perahia, who was scheduled to appear that same week. <\/span>THIS<\/span><\/a> piece looked, with some humor, at the issue of canceling shows.\u00a0<\/span>
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I don’t wants to knock Argerich, by the way.\u00a0<\/span>“Argerich brings to bear qualities that are seldom contained in one person,” Alex Ross once wrote of her. “She is a pianist of brain-teasing technical agility; she is a charismatic woman with an enigmatic reputation; she is an unaffected interpreter whose native language is music.”This last may be the quality that sets her apart.”<\/span><\/span>

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Here’s the Phil’s announcement:<\/span><\/span>
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Martha Argerich,\u00a0<\/span><\/span><\/i><\/span><\/b>who was scheduled to perform at Walt Disney Concert Hall, March 17 \u2013 20, with Gustavo Dudamel and the Los Angeles Philharmonic, has cancelled.\u00a0<\/span><\/span><\/i>Jeremy Denk\u00a0<\/span><\/span><\/i><\/b>replaces Argerich in a program that includes Mozart\u2019s Masonic Funeral Music, Beethoven\u2019s Piano Concerto No. 1, and Mozart\u2019s Symphony No. 35, \u201cHaffner.\u201d<\/span><\/span><\/i><\/span><\/div>\n
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For further details or questions, call\u00a0<\/span><\/span><\/i>323.850.2000<\/span><\/span><\/i><\/a>\u00a0from 10am \u2013 6pm daily, or visit LAPhil.com.<\/span><\/span><\/i><\/span><\/div>\n

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Out: Argerich THE raven-haired Argentine pianist Martha Argerich is legendary both for her impassioned playing of Chopin, Brahms and Liszt as well as for her tendency to cancel appearances. Sad to say, she’s done it again, canceling next weekend’s Los Angeles Philharmonic appearances with Gustavio Dudamel conducting. The good news: She is being replaced by […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[54,130],"tags":[],"class_list":{"0":"post-873","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-classical-music","7":"category-la-philharmonic","8":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/posts\/873","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/comments?post=873"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/posts\/873\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/media?parent=873"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/categories?post=873"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/tags?post=873"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}