{"id":865,"date":"2011-03-31T09:44:00","date_gmt":"2011-03-31T16:44:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/culturecrash\/2011\/03\/the-beatles-in-hamburg-on-record.html"},"modified":"2011-03-31T09:44:00","modified_gmt":"2011-03-31T16:44:00","slug":"the-beatles-in-hamburg-on-record","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/culturecrash\/2011\/03\/the-beatles-in-hamburg-on-record.html","title":{"rendered":"The Beatles in Hamburg — on Record"},"content":{"rendered":"

OF the many great shows your humble blogger attended last year, one of the very finest \u00a0was a performance by Bambi Kino<\/a>, a kind of indie-rock supergroup formed to pay tribute to the Beatles ragged, rockabilly-loving years in Hamburg.<\/p>\n

<\/a>The show, at Echo Park’s Taix, was full of so much energy and musical invention (Guided by Voices’ guitarist Doug Gillard was especially inspired that night) it made The Misread City crave a document of this quartet’s triumph.\u00a0(Here<\/a> for my earlier post on Bambi Kino and its mission.)<\/p>\n

So I’m happy to report that this group — made up of members of Catpower, GbV, Nada Surf and Maplewood — has just released an album, recorded at Hamburg’s Indra Club, that captures the spirit of its shows quite well. It’s made up, of course, of the music the Beatles were playing in 1960 and ’61 — Chuck Berry’s “Talking About You,” Buddy Holly’s “Crying Waiting Hoping,” Johnny Kidd’s “Shakin’ All Over” — played with the roughness and speed of the leather-jacketed Liverpudlians.<\/div>\n
<\/div>\n
Rhythm guitartist\/singer Mark Rozzo, a longtime friend of The Misread City, recently chronicled Hamburg’s current scene<\/a> for the New York Times magazine. \u00a0Rozzo laughs at the irony<\/span><\/span>\u00a0<\/span><\/span>of<\/span><\/span><\/span>\u00a0<\/span><\/span>his band — which sometimes plays as much as 60 songs a night and put on a marathon show at Taix —\u00a0putting out a succinct, 12-song LP.<\/span><\/span><\/div>\n
\n
\n
\n
<\/div>\n

<\/span>
<\/span>
<\/span>
<\/span>
<\/span>
<\/span>
<\/span>
<\/span>
<\/span>
<\/span>
<\/p>\n

\n
<\/div>\n\n\n\n\n
<\/a><\/td>\n<\/tr>\n
Courtesy The New Yorker\u00a0<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n

<\/span><\/p><\/blockquote>\n

<\/span>
<\/span>
<\/span>
<\/span>
<\/p>\n

“We didn’t want to do any song that ever appeared on a Beatles studio album and we wanted to include a couple\u00a0<\/span><\/span>of<\/span><\/span><\/span>\u00a0numbers the Beatles were known to have performed but never recorded at all. \u00a0Meaning, they were never used for auditions or BBC radio shows or were never bootlegged. \u00a0Those would be ‘Wild Cat,’ by Gene Vincent, ‘Ramrod,’ a Duane Eddy instrumental they apparently used when they backed strippers, and ‘Shakin’ All Over,’ by Johnny Kidd and the Pirates, a big hit in the UK in 1960 that also happened to be Pete Best’s audition number. \u00a0They were almost certainly playing all\u00a0<\/span><\/span>of<\/span><\/span><\/span>\u00a0those numbers at the Indra Club in 1960. \u00a0We also wanted to make sure everyone had a chance to sing a couple\u00a0<\/span><\/span>of<\/span><\/span><\/span>\u00a0numbers.<\/span><\/span><\/div>\n

<\/span><\/p><\/blockquote>\n

<\/p>\n

He calls the songs “<\/span><\/span>all insanely fun” to play live. \u00a0<\/span><\/span><\/span><\/div>\n
<\/span><\/span><\/span>
<\/span><\/span><\/span><\/div>\n
“Specifically\u00a0<\/span><\/span>of<\/span><\/span><\/span>\u00a0the 12 on the album, I’d have to nominated ‘Some Other Guy,’ because it’s our traditional lead-off number and just says so much about\u00a0B<\/span><\/span>ambi<\/span><\/span><\/span>\u00a0K<\/span><\/span>ino<\/span><\/span><\/span>\u00a0as well as what the Beatles were about in the early days. \u00a0‘Besame Mucho’ is a riot to play; so much going on and it’s all so goofy and it also totally rocks. Erik just nails the singing on that one. \u00a0Maybe ‘Ramrod,’ because it’s such a stomping instrumental and Doug does something amazing on it every time we play it. ‘Shot\u00a0<\/span><\/span>of<\/span><\/span><\/span>\u00a0Rhythm and Blues’ I like because that’s one number where you see every single person in the club kind bobbing up and down, rocking out.”<\/span><\/span><\/span>
<\/span><\/span><\/span>
<\/span><\/span><\/span><\/p>\n
<\/div>\n

(Here they are, by the way, playing “Slow Down,” a song not on the album.)<\/span><\/span><\/span><\/div>\n


<\/span><\/span><\/span><\/div>\n
What’s the\u00a0<\/span><\/span>future<\/span><\/span><\/span>\u00a0<\/span><\/span>of<\/span><\/span><\/span>\u00a0<\/span><\/span>Bambi<\/span><\/span><\/span>\u00a0<\/span><\/span>Kino<\/span><\/span><\/span>, Mark?\u00a0<\/span><\/span><\/span><\/div>\n

<\/span>
<\/span>
<\/p>\n

“The\u00a0<\/span><\/span>future<\/span><\/span><\/span>\u00a0is the past!” he says. “Let’s see… we’ve got a residency lined up at Bowery Electric in New York for April and then a probable return to Hamburg at some point in 2011. There are more 50th anniversaries on the way,\u00a0<\/span><\/span>of<\/span><\/span><\/span>\u00a0course. One thing:<\/span><\/span>\u00a0I don’t ever see us putting on suits and wigs and Beatle boots. But we’d<\/span><\/span>\u00a0like to keep this going for a couple\u00a0<\/span><\/span>of<\/span><\/span><\/span>\u00a0years and try to learn another 100 songs or so. “<\/span><\/span><\/div>\n

<\/span><\/p><\/blockquote>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

OF the many great shows your humble blogger attended last year, one of the very finest \u00a0was a performance by Bambi Kino, a kind of indie-rock supergroup formed to pay tribute to the Beatles ragged, rockabilly-loving years in Hamburg. The show, at Echo Park’s Taix, was full of so much energy and musical invention (Guided […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[171,88,40],"tags":[],"class_list":{"0":"post-865","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-beatles","7":"category-brit-culture","8":"category-indie","9":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/posts\/865","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/comments?post=865"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/posts\/865\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/media?parent=865"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/categories?post=865"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/tags?post=865"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}