{"id":855,"date":"2011-04-28T14:13:00","date_gmt":"2011-04-28T21:13:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/culturecrash\/2011\/04\/the-misread-city-at-festival-of-books.html"},"modified":"2011-04-28T14:13:00","modified_gmt":"2011-04-28T21:13:00","slug":"the-misread-city-at-festival-of-books","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/culturecrash\/2011\/04\/the-misread-city-at-festival-of-books.html","title":{"rendered":"The Misread City at Festival of Books"},"content":{"rendered":"<p>THIS weekend your humble blogger will be around the LA Times Festival of Books at USC&#8230; That is, if I don&#8217;t accidentally end up at UCLA.<\/p>\n<p>I&#8217;ll be there both days, and on Sunday at 3 p.m. will moderate a panel on authors with backgrounds in music. The panel &#8212; I don&#8217;t name these things, folks, is called &#8220;A New Chord: From Stage to Page.&#8221;<\/p>\n<p>My three panelist:<\/p>\n<div><a href=\"http:\/\/1.bp.blogspot.com\/-MRpzPTOftv8\/Tbnmmk5GMXI\/AAAAAAAABG8\/PfqKumeWVZY\/s1600\/NL.jpg\" imageanchor=\"1\"><img loading=\"lazy\" decoding=\"async\" border=\"0\" height=\"320\" src=\"http:\/\/1.bp.blogspot.com\/-MRpzPTOftv8\/Tbnmmk5GMXI\/AAAAAAAABG8\/PfqKumeWVZY\/s320\/NL.jpg\" width=\"213\"><\/a><\/div>\n<p><a href=\"http:\/\/nathanlarson.net\/\">Nathan Larson<\/a> was lead guitarist for Shudder to Think &#8211; one of the key bands on Dischord Records &#8212; and has since written the scores to the films Boys Don&#8217;t Cry, Dirty Pretty Things, and The Messenger. His novel, <i>The Dewey Decimal System<\/i> (Akashic), is tense, taught and set in a post-apocalyptic New York: It&#8217;s been compared to Lethem&#8217;s <i>Motherless Brooklyn<\/i> and the work of Philip K. Dick.<\/p>\n<div><a href=\"http:\/\/3.bp.blogspot.com\/-6Quuy8vjAPY\/Tbnl5xqlaXI\/AAAAAAAABG4\/Rxj4HgtiVSk\/s1600\/roberge.jpg\" imageanchor=\"1\"><img loading=\"lazy\" decoding=\"async\" border=\"0\" height=\"320\" src=\"http:\/\/3.bp.blogspot.com\/-6Quuy8vjAPY\/Tbnl5xqlaXI\/AAAAAAAABG4\/Rxj4HgtiVSk\/s320\/roberge.jpg\" width=\"240\"><\/a><\/div>\n<p><a href=\"http:\/\/www.robroberge.com\/\">Rob Roberge<\/a> is a longtime L.A. writer and musician; he plays guitar in punk pioneers The Urinals. The short stories in <i>Working Backwards From the Worst Moment of My Life<\/i> are often fragmented or defined by wild leaps. Steve Almond calls him &#8220;a modern master of the down-and-out-that-just-got-worse.&#8221; He&#8217;s also working on a memoir about his life in music: Excerpt <a href=\"http:\/\/www.thenervousbreakdown.com\/rroberge\/2011\/02\/your-life-in-sex-drugs-and-rock-and-roll-1\/\">here<\/a>.<\/p>\n<p><a href=\"http:\/\/www.kristinhersh.com\/\">Kristin Hersh<\/a> is known to many readers of The Misread City for her years in Throwing Muses, one of the key bands of the &#8217;80s alternative movement. (They played my alma mater the weekend I was a prospective student, in 1987, so they will always have a place in my heart.) Her memoir, <i>Rat Girl<\/i>, is based on diaries she took as a teenager and the year, as a bohemian musician, she was diagnosed bipolar.<\/p>\n<div><a href=\"http:\/\/4.bp.blogspot.com\/-mcSUGVLq38g\/TbnlwRvp1TI\/AAAAAAAABG0\/-B3Qev2jEZQ\/s1600\/rat+girl.jpg\" imageanchor=\"1\"><img loading=\"lazy\" decoding=\"async\" border=\"0\" height=\"320\" src=\"http:\/\/4.bp.blogspot.com\/-mcSUGVLq38g\/TbnlwRvp1TI\/AAAAAAAABG0\/-B3Qev2jEZQ\/s320\/rat+girl.jpg\" width=\"320\"><\/a><\/div>\n<p>Like her songs, Hersh&#8217;s book is so vivid in its imagery it can be uncomfortable at times. &#8220;But <i>Rat Girl<\/i> is also a startlingly funny and touching memoir&#8230; a gripping journey into mental chaos and out the other side.&#8221;<\/p>\n<p>On that inspiring note&#8230; See you all at UCLA; er, I mean, USC!<\/p>\n","protected":false},"excerpt":{"rendered":"<p>THIS weekend your humble blogger will be around the LA Times Festival of Books at USC&#8230; That is, if I don&#8217;t accidentally end up at UCLA. I&#8217;ll be there both days, and on Sunday at 3 p.m. will moderate a panel on authors with backgrounds in music. The panel &#8212; I don&#8217;t name these things, [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[40,34,30,29],"tags":[],"class_list":{"0":"post-855","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-indie","7":"category-literary","8":"category-los-angeles","9":"category-west-coast","10":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/posts\/855","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/comments?post=855"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/posts\/855\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/media?parent=855"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/categories?post=855"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/tags?post=855"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}