{"id":851,"date":"2011-05-20T09:18:00","date_gmt":"2011-05-20T16:18:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/culturecrash\/2011\/05\/jo-nesbo-and-nordic-noir.html"},"modified":"2011-05-20T09:18:00","modified_gmt":"2011-05-20T16:18:00","slug":"jo-nesbo-and-nordic-noir","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/culturecrash\/2011\/05\/jo-nesbo-and-nordic-noir.html","title":{"rendered":"Jo Nesbo and Nordic Noir"},"content":{"rendered":"<p><a href=\"http:\/\/4.bp.blogspot.com\/-j6BBpmS1dqk\/TdaiJOQkP1I\/AAAAAAAABHc\/o1MCTyXtTs4\/s1600\/Jo_Nesb%25C3%25B8.JPG\" imageanchor=\"1\"><img loading=\"lazy\" decoding=\"async\" border=\"0\" height=\"320\" src=\"http:\/\/4.bp.blogspot.com\/-j6BBpmS1dqk\/TdaiJOQkP1I\/AAAAAAAABHc\/o1MCTyXtTs4\/s320\/Jo_Nesb%25C3%25B8.JPG\" width=\"228\"><\/a>FOR years now we&#8217;ve been hearing about a charismatic Norwegian crime writer whose novels were plotted with verve and driven by a weirdly compelling alcoholic detective. With the success of \u00a0Stieg Larsson&#8217;s <i>Girl<\/i> trilogy, the time may be ripe for <a href=\"http:\/\/jonesbo.com\/\">Jo Nesbo<\/a>, whose sometimes horrifying new novel, <i>The<\/i> <i>Snowman<\/i>, kicks ass.<\/p>\n<p>I spoke to Nesbo from his home in Oslo recently for a <a href=\"http:\/\/www.latimes.com\/entertainment\/news\/books\/la-ca-jo-nesbo-20110522,0,6486965.story\">profile<\/a> in this Sunday&#8217;s Los Angeles Times. We had a lot to talk about. Besides the writer Jim Thompson &#8212; whose <i>The Killer Inside Me<\/i> inspired him to become a crime novelist &#8212; Nesbo and this blog share an interest in American alt-country: He told me about a club in &#8217;80s Oslo that brought American cowpunk bands, and at least once, R.E.M., to town. (His novel namechecks Ryan Adams, Gillian Welch, David Rawlings and Willie Nelson.) He&#8217;s also into graphic novelist Frank Miller.<\/p>\n<p><a href=\"http:\/\/3.bp.blogspot.com\/-7W9IwcQieaQ\/TdaiO9ldQXI\/AAAAAAAABHg\/OAnOPQNvL70\/s1600\/snowman.jpg\" imageanchor=\"1\"><img loading=\"lazy\" decoding=\"async\" border=\"0\" height=\"320\" src=\"http:\/\/3.bp.blogspot.com\/-7W9IwcQieaQ\/TdaiO9ldQXI\/AAAAAAAABHg\/OAnOPQNvL70\/s320\/snowman.jpg\" width=\"195\"><\/a>Will Nesbo repeat the stateside success of Larsson, or even Henning Mankell? His publisher, Knopf, is certainly hoping so. When I asked Nesbo if he felt much in common with other Scandinavian noir writers, he told me, &#8220;Not really. I mean, they&#8217;re <i>writers<\/i>. But not because they write crime of because they&#8217;re Scandinavian. I do admire Karin Fossum &#8212; she writes great prose, it&#8217;s beautiful to read her. I think we&#8217;re all very different writers. When I started writing crime fiction, I hadn&#8217;t read any of the Swedish crime writers.&#8221;<\/p>\n<p>A lot of money rides on the question of whether American readers agree.<\/p>\n<p>Nesbo is<a href=\"http:\/\/writersblocpresents.com\/wordpress\/wordpress\/?p=1060\"> in LA <\/a>next Tuesday.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>FOR years now we&#8217;ve been hearing about a charismatic Norwegian crime writer whose novels were plotted with verve and driven by a weirdly compelling alcoholic detective. With the success of \u00a0Stieg Larsson&#8217;s Girl trilogy, the time may be ripe for Jo Nesbo, whose sometimes horrifying new novel, The Snowman, kicks ass. I spoke to Nesbo [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[66,34,134,175],"tags":[],"class_list":{"0":"post-851","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-alt-country","7":"category-literary","8":"category-noir","9":"category-nordic","10":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/posts\/851","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/comments?post=851"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/posts\/851\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/media?parent=851"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/categories?post=851"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/tags?post=851"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}