{"id":827,"date":"2011-08-30T09:36:00","date_gmt":"2011-08-30T16:36:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/culturecrash\/2011\/08\/christianity-and-tom-perrotta.html"},"modified":"2011-08-30T09:36:00","modified_gmt":"2011-08-30T16:36:00","slug":"christianity-and-tom-perrotta","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/culturecrash\/2011\/08\/christianity-and-tom-perrotta.html","title":{"rendered":"Christianity and Tom Perrotta"},"content":{"rendered":"<p>ONE of my favorite-ever author meetings was a lunch interview with <a href=\"http:\/\/www.tomperrotta.net\/\">Tom Perrotta<\/a> around the time of <i>The<\/i> <i>Abstinence Teacher<\/i>. (I was in New England and swung to the fringe of Boston to meet him.) The novel&#8217;s film adaptation was already rolling despite the fact that the book hadn&#8217;t come out yet &#8212; credit the success of <i>Little Children<\/i> for that one.<\/p>\n<p>The Abstinence Teacher, like his new one, The Leftovers, is partially about latter day Christians and the culture of the religiously devout, not often examined in literary fiction.<\/p>\n<div><a href=\"http:\/\/2.bp.blogspot.com\/-nGTQJs8dxKI\/Tl0fWWblifI\/AAAAAAAABKk\/OjjCW3AA5Go\/s1600\/Tom_perrotta_2007.jpg\" imageanchor=\"1\"><img loading=\"lazy\" decoding=\"async\" border=\"0\" height=\"320\" src=\"http:\/\/2.bp.blogspot.com\/-nGTQJs8dxKI\/Tl0fWWblifI\/AAAAAAAABKk\/OjjCW3AA5Go\/s320\/Tom_perrotta_2007.jpg\" width=\"213\"><\/a><\/div>\n<p>Perrotta and I spoke about a lot of things &#8212; rock music, fatherhood, literary craft &#8212; and especially his upbringing as a not-terribly-devout Catholic in New Jersey in the &#8217;60s and &#8217;70s, in the wake of Vatican II and other softenings of the church.<\/p>\n<p>With <i>The Abstinence Teacher<\/i>, I was struck by the way Perrotta balanced satire with an unexpected empathy. Here&#8217;s what I wrote at the time:<\/p>\n<p><span><\/span><\/p>\n<div><i>More than anything, though, his work is defined not by a type of character or a setting in the suburbs but by a tone of voice: cutting and observed with a kind of oracular detachment, but with forgiveness and respect for old-fashioned decency. It&#8217;s also a tone, rooted in realism, that doesn&#8217;t draw attention to itself.<\/i><\/div>\n<div><i>In a funny way, the premises and the novels themselves seem to be rendered by a different writer.<\/i><\/div>\n<div><i>&#8220;The setups to my stories are often more satirical,&#8221; he said, &#8220;but the execution isn&#8217;t. In the course of writing, my sense of the characters deepens, and the story becomes something different from what I intended.&#8221;<\/i><\/div>\n<p><a href=\"http:\/\/articles.latimes.com\/2007\/oct\/24\/entertainment\/et-perrotta24\">HERE<\/a>\u00a0is that interview and profile. Looking forward to his new one.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>ONE of my favorite-ever author meetings was a lunch interview with Tom Perrotta around the time of The Abstinence Teacher. (I was in New England and swung to the fringe of Boston to meet him.) The novel&#8217;s film adaptation was already rolling despite the fact that the book hadn&#8217;t come out yet &#8212; credit the [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[76,34,89,36],"tags":[],"class_list":{"0":"post-827","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-film","7":"category-literary","8":"category-new-england","9":"category-religion","10":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/posts\/827","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/comments?post=827"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/posts\/827\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/media?parent=827"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/categories?post=827"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/tags?post=827"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}