{"id":804,"date":"2011-11-30T11:51:00","date_gmt":"2011-11-30T19:51:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/culturecrash\/2011\/11\/the-classical-violin-and-heavy-metal.html"},"modified":"2011-11-30T11:51:00","modified_gmt":"2011-11-30T19:51:00","slug":"the-classical-violin-and-heavy-metal","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/culturecrash\/2011\/11\/the-classical-violin-and-heavy-metal.html","title":{"rendered":"The Classical Violin and Heavy Metal"},"content":{"rendered":"<p><a href=\"http:\/\/www.rachelbartonpine.com\/\">RACHEL Barton Pine<\/a> walks both sides of the fence &#8212; a classical violinist who plays a 1740s instrument but also rocks out to Black Sabbath and Guns N Roses. I get into her wide range of musical passions in the <a href=\"http:\/\/latimesblogs.latimes.com\/culturemonster\/2011\/11\/influences-violinist-rachel-barton-pine.html\">latest<\/a> of my Influences column in the Los Angeles Times.<\/p>\n<p><a href=\"http:\/\/4.bp.blogspot.com\/-YWUfOc6lG2k\/TtaI8BIGz7I\/AAAAAAAABNg\/kXXXZu3-VcU\/s1600\/Rachel.jpg\" imageanchor=\"1\"><img loading=\"lazy\" decoding=\"async\" border=\"0\" height=\"320\" src=\"http:\/\/4.bp.blogspot.com\/-YWUfOc6lG2k\/TtaI8BIGz7I\/AAAAAAAABNg\/kXXXZu3-VcU\/s320\/Rachel.jpg\" width=\"314\"><\/a>The violinist, by the way, plays <a href=\"http:\/\/www.c1718cs.ucla.edu\/content\/music\/bartonpine11.htm\">this Sunday<\/a> at one of the most amazing places I&#8217;ve ever seen chamber music &#8212; UCLA&#8217;s <a href=\"http:\/\/www.humnet.ucla.edu\/humnet\/clarklib\/\">Clark Library<\/a> in the West Adams district. Most of the time, the place is an important repository of rare books, 18th century English history and material related to Oscar Wilde. But the wood-lined room in which the chamber series takes place is intimate and resonant &#8212; and very hard to get into.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>RACHEL Barton Pine walks both sides of the fence &#8212; a classical violinist who plays a 1740s instrument but also rocks out to Black Sabbath and Guns N Roses. I get into her wide range of musical passions in the latest of my Influences column in the Los Angeles Times. The violinist, by the way, [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[80,54],"tags":[],"class_list":{"0":"post-804","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-chamber-music","7":"category-classical-music","8":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/posts\/804","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/comments?post=804"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/posts\/804\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/media?parent=804"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/categories?post=804"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/tags?post=804"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}