{"id":754,"date":"2012-06-12T08:18:00","date_gmt":"2012-06-12T15:18:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/culturecrash\/2012\/06\/christopher-buckley-at-track-16-gallery.html"},"modified":"2012-06-12T08:18:00","modified_gmt":"2012-06-12T15:18:00","slug":"christopher-buckley-at-track-16-gallery","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/culturecrash\/2012\/06\/christopher-buckley-at-track-16-gallery.html","title":{"rendered":"Christopher Buckley at Track 16 Gallery"},"content":{"rendered":"<p>FOLKS, this Thursday, I&#8217;ll be interviewing novelist\/satirist\/National Review apostate Christopher Buckley at Track 16. He may be best known on these shores for his New Yorker humor columns and for writing the novel, <i>Thank You For Smoking<\/i>, that was adapted into a very good Jason Reitman movie.<\/p>\n<p><a href=\"http:\/\/2.bp.blogspot.com\/-Z6TnHVwko4Y\/T9drsfuK73I\/AAAAAAAABW8\/lgkz_9E8oIY\/s1600\/Christopher_Buckley.jpg\" imageanchor=\"1\"><img decoding=\"async\" border=\"0\" src=\"http:\/\/2.bp.blogspot.com\/-Z6TnHVwko4Y\/T9drsfuK73I\/AAAAAAAABW8\/lgkz_9E8oIY\/s1600\/Christopher_Buckley.jpg\"><\/a>His new novel involves U.S. dealings with China and is called <i>They Eat Puppies, Don&#8217;t They?<\/i><\/p>\n<p><a href=\"http:\/\/livetalksla.org\/blog\/2012\/01\/17\/an-evening-with-christopher-buckley\/\">Here<\/a> are the details of the event, part of the Live Talks LA series.<\/p>\n<p>Hope to see you in Santa Monica.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>FOLKS, this Thursday, I&#8217;ll be interviewing novelist\/satirist\/National Review apostate Christopher Buckley at Track 16. He may be best known on these shores for his New Yorker humor columns and for writing the novel, Thank You For Smoking, that was adapted into a very good Jason Reitman movie. His new novel involves U.S. dealings with China [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[136,76,34],"tags":[],"class_list":{"0":"post-754","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-conservatism","7":"category-film","8":"category-literary","9":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/posts\/754","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/comments?post=754"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/posts\/754\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/media?parent=754"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/categories?post=754"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/tags?post=754"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}