{"id":750,"date":"2012-06-25T13:29:00","date_gmt":"2012-06-25T20:29:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/culturecrash\/2012\/06\/glen-campbells-farewell.html"},"modified":"2014-10-24T15:57:46","modified_gmt":"2014-10-24T22:57:46","slug":"glen-campbells-farewell","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/culturecrash\/2012\/06\/glen-campbells-farewell.html","title":{"rendered":"Glen Campbell&#8217;s Farewell"},"content":{"rendered":"<p>LAST night, several thousand of us said so long to Glen Campbell. His Hollywood Bowl concert was a kind of cross between a straightforward farewell concert and a posthumous tribute, since the entire first program was made up of other musicians paying homage to various aspects of his work. And the farewell part is not entirely conventional: Campbell is saying goodbye because of an Alzheimer&#8217;s diagnosis.<\/p>\n<p><a href=\"http:\/\/2.bp.blogspot.com\/-vNRnUBbACtg\/T-jYMBuKzVI\/AAAAAAAABbY\/rZzdj2bPYgM\/s1600\/Glen_Campbell_Gentle_on_My_Mind_album_cover.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright\" src=\"http:\/\/2.bp.blogspot.com\/-vNRnUBbACtg\/T-jYMBuKzVI\/AAAAAAAABbY\/rZzdj2bPYgM\/s320\/Glen_Campbell_Gentle_on_My_Mind_album_cover.jpg\" alt=\"\" width=\"320\" height=\"320\" border=\"0\" \/><\/a>Despite a very mixed first half &#8212; more on that later &#8212; Campbell&#8217;s portion of the program was positively triumphant, and makes clear why we&#8217;ll miss him and his like in years to come. Some of the highlights included his opening number, &#8220;Gentle on My Mind,&#8221; &#8220;By the Time I Get to Phoenix,&#8221;\u00a0his cover of Hank&#8217;s &#8220;Lovesick Blues,&#8221; and of course Jimmy Webb&#8217;s &#8220;Wichita Lineman,&#8221; one of the greatest American songs in any genre. It&#8217;s hard not to smile hearing him sing &#8220;Rhinestone Cowboy&#8221; &#8212; his last number before the encore &#8212; though that song is not exactly in the league of the others.<\/p>\n<p>(He&#8217;s one of the rare figures of the AM radio of my youth whose work stands up really well.)<\/p>\n<p>And his guitar playing, especially his solos on his very twangy Stratocaster, took me completely by surprise. Great, fleet-fingered rockabilly-inspired stuff. Great stage presence too.<\/p>\n<p>The first half was much more mixed, despite fine backing by LA roots combo Dawes. The only major \u00a0misstep was putting Courtney Taylor-Taylor of the Dandy Warhols on the bill &#8212; he&#8217;s a real lightweight, here out of his vocal range, and didn&#8217;t bring much to the proceedings. Lucinda Williams sounded a bit tired and under-mic&#8217;ed, but she&#8217;s one of the greatest inheritors of Campbell&#8217;s era. Kris Kristofferson&#8217;s voice has become a bit ragged, but it was good to see him and to have him perform one of the best Campbell-penned numbers, &#8220;Less of Me.&#8221; (The Everly Brothers&#8217; version of that song is a favorite.)<\/p>\n<p>Part of what made these opening songs feel scattered was the range of styles Campbell has been involved with because of his early years as an L.A. session player &#8212; the pure pop of the Monkees (&#8220;Daydream Believer&#8221;), the teenage symphonies of the Beach Boys (&#8220;I Know There&#8217;s an Answer&#8221;), even Elvis (a whole-group version of &#8220;Viva Las Vegas.&#8221;)<\/p>\n<p>Some of the best stuff had little directly to do with Campbell: Jackson Browne captured the regret of one of his best songs, &#8220;These Days,&#8221;and Jenny Lewis&#8217; ironic and nuanced &#8220;Just One of the Guys&#8221; reminded us of what a great melodist she can be.<\/p>\n<p>(The indie fan inside me feel the need to mention that GC played not one but two Scud Mountain Boys songs &#8212; Joe Pernice&#8217;s old band covered both &#8220;Wichita Lineman&#8221; and &#8220;Where&#8217;s the Playground Susie?&#8221;)<\/p>\n<p>But all of these memories, good and bad, fled when Campbell himself came out in a rhinestone jacket, guitar in hand, for the show&#8217;s second half. At 76, he&#8217;s at the top of his game. For this kind of veteran performer, the words, &#8220;and here are some songs from my new album&#8221; can be depressing indeed, but even his new stuff sounded great. (<a href=\"http:\/\/latimesblogs.latimes.com\/music_blog\/2012\/06\/review-glen-campbell-and-friends-at-the-hollywood-bowl.html\">Here<\/a> is a full review by Randall Roberts of the LA Times.)<\/p>\n<p>Let&#8217;s hope we all can go out with the class and dignity with which Campbell has.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>LAST night, several thousand of us said so long to Glen Campbell. His Hollywood Bowl concert was a kind of cross between a straightforward farewell concert and a posthumous tribute, since the entire first program was made up of other musicians paying homage to various aspects of his work. And the farewell part is not [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":2351,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[44,67,30,38],"tags":[],"class_list":{"0":"post-750","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-country","8":"category-hollywood-bowl","9":"category-los-angeles","10":"category-rock-music","11":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/posts\/750","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/comments?post=750"}],"version-history":[{"count":2,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/posts\/750\/revisions"}],"predecessor-version":[{"id":2353,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/posts\/750\/revisions\/2353"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/media\/2351"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/media?parent=750"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/categories?post=750"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/tags?post=750"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}