{"id":744,"date":"2012-08-07T12:06:00","date_gmt":"2012-08-07T19:06:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/culturecrash\/2012\/08\/true-eclecticism-with-wild-up.html"},"modified":"2012-08-07T12:06:00","modified_gmt":"2012-08-07T19:06:00","slug":"true-eclecticism-with-wild-up","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/culturecrash\/2012\/08\/true-eclecticism-with-wild-up.html","title":{"rendered":"True Eclecticism with Wild Up"},"content":{"rendered":"<p>ONE of the oddest and most beautiful concerts I&#8217;ve been to this year took place at the Hammer Museum a few weeks ago.<\/p>\n<p><a href=\"http:\/\/2.bp.blogspot.com\/-FNZABnrApSU\/UCF03g5UE9I\/AAAAAAAABhY\/pnluQHpPe6M\/s1600\/Eastwood_Good_Bad_and_the_Ugly.png\" imageanchor=\"1\"><img loading=\"lazy\" decoding=\"async\" border=\"0\" height=\"289\" src=\"http:\/\/2.bp.blogspot.com\/-FNZABnrApSU\/UCF03g5UE9I\/AAAAAAAABhY\/pnluQHpPe6M\/s320\/Eastwood_Good_Bad_and_the_Ugly.png\" width=\"320\"><\/a>Here&#8217;s a bit of what was on offer as the museum and the musician&#8217;s collective wild Up (they don&#8217;t cap the &#8220;w&#8221;) came together:<\/p>\n<p><span><i><\/i><\/span><\/p>\n<div><i>The fruit of this union was a July concert that began with a conductor in a cowboy hat, a menacing toreador, the sound of tumbleweed being rolled through the museum&#8217;s courtyard, and the twangy strains of Ennio Morricone&#8217;s music for Sergio Leone&#8217;s spaghetti westerns.<\/i><\/div>\n<div><i>By the end of the afternoon, the group had launched ping-pong balls into the air in a tribute to minimalist composer LaMonte Young, and offered a meditative, early-music version of Katy Perry&#8217;s &#8220;California Gurls,&#8221; accompanied, as it happened, by helicopter in a particularly delicate passage. This was not the only place where the city seemed to be conflicting with \u2013 or filling out \u2013 the group&#8217;s music: What police sirens smashed through a song by indie-rock heroes Magnetic Fields, and what sounded like a fire truck roared through the climax of a gnarly early Schoenberg piece.<\/i><\/div>\n<p><a href=\"http:\/\/2.bp.blogspot.com\/-C-AWTQJRA7Q\/UCF1OIYFfAI\/AAAAAAAABhg\/w-FUxdJZkoY\/s1600\/Arnold_Schoenberg_la_1948.jpg\" imageanchor=\"1\"><img decoding=\"async\" border=\"0\" src=\"http:\/\/2.bp.blogspot.com\/-C-AWTQJRA7Q\/UCF1OIYFfAI\/AAAAAAAABhg\/w-FUxdJZkoY\/s1600\/Arnold_Schoenberg_la_1948.jpg\"><\/a><br \/><a href=\"http:\/\/articles.latimes.com\/2012\/aug\/04\/entertainment\/la-ca-cm-wild-up-20120805\">HERE<\/a> is my story on the group, which has a concert at Schoenberg Hall this Saturday and a lot of stuff, at the Hammer and elsewhere, through December. I speak to Hammer curator Elizabeth Cline and the group&#8217;s conductor, Christopher Rountree.<\/p>\n<p>Very much looking forward from more from these guys&#8230;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>ONE of the oddest and most beautiful concerts I&#8217;ve been to this year took place at the Hammer Museum a few weeks ago. Here&#8217;s a bit of what was on offer as the museum and the musician&#8217;s collective wild Up (they don&#8217;t cap the &#8220;w&#8221;) came together: The fruit of this union was a July [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[70,54,132,30,29],"tags":[],"class_list":{"0":"post-744","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-art","7":"category-classical-music","8":"category-hammer-museum","9":"category-los-angeles","10":"category-west-coast","11":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/posts\/744","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/comments?post=744"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/posts\/744\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/media?parent=744"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/categories?post=744"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/tags?post=744"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}