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<\/a>In any case, Rachel is invisible no more. Here sophomore novel, The Flamethrowers<\/a><\/i>, which came out this week, is drawing rave reviews in the US and UK, and enthusiastic coverage, including an NPR interview I have not yet heard. The new novel is about speed, sex, motorcycles, Italy, ’70s New York\u00a0and the art world (a few of our favorite things.)<\/p>\nSo far, it seems to me even better than the Cuba book. (She explored some of the themes in her book in a recent review of Richard Hell’s new memoir in the New York Times Book Review.) ONE of our favorite debuts in recent years is Rachel Kushner’s Telex From Cuba. I was aware of this novel only because of a tip from New York literary agent Chris Calhoun, and once I read the galleys I was a bit abashed to see what a substantial talent was here in my city, until […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[70,93,34,30,48,49,29],"tags":[],"class_list":{"0":"post-706","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-art","7":"category-italian","8":"category-literary","9":"category-los-angeles","10":"category-new-york","11":"category-new-yorker","12":"category-west-coast","13":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/posts\/706","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/comments?post=706"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/posts\/706\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/media?parent=706"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/categories?post=706"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/tags?post=706"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
<\/span>The New Yorker’s James Wood calls it<\/a>\u00a0“scintillatingly alive, and also alive to artifice.” Dwight Garner just wrote one of his characteristically electric reviews<\/a> of the novel.<\/span><\/span>
<\/span><\/span>HERE<\/a> is my interview with Rachel from a few years ago. I recently met with the Echo Park resident at a groovy nearby cafe (braving the treacherously steep Baxter to get there), and have another story on the author and her work coming soon. Until then, pick up The Flamethrowers.<\/i><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"