{"id":3940,"date":"2018-02-21T18:41:19","date_gmt":"2018-02-22T02:41:19","guid":{"rendered":"http:\/\/www.artsjournal.com\/culturecrash\/?p=3940"},"modified":"2018-02-22T10:50:46","modified_gmt":"2018-02-22T18:50:46","slug":"julian-lage-at-the-bootleg-theater","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/culturecrash\/2018\/02\/julian-lage-at-the-bootleg-theater.html","title":{"rendered":"Julian Lage at the Bootleg Theater"},"content":{"rendered":"<p>[contextly_auto_sidebar]<\/p>\n<p>LAST night&#8217;s show by the young Santa Rosa native was one of the greatest jazz gigs your humber blogger has ever seen. Even knowing a few of his records and having seen him play a delicate, restrained, kind of perfect show with pianist Fred Hersch a few years back, I was knocked out by how fleet his playing was, and how well-matched to a more assertive style.<\/p>\n<p>Lage, a onetime child prodigy who turned 30 a few weeks ago, is currently wielding a Telecaster, and playing standing up, with a powerful trio; his new LP, <em>Modern Lore<\/em>, echoes rockabilly and surf guitar as much as it does Eddie Lang or Wes Montgomery. In some ways he seems like the jazz-guitar version of Brad Mehldau, another player who mixes great facility with strong emotion and has been able to engage a relatively young audience. As with Mehldau, who can play Rodgers and Hart of the Beatles, this is not cheesy fusion or a forced art\/ pop marriage &#8212; the melange feels real.<\/p>\n<p>This clip, from a 2016 show at the Blue Whale, gives a sense of his current style. (He plays with a different bassist and drummer these days.)<\/p>\n<p>Let me add that while the Bootleg &#8212; at which I&#8217;ve seen a range of things, from indie rock to a one-man-show &#8212; is always a place I end up enjoying. Intimate and cool in a way I can&#8217;t put my finger on.<\/p>\n<p>&nbsp;<\/p>\n<p><iframe loading=\"lazy\" title=\"Julian Lage - &quot;Nocturne&quot; (Live In Los Angeles)\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/q5ggv-5s4bs?start=13&#038;feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p>For what&#8217;s it&#8217;s worth, there is a new list of best jazz guitarists &#8212; <a href=\"https:\/\/www.udiscovermusic.com\/stories\/best-jazz-guitarists\/\">here<\/a> &#8212; which has some wonderful clips. I don&#8217;t concur with all of it, but I&#8217;m glad to see Grand <a href=\"https:\/\/www.artsjournal.com\/culturecrash\/wp-content\/uploads\/2018\/02\/61bdeiW0ybL._SX425_.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-medium wp-image-3942\" src=\"https:\/\/www.artsjournal.com\/culturecrash\/wp-content\/uploads\/2018\/02\/61bdeiW0ybL._SX425_-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/www.artsjournal.com\/culturecrash\/wp-content\/uploads\/2018\/02\/61bdeiW0ybL._SX425_-300x300.jpg 300w, https:\/\/www.artsjournal.com\/culturecrash\/wp-content\/uploads\/2018\/02\/61bdeiW0ybL._SX425_-150x150.jpg 150w, https:\/\/www.artsjournal.com\/culturecrash\/wp-content\/uploads\/2018\/02\/61bdeiW0ybL._SX425_-100x100.jpg 100w, https:\/\/www.artsjournal.com\/culturecrash\/wp-content\/uploads\/2018\/02\/61bdeiW0ybL._SX425_-200x200.jpg 200w, https:\/\/www.artsjournal.com\/culturecrash\/wp-content\/uploads\/2018\/02\/61bdeiW0ybL._SX425_.jpg 425w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>Green up so high. And worth nothing that Lage is the youngest here.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[contextly_auto_sidebar] LAST night&#8217;s show by the young Santa Rosa native was one of the greatest jazz gigs your humber blogger has ever seen. Even knowing a few of his records and having seen him play a delicate, restrained, kind of perfect show with pianist Fred Hersch a few years back, I was knocked out by [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[30,29],"tags":[718,908],"class_list":{"0":"post-3940","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-los-angeles","7":"category-west-coast","8":"tag-jazz","9":"tag-jazz-guitar","10":"entry","11":"has-post-thumbnail"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/posts\/3940","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/comments?post=3940"}],"version-history":[{"count":5,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/posts\/3940\/revisions"}],"predecessor-version":[{"id":3946,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/posts\/3940\/revisions\/3946"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/media?parent=3940"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/categories?post=3940"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/tags?post=3940"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}