{"id":3034,"date":"2015-01-31T09:04:22","date_gmt":"2015-01-31T17:04:22","guid":{"rendered":"http:\/\/www.artsjournal.com\/culturecrash\/?p=3034"},"modified":"2015-01-31T09:04:54","modified_gmt":"2015-01-31T17:04:54","slug":"the-21st-century-musician","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/culturecrash\/2015\/01\/the-21st-century-musician.html","title":{"rendered":"Introducing The 21st Century Musician"},"content":{"rendered":"<p>[contextly_auto_sidebar id=&#8221;9QYXBUzJHimvnKsbZ6oLELXVvjWIavAs&#8221;]<\/p>\n<p>OVER the last few years I&#8217;ve been diving into the breakdown of the old 20th century creative economy and assessing as best I can the crisis we&#8217;re in now. But I&#8217;ve also been asking myself &#8212; and everybody I know &#8212; how we might move forward. Part of the answer comes from work I&#8217;ve been doing for a new online magazine called the <a title=\"21st C M\" href=\"http:\/\/21cm.org\/\" target=\"_blank\">21st Century Musician<\/a>. The site just went up &#8212; ArtsJournal&#8217;s Greg Sandow is another contributor &#8212; and I think it&#8217;s quite lively and engaging. Its aim is to help orient music students and young musicians trying to figure out a bewildering and transformed landscape.<\/p>\n<p>I&#8217;ve done a few features for the site, including some of the interviews w composers, incl Gabriel Kahane (pictured)<a href=\"https:\/\/www.artsjournal.com\/culturecrash\/wp-content\/uploads\/2015\/01\/Kahane_in_recording_studio.jpeg.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-3035\" src=\"https:\/\/www.artsjournal.com\/culturecrash\/wp-content\/uploads\/2015\/01\/Kahane_in_recording_studio.jpeg.jpeg\" alt=\"Kahane_in_recording_studio.jpeg\" width=\"220\" height=\"228\" \/><\/a>. The most wide-ranging is a <a title=\"ST commissioning story\" href=\"http:\/\/21cm.org\/magazine\/state-of-the-art-form\/2015\/01\/10\/new-models-the-state-of-music-commissioning\/\" target=\"_blank\">story<\/a> on contemporary models for commissioning new music. I start the piece off this way:<\/p>\n<blockquote><p>The state of commissioning in the 21st century is so varied and confusing that even established composers have trouble describing it: to some it\u2019s the best of times, to others, much more trying. The year 2014 shows how transitional the current situation is. The Pulitzer-winning composition, John Luther Adams\u2019s <em>Become Ocean<\/em>, came into being the old-fashioned way, through a commission by the Seattle Symphony. However, the classical Grammy Awards were dominated by a series of songs by Maria Schneider, <em>Winter Morning Walks<\/em>, which was not commissioned by an august organization but crowd-funded on the Internet.<\/p><\/blockquote>\n<p>Please check out this great new site.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[contextly_auto_sidebar id=&#8221;9QYXBUzJHimvnKsbZ6oLELXVvjWIavAs&#8221;] OVER the last few years I&#8217;ve been diving into the breakdown of the old 20th century creative economy and assessing as best I can the crisis we&#8217;re in now. But I&#8217;ve also been asking myself &#8212; and everybody I know &#8212; how we might move forward. Part of the answer comes from work [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[624,693,54,596],"tags":[],"class_list":{"0":"post-3034","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-disruption","7":"category-21st-c-musician","8":"category-classical-music","9":"category-culture-crash-the-book","10":"entry","11":"has-post-thumbnail"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/posts\/3034","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/comments?post=3034"}],"version-history":[{"count":2,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/posts\/3034\/revisions"}],"predecessor-version":[{"id":3037,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/posts\/3034\/revisions\/3037"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/media?parent=3034"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/categories?post=3034"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/culturecrash\/wp-json\/wp\/v2\/tags?post=3034"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}